George Stubbs, Spanish Pointer, c.1766, Oil on canvas, 60.5 x 69.5 cm, Munich, Neue Pinakothek, © Bayerische Staatsgemäldesammlungen, Neue Pinakothek.
Nova Pinacoteca Munique
25 janeiro - 6 maio, 2012
George Stubbs, Turk, a Dog Belonging to the Duke of Rutland, 1778, Oil on wood, 96.5 x 121.9 cm, Private collection, © The Duke of Rutland.
Como um museu hospedando uma das mais importantes coleções de pintura britânica de qualquer lugar do continente, a Neue Pinakothek lança os holofotes sobre a arte Inglêsa com a exposição George Stubbs (1724-1806), Ciência na Arte.
As a museum holding one of most important collections of British painting anywhere on the continent, the Neue Pinakothek casts the spotlight on English art with the exhibition George Stubbs (1724-1806), Science into Art.
George Stubbs, Lord Torrington's Hunt Servants Setting out from Southill, Bedfordshire, c. 1767, Oil on canvas, 61 x 105 cm, Private collection, © The Bridgeman Art Library.
Isto marca a primeira grande mostra de obras do artista em um museu europeu fora da Grã-Bretanha. Stubbs conseguiu seu alto grau de fama através de seus retratos realistas de cavalos e animais exóticos, que são baseados em uma observação precisa da natureza.
This marks the first ever major showing of the artist’s works in a European museum outside of Great Britain. Stubbs achieved his high degree of fame through his realistic portraits of horses and exotic animals, which are based on a precise observation of nature.
George Stubbs, Sir Peniston and Lady Elizabeth Lamb, later Lord and Lady Melbourne, with Lady Lamb's Father, Sir Ralph Milbanke (The Milbanke and Melbourne Families), c. 1769, Oil on canvas, 97.2 x 149.3 cm, London, The National Gallery, © The National Gallery, London.
Como poucos outros artistas, ele conseguiu forjar uma pesquisa empírica e estética em uma nova síntese em suas pinturas
Like few other artists, he managed to forge empirical research and aesthetics into a new synthesis in his paintings.
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George Stubbs, Finished study for 'The Third Anatomical Table of the Muscles ... of the Horse,' c.1756-58, Pencil on paper, 36.8 x 50.2 cm, London, Royal Academy of Arts, © London, Royal Academy of Arts.
A exposição contém cerca de 30 pinturas que, juntas, traçam o espectro completo de produção artística George Stubbs.
The exhibition contains some 30 paintings which together outline the full spectrum of George Stubbs’s artistic output.
George Stubbs, Tygers at Play, 1780, Etching, 37.3 x 47.7 cm (Plate), 48.3 x 65.7 cm (Sheet), London, The British Museum, © The Trustees of the British Museum.
A lista de emprestadores para a mostra de Munique inclui algumas das mais importantes coleções e museus no Reino Unido, como a Royal Collection, a National Gallery e Tate Britain, em Londres.
The list of lenders for the Munich show includes some of the most important collections and museums in the United Kingdom, such as the Royal Collection, the National Gallery and Tate Britain in London.
George Stubbs, Turf, with Jockey up, at Newmarket, c. 1766, Oil on canvas, 96.5 x 124.5 cm, New Haven, Yale Center for British Art, Paul Mellon Collection, © Yale Center for British Art, Paul Mellon Collection.
Além disso, inúmeras obras particulares e castelos de vários países na Grã-Bretanha formam enviadas para Munique.
In addition, numerous works from various country homes and castles in Britain are sent to Munich.
George Stubbs, Zebra, 1763, Oil on canvas, 102.9 x 127.6 cm, New Haven, Yale Center for British Art, Paul Mellon Collection, © Yale Center for British Art, Paul Mellon Collection.
Estas obras têm permanecido na posse dos comissários dos descendentes originais até hoje e incluem as telas pintadas por Stubbs para Lord Rockingham e o duque de Rutland.
These works have remained in the possession of the descendants of the original commissioners up to today and include the canvases Stubbs painted for Lord Rockingham and the Duke of Rutland.
Portrait Study of George Stubbs, 1777, Black and white chalk on brown paper, 42 x 36 cm, Private collection, © The Trustees of the Rt. Hon. Olive, Countess Fitzwilliam's Chattels Settlement, by permission of Lady Juliet Tadgell.
Além disso, uma seleção de desenhos excepcionais sobre o tratado anatômico (A Anatomia do Cavalo) poderá ser vista - um grupo de obras que ocupam um lugar particularmente importante nas coleções da Royal Academy of Arts em Londres.
In addition, a selection of exceptional drawings for the anatomical treatise The Anatomy of the Horse will be on view — a group of works that hold a particularly valuable place in the collections of the Royal Academy of Arts in London.
George Stubbs, Mares and Foals, 1762, Oil on canvas, 99 x 190.5 cm, Private collection, © The Trustees of the Rt. Hon Olive, Countess Fitzwilliam's Chattels Settlement, by permission of Lady Juliet Tadgell.
George Stubbs, Cheetah and Stag with Two Indian Attendants, 1765, Oil on canvas, 180.7 x 273.3 cm, Commissioned by George Pigot, 1st Baron Pigot (1719-1777), Patshull Hall, Staffordshire – Manchester Art Gallery, © Manchester, Manchester Art Galleries.
Como um gravador excepcional que experimentou várias técnicas de gravura, George Stubbs também criou uma obra pequena, mas notável de gravuras consistindo principalmente de representações da fauna exótica. Cópias destas são extremamente raros, e serão empréstadas pelo Museu Britânico.
As an exceptional printmaker who experimented with various etching techniques, George Stubbs also created a small yet remarkable oeuvre of engravings consisting primarily of depictions of exotic fauna. Prints of these are extremely rare, and will be on loan from the British Museum
George Stubbs, Soldiers of the 10th (Prince of Wales's Own) Regiment of Light Dragoons, 1793, Oil on canvas, 102.2 x 127.9 cm, London, Carlton House, © The Royal Collection, Her Majesty Queen Elizabeth II.
George Stubbs, The Prince of Wales's Phaeton, with the Coachman Samuel Thomas and a Tiger-Boy, 1793, Oil on canvas, 102.2 x 128.3 cm, London, Carlton House, © The Royal Collection, Her Majesty Queen Elizabeth II.
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