tag:blogger.com,1999:blog-87543944838353040982024-03-08T17:12:46.038-03:00Gabinete de CuriosidadesConhecer lugares fora do circuito tradicional!
Dicas de viagens, exposições, teatros, lojas e restaurantes em diversos lugares do mundo!
Visit places outside the traditional circuit!
Travel tips, exhibitions, theaters, shops and restaurants in various parts of the world!Anonymoushttp://www.blogger.com/profile/10370422379136607865noreply@blogger.comBlogger700125tag:blogger.com,1999:blog-8754394483835304098.post-22574527708100376782016-01-08T18:18:00.001-02:002016-01-08T18:30:14.254-02:00Afrescos da Villa Barbaro, Maser (1560-1561) por Paolo Veronese<a href="http://3.bp.blogspot.com/-ZV3QDprYz4A/VpAGcd7LchI/AAAAAAABx-c/2TXdxYvEGds/s1600/12466050_1311262692233313_6467982963466606427_o.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a>
Villa Barbaro<br />
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Também conhecida como Villa di Maser ou Villa Volpi, é uma villa italiana do Vêneto situada em Maser, Província de Treviso.<br />
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Foi desenhada pelo arquiteto italiano Andrea Palladio, entre 1554 e 1560, para dois dos seus mais importantes mecenas, os irmãos Barbaro. A família Barbaro é uma antiga família nobre veneziana que já ostentava cargos na República de Veneza no século IX.<br />
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Palladio transformou o velho palácio medieval da família numa esplêndida habitação de campo, adequada ao estudo das artes e à contemplação intelectual, decorada com um ciclo de afrescos que representa uma das obras-primas de Paolo Veronese.<br />
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O complexo da villa, que também inclui um templo palladiano, está classificado, desde 1996, como Património Mundial da Humanidade pela UNESCO, juntamente com as outras villas palladianas do Vêneto.<br />
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Salão em forma de cruz<br />
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vista da sala em forma de cruz - 1560-61<br />
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A sala leva o seu nome a partir da forma de uma cruz que Palladio desenhou para criar um hall central no coração da vida da Villa. As paredes estão decoradas por o ciclo de afrescos de Paolo Veronese (15028-88), que é uma de suas obras-primas.<br />
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<a href="http://1.bp.blogspot.com/-uUfgJzk4z5w/VpAITejhK4I/AAAAAAABx-0/Nv8Pc-q4XTQ/s1600/12402012_1311292668896982_7688974126579818621_o.jpg" imageanchor="1"><img border="0" height="197" src="http://1.bp.blogspot.com/-uUfgJzk4z5w/VpAITejhK4I/AAAAAAABx-0/Nv8Pc-q4XTQ/s320/12402012_1311292668896982_7688974126579818621_o.jpg" width="320" /></a><br />
vista da sala em forma de cruz - 1560-61<br />
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Os afrescos são o triunfo do trompe l'oeil, a técnica da arquitetura pintada: colunas e arcos para fora saidas do pincel de Veronese enquadram paisagens que ecoam com as reais fora das grandes janelas.<br />
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vista da sala em forma de cruz - 1560-61<br />
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Lanças e alabardas descansam nos cantos convidando a deixar os fardos das batalhas diárias e desfrutar dos prazeres da vida na vila.<br />
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Uma pajem e uma menina despontam para dar as boas vindas das portas, enquanto nos nichos mulheres animar o ambiente com sua música.<br />
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musicista<br />
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musicista<br />
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teto na sala do Olimpo<br />
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O coração da casa, a sala central, onde espera a Senhora Barbaro pintada por Paolo Veronese na balaustrada, na abóboda de afrescos, onde estão representados os deuses do Olimpo.<br />
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Senhora Barbaro atras do parapeito<br />
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O olhar se expande em todas as direções, revelando as perspectivas reais dos quartos que se abrem em sucessão sobre as portas, ao exterior para o Ninfeu, ou no alto em direção à abóboda.<br />
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À estas são adicionadas as perspectivas pintadas por Paolo Veronese: paisagens, colunas, nichos com estátuas (serão estátuas ou pessoas? Quem saberia dizer, o pintor nos deixa em dúvida). Em seguida, até a balaustrada a Senhora Barbaro com a babá e os três filhos.<br />
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Mais ao alto as estações representadas nas lunetas, em seguida, os quatro elementos nos cantos e, finalmente, no octagono central as divindades do Olimpo.<br />
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Ao centro, um mundo para além das nuvens, chega uma figura de mulher em um monstro alado para trazer uma mensagem de salvação e de harmonia universal.<br />
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vista da sala do Olimpo em direção sul<br />
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vista da sala do Olimpo em direção leste.<br />
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Stanza del cane (sala do cachorro) Paolo Veronese <br />
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Stanza del cane (sala do cachorro) Paolo Veronese - Villa Barbaro, situada em Maser, Província de Treviso, Itália<br />
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A parede do fundo está decorada com uma paisagem ilusionista, cobrindo a parede e dando luz ao ambiente.<br />
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Acima, na luneta, a Sagrada Família com Santa Catarina e São João menino está retratado.<br />
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A sala recebeu seu nome devido à presença de um cão pequeno pintado em um lado da sala.<br />
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Fidalgo em Traje de Caça<br />
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paisagem<br />
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Homem mortal guiado para a divina eternidade<br />
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Teto na Sala da lamparina<br />
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Fortuna<br />
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Vista frontal da da propriedade <br />
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visita. localização e horários<br />
http://www.villadimaser.it/it/visite<br />
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Ninfeu<br />
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O Ninfeu (Villa Barbaro, Treviso)<br />
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No fundo da villa existe um ninfeu, uma estrutura arquitetônica com arcos que emoldura um manancial natural que surgiu desde a antiguidade.<br />
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Este ninfeu é dedicado aos espíritos dos bosques, em honra da envolvência campestre da villa.<br />
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Tem sete estátuas figurativas em nichos e quatro figuras que praticamente se mantêm em pé por si só e podem ter sido esculpidas pelo próprio Marcantonio Barbaro.<br />
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O manancial forma um tanque que pode ser usado para pescar.<br />
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A água também fluia para a cozinha e regava os jardins.<br />
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Anonymoushttp://www.blogger.com/profile/10370422379136607865noreply@blogger.com20tag:blogger.com,1999:blog-8754394483835304098.post-13313587766337924122015-11-16T12:14:00.000-02:002015-11-16T12:16:29.189-02:00As cidades imperiais do Marrocos Ao grande rei, uma grande cidade, explicou o historiador Ibn Khaldoun século XIV. Em Marrocos, as quatro cidades de Fez, Marrakech, Rabat e Meknes parecem ter sido criadas para ilustrar esta afirmação. Uma vez que um governante escolheu uma deles para viver com sua corte, tornando-se de fato o objeto de suas atenções. Assim, sucessivamente, as quatro cidades estão cobertas de monumentos ao grande prestígio de quem elegeu como o seu domicílo.<br />
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<span style="font-size: xx-small;">apontamentos de viagem de Delacroix ao Marrocos 1832 museu do Louvre </span><br />
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Marrocos, sob o olhar de Delacroix e Matisse</div>
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O século XIX é o século das viagens: depois do retorno de Bonaparte do Egito, a geração romântica vai olhar para além dos mares para tentar curar sua melancolia. Pouco depois do aparecimento dos gênios na poesia de Victor Hugo (Les Orientales, 1829), Eugène Delacroix embarca para Marrocos nas bagagens da missão diplomática do Conde de Mornay.</div>
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Cansado do neo-classicismo e suas paisagens antiquadas, busca novas fontes de inspiração para expressar suas paixões. Ele encontra um lugar para todos os pintores, onde o olho do artista está em festa, enfeitiçado por trajes drapejados, massagem de fantasias, e os jogo de luz ...</div>
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<span style="font-size: x-small;">Casamento judaico em Marrocos 1839 Eugène Delacroix</span></div>
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De Tânger à Meknes, monumentos, paisagens e naturalmente belas nativas, acabam esboçadas em seus cadernos. De volta à Paris após seis meses de viagem, ele mergulhou em seus esboços para executar algumas de suas pinturas mais famosas, como o casamento judaico no Marrocos (1841).</div>
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<a href="http://3.bp.blogspot.com/-KtH1qL13yXo/VknE1VSZeDI/AAAAAAABx8o/KLY4M12G_14/s1600/Henri_Matisse%252C_1911-12%252C_La_Fen%25C3%25AAtre_%25C3%25A0_Tanger_%2528Paysage_vu_d%2527une_fen%25C3%25AAtre_Landscape_viewed_from_a_window%252C_Tangiers%2529%252C_oil_on_canvas%252C_115_x_80_cm%252C_Pushkin_Museum.jpg"><img border="0" src="http://3.bp.blogspot.com/-KtH1qL13yXo/VknE1VSZeDI/AAAAAAABx8o/KLY4M12G_14/s320/Henri_Matisse%252C_1911-12%252C_La_Fen%25C3%25AAtre_%25C3%25A0_Tanger_%2528Paysage_vu_d%2527une_fen%25C3%25AAtre_Landscape_viewed_from_a_window%252C_Tangiers%2529%252C_oil_on_canvas%252C_115_x_80_cm%252C_Pushkin_Museum.jpg" /></a><br />
<span style="font-size: xx-small;">Janela em Tânger por Henri Matisse</span><br />
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Na sequência, outros atravessarão o Mediterrâneo para renovar sua inspiração, como Henri Matisse, que não hesitará em declarar: "A revelação veio a mim à partir do Oriente".<br />
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Formas, contrastes e novas cores nascerão de sua estadia em Tânger em 1912. Esta experiência levou-o a simplificar suas composições e jogar com a justaposição de cores.</div>
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medina de Fez: o souk dos curtidores<br />
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Fez, e os letrados</div>
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Fugindo dos califas de Bagdá, Moulay Idriss, um descendente do Profeta, encontrou em 789 refúgio perto da tribos Bérberes no centro do Marrocos. Quando ele finalmente goza de um pouco de descanso à beira dos riachos de Fez, o lugar que ele escolheu para fundar a primeira cidade muçulmana.</div>
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Rapidamente, a pequena cidade cresce em população, especialmente durante a chegada dos andaluzes expulsos da Espanha em 818 e em seguida a das famílias de artesãos árabes vindos da Tunísia.</div>
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Cidade comercial, graças à sua posição central no sopé do Médio Atlas, Fez é também um centro de reputação cultural a ser designada como a Atenas da África.</div>
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Negligenciadas pelos governantes no final do século XV, vítima da peste e da fome, ele afunda na miséria. Só no final do século XIX encontrou o seu lustro no país.</div>
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A Medina (parte antiga) de Fez foi premiada em 1976 pela UNESCO no que diz respeito ao número de seus monumentos de interesse arquitetônico.</div>
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Os souks: dentro da cidade velha, são um labirinto de ruas estreitas que levam o visitante para os bazares e bairros artesãos.</div>
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Destes, os restos mais famosos e mais espetaculares são os curtidores, instalados desde a Idade Média perto do riacho que pode encher seus tanques de água para a coloração de peles.</div>
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<a href="http://2.bp.blogspot.com/-rvJiGd4MZ-U/VknFDe02PCI/AAAAAAABx9A/wY7RlyrL1GI/s1600/marrakech-koutoubia_maxi.jpg"><img border="0" src="http://2.bp.blogspot.com/-rvJiGd4MZ-U/VknFDe02PCI/AAAAAAABx9A/wY7RlyrL1GI/s320/marrakech-koutoubia_maxi.jpg" /></a><br />
<span style="font-size: xx-small;">Mesquita Kutubiya - Marrakesh </span><br />
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Marrakech, "aquele que alegra o coração do homem"</div>
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Cidade de berberes nômades do Sul , Marrakech ocupa um lugar especial na história do Marrocos.</div>
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Fundada no século XI, o oásis torna-se o centro do império Almoravida que, em seguida, estende-se a partir daEspanha até a Nigéria.</div>
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Enriquecida pelas caravanas, ela se cobre com edifícios em estilo mouriscos, inspirado na Andaluzia.</div>
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Isso, infelizmente, não do gosto do sultão do almóada que ocupou a cidade em 1147 ...</div>
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Inspirado por um Islã mais rigoroso, o soberano manda destruiur os palácios e mesquitas para substituí-los com edifícios mais sóbrios em um estilo original, inspirados por tradições saarianas, como a Koutoubia.</div>
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<a href="http://2.bp.blogspot.com/-celoodPdSHU/VknFH3s7vdI/AAAAAAABx9I/rVmJUUvc4AQ/s1600/marrakech-kouba.jpg"><img border="0" src="http://2.bp.blogspot.com/-celoodPdSHU/VknFH3s7vdI/AAAAAAABx9I/rVmJUUvc4AQ/s320/marrakech-kouba.jpg" /></a><br />
<span style="font-size: xx-small;">Qubba Almorávida - medina de Marrakesh , Marrocos.</span><br />
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Nos seus jardins requintados, Marrakesh atrai os grandes poetas e pensadores da época, como o filósofo Averróis.</div>
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Enfraquecido pela decadêncai dos almóadas de 1199 Marrakech volta a ser a capital no século XVI e, em seguida, tira proveito de ouro amplamente relatado em Timbuktu pelos Saadianos.</div>
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Os séculos seguintes foram compostos por períodos de esplendor e declínio, marcando a passagem de cada soberano por alguns edifícios antes que a cidade fosse novamente abandonada.</div>
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O estabelecimento do protetorado francês, em 1912, marcou o início da modernização, com a construção de novos distritos administrativos, sob a liderança do general Lyautey.</div>
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<a href="http://4.bp.blogspot.com/-at4lviac7NQ/VknFTIqevtI/AAAAAAABx9Q/LCuN8QCOb98/s1600/marrakech-menara_maxi.jpg"><img border="0" src="http://4.bp.blogspot.com/-at4lviac7NQ/VknFTIqevtI/AAAAAAABx9Q/LCuN8QCOb98/s320/marrakech-menara_maxi.jpg" /></a><br />
<span style="font-size: xx-small;">Jardins de Menara, Marrakech.</span><br />
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Os Jardim de Menara: criados no século XII pelo Sultão Almorávida em torno de um tanque de água, foram renovados em jardins de recreio do século XIX e se tornaram famosos graças à presença de um pequeno pavilhão saadiano cuja imagem se reflete na água do tanque. </div>
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<a href="http://4.bp.blogspot.com/-sYdiN8TcsdA/VknFXz5hzhI/AAAAAAABx9Y/D1MvUCAbGQw/s1600/jardim%2Bmajorelle.jpg"><img border="0" src="http://4.bp.blogspot.com/-sYdiN8TcsdA/VknFXz5hzhI/AAAAAAABx9Y/D1MvUCAbGQw/s320/jardim%2Bmajorelle.jpg" /></a><br />
<span style="font-size: xx-small;">Jardim Majorelle , Marrakech.</span><br />
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O Jardim Majorelle, elaborado pelo pintor Jacques Majorelle em 1920, foi restaurado pelo estilista Yves Saint Laurent, que devoveu todo o seu brilho às famosas paredes azuis de Majorelle que cobrem as pérgolas.</div>
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Kasbah dos Oudaias - Rabat<br />
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Rabat, cidade dos corsários</div>
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De origem fenícia, Rabat deve o seu nome a um ribat, monastério fortificado construído no século décimo. Esta identidade guerreira não desmentirá mais tarde pois a cidade dos soberanso almóadas se tornará o ponto de partida da luta contra os espanhóis no século XII.</div>
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<span style="white-space: pre-wrap;">Após um período de imobilidade, estes são os últimos mouros da Espanha que vai oferecer a este porto um novo século de prosperidade: os </span><span style="white-space: pre-wrap;">refugiados </span><span style="white-space: pre-wrap;"> do século XVII em Rabat, se tornam corsários e até mesmo acabam criando uma (República dos dois rios) independentes do governo central.</span></div>
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<span style="white-space: pre-wrap;">A aventura termina em 1930 com a ocupação de Argel pelos franceses, mas Rabat não cai no esquecimento: ela é escolhida como a capital do protetorado em 1912 antes de se tornar a capital administrativa do reino.</span></div>
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<span style="font-size: xx-small;">Torre Hassan (1195) em Rabat, Marrocos,</span><br />
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A grande mesquita desapareceu: ela deve ter sido a maior do mundo, com seus 424 pilares. Desejada pelos almóadas, no século XII, acabou como um campo de colunas ao redor da torre de Hassan, cujos 44 metros mal refletem a majestade que originou o conjunto. </div>
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É perto, que o rei Mohammed V, o pai da independência, escolheu para construir seu mausoléu para conter seu sarcófago esculpido em um único bloco de ônix branco.</div>
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<a href="http://3.bp.blogspot.com/-WcOyeLzopwM/VknKSU2EniI/AAAAAAABx90/negiRNziMEw/s1600/mausol%25C3%25A9u%2Bde%2Bmoulay%2Bismail.jpg"><img border="0" src="http://3.bp.blogspot.com/-WcOyeLzopwM/VknKSU2EniI/AAAAAAABx90/negiRNziMEw/s320/mausol%25C3%25A9u%2Bde%2Bmoulay%2Bismail.jpg" /></a><br />
<span style="font-size: xx-small;">Mausoléu de Mulai Ismail em Meknès, Marrocos</span><br />
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Meknes, uma Versailles nas laranjeiras</div>
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Meknes é a cidade de Moulay Ismail, um príncipe.</div>
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Contemporâneo de Louis XIV que ele pediu a mão de sua filha Anne-Marie de Bourbon, o soberano alauita tanto admirava o Rei Sol, com o qual ele queria se igualar a todo custo</div>
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É por isso que ele multiplicou à partir de 1672 os canteiros para fazer sua capital digna dos maiores. </div>
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Em poucos anos, sob a ação de um exército de trabalhadores,se construiram quilômetros de paredes, palácios, piscinas ...</div>
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Objeto de uma efervescência arquitetônica de meio século, a pequena cidade famosa por suas oliveiras mudou completamente de aparência para realizar o sonho do Sultão. Com a morte deste, os seus sucessores gradualmente negligenciaram os monumentos e a própria cidade, que perdeu a sua posição de capital.</div>
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<a href="http://2.bp.blogspot.com/--ZyMro0W6Y8/VknKVxOe5HI/AAAAAAABx98/vDaC7teWwR8/s1600/est%25C3%25A1bulos.jpg"><img border="0" src="http://2.bp.blogspot.com/--ZyMro0W6Y8/VknKVxOe5HI/AAAAAAABx98/vDaC7teWwR8/s320/est%25C3%25A1bulos.jpg" /></a><br />
<span style="font-size: xx-small;">Ruínas Dos Estábulos Reais Em Meknes, Marrocos</span> </div>
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As muralhas e portas: Bab el Mansour el Aleuj levaria seu nome de Mansour o Renegado, um arquiteto cristão que teria imaginado no século XVIII este portão monumental, o mais belo do Marrocos. Com dezenas de outras portas, da cidade, ela permite cruzar as paredes 3 metros de altura que cercam a medina e o palácio.</div>
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Os celeiros e antigos estábulos: são paredes de 4 metros de espessura e canalizações subterrâneas que permitiram manter o frescor necessário para a preservação de alimentos. Na proximidade, estábulos que se estendem ao longo de 4 hectares não tinham menos que 12.000 cavalos.</div>
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Anonymoushttp://www.blogger.com/profile/10370422379136607865noreply@blogger.com0Marrocos31.791702 -7.092620000000010818.0550195 -27.74691700000001 45.5283845 13.561676999999989tag:blogger.com,1999:blog-8754394483835304098.post-91863103050054290392015-10-29T13:08:00.001-02:002015-10-29T14:09:31.877-02:00De Gauguin à Picasso - obras primas da Suiça <br />
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<a href="http://3.bp.blogspot.com/-zNGeVho-vRo/VjItTA8_YVI/AAAAAAABx5I/CNjTZoq5wsc/s1600/Pablo%2BPicasso%252C%2BHarlequin%2Bwith%2BBlack%2BMask%252C%2B1918.%2B-%2BThe%2BRudolf%2BStaechelin%2BCollection.jpg"><img border="0" src="http://3.bp.blogspot.com/-zNGeVho-vRo/VjItTA8_YVI/AAAAAAABx5I/CNjTZoq5wsc/s320/Pablo%2BPicasso%252C%2BHarlequin%2Bwith%2BBlack%2BMask%252C%2B1918.%2B-%2BThe%2BRudolf%2BStaechelin%2BCollection.jpg" /></a><br />
<span style="font-size: xx-small;">Pablo Picasso, Harlequin with Black Mask, 1918. Oil on wood, 45 5/8 x 35 in. The Rudolf Staechelin Collection © 2015 Estate of Pablo Picasso / Artists Rights Society (ARS), New York</span><br />
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10 de outubro de 2015 - 10 de janeiro de 2016<br />
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The Phillips Collection - Washington. US</div>
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<a href="http://3.bp.blogspot.com/-wIM6UxxKtAA/VjItYmCe8xI/AAAAAAABx5Q/FUMmikE8g8g/s1600/Cuno%2BAmiet%252C%2BBouquet%2Bof%2BCarnations%252C%2B1916.%2B%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://3.bp.blogspot.com/-wIM6UxxKtAA/VjItYmCe8xI/AAAAAAABx5Q/FUMmikE8g8g/s320/Cuno%2BAmiet%252C%2BBouquet%2Bof%2BCarnations%252C%2B1916.%2B%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Cuno Amiet, Bouquet of Carnations, 1916. Oil on canvas, 23 5/8 x 21 5/8 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © Mark Gisler, Müllheim</span> <br />
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Escolhidas entre duas grandes coleções particulares, Gauguin a Picasso: Obras Primas da Suíça apresenta mais de 60 obras celebrando os trabalhos de 22 importantes artistas de meados das décadas de séculos 19 e 20.<br />
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<a href="http://3.bp.blogspot.com/-3EECqyTCXwQ/VjIteXSi1wI/AAAAAAABx5Y/vC0nNLvJOoA/s1600/Paul%2BC%25C3%25A9zanne%252C%2BGlass%2Band%2BApples%252C%2B1879%25E2%2580%25931882.%2B%2BThe%2BRudolf%2BStaechelin%2BCollection%2B%2BKunstmuseum%2BBasel%252C%2BMartin%2BP.%2BB%25C3%25BChler.jpg"><img border="0" src="http://3.bp.blogspot.com/-3EECqyTCXwQ/VjIteXSi1wI/AAAAAAABx5Y/vC0nNLvJOoA/s320/Paul%2BC%25C3%25A9zanne%252C%2BGlass%2Band%2BApples%252C%2B1879%25E2%2580%25931882.%2B%2BThe%2BRudolf%2BStaechelin%2BCollection%2B%2BKunstmuseum%2BBasel%252C%2BMartin%2BP.%2BB%25C3%25BChler.jpg" /></a><br />
<span style="font-size: xx-small;">Paul Cézanne, Glass and Apples, 1879–1882. Oil on canvas, 12 3/8 x 15 3/4 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler</span><br />
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Amigos da Basiléia, na Suíça, Rudolf Staechelin (1881-1946) e Karl Im Obersteg (1883-1969) eram partidários de arte moderna e patronos do Kunstmuseum de Basileia, onde estas pinturas estão regularmente em exposição.</div>
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<a href="http://4.bp.blogspot.com/-0l-SR58iuHI/VjItld8S0zI/AAAAAAABx5g/WW1xW5pS1Hs/s1600/Paul%2BC%25C3%25A9zanne%252C%2BThe%2BHouse%2Bof%2BDr.%2BGachet%252C%2BAuver-sur-%2BOise%252C%2BThe%2BRudolf%2BStaechelin%2BCollection%2B%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://4.bp.blogspot.com/-0l-SR58iuHI/VjItld8S0zI/AAAAAAABx5g/WW1xW5pS1Hs/s320/Paul%2BC%25C3%25A9zanne%252C%2BThe%2BHouse%2Bof%2BDr.%2BGachet%252C%2BAuver-sur-%2BOise%252C%2BThe%2BRudolf%2BStaechelin%2BCollection%2B%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Paul Cézanne, The House of Dr. Gachet, Auver-sur- Oise, 1873. Oil on canvas, 22 x 18 1/2 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler</span> <br />
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Em áreas da Suíça durante as primeiras décadas do século 20, o trabalho dos artistas na França ganharam enorme ressonância. A troca de idéias através da circulação de exposições de arte moderna francesas e publicações para as principais cidades europeias, juntamente com a viagem de artistas, marchands, críticos e colecionadores, inspiraram uma geração de patronos suíços de mentalidade independente. Várias amizades cultivadas com artistas e marchands, eles estabeleceram coleções significativas de arte impressionista e pós-impressionista francêsa nas principais cidades suíças.</div>
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<a href="http://2.bp.blogspot.com/-6C6jhlHjDjU/VjItn8creBI/AAAAAAABx5o/O_8a9_ifuIo/s1600/Marc%2BChagall%252C%2BJew%2Bin%2BBlack%2Band%2BWhite%252C%2B1914.%2BOil%2Bon%2Bcardboard%2Blaid%2Bdown%2Bon%2Bcanvas%2B-%2B%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://2.bp.blogspot.com/-6C6jhlHjDjU/VjItn8creBI/AAAAAAABx5o/O_8a9_ifuIo/s320/Marc%2BChagall%252C%2BJew%2Bin%2BBlack%2Band%2BWhite%252C%2B1914.%2BOil%2Bon%2Bcardboard%2Blaid%2Bdown%2Bon%2Bcanvas%2B-%2B%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Marc Chagall, Jew in Black and White, 1914. Oil on cardboard laid down on canvas, 39 3/4 x 31 1/2 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © 2015 Artists Rights Society (ARS), New York / ADAGP, Paris</span> <br />
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Staechelin e Im Obersteg faziam parte desse espírito de colecionadores. Sua admiração compartilhada pelos pintores suíços modernos, como Ferdinand Hodler e Cuno Amiet trouxeram uma paixão pela cor dramática encontrada no trabalho dos impressionistas, pós-impressionista, expressionistas, e da Escola de artistas de Paris. </div>
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<a href="http://2.bp.blogspot.com/-kayEz9XpWL0/VjItp-nkXFI/AAAAAAABx5w/hqmJPPrhc_g/s1600/Marc%2BChagall%252C%2BJew%2Bin%2BGreen%252C%2B1914.%2B-%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://2.bp.blogspot.com/-kayEz9XpWL0/VjItp-nkXFI/AAAAAAABx5w/hqmJPPrhc_g/s320/Marc%2BChagall%252C%2BJew%2Bin%2BGreen%252C%2B1914.%2B-%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Marc Chagall, Jew in Green, 1914. Oil on cardboard laid down on fiberboard, 39 1/2 x 32 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © 2015 Artists Rights Society (ARS), New York / ADAGP, Paris</span> <br />
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Através de marchands, Staechelin reuniu uma seleção notável de Paul Gauguin, Vincent van Gogh, e Camille Pissarro. A amizades de Im Obersteg com artistas como Marc Chagall e Alexej von Jawlensky levaram a uma coleção rara em profundidade. Ambos Staechelin e Im Obersteg colecionaram pinturas de Paul Cézanne, Hodler, e Pablo Picasso.</div>
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<a href="http://1.bp.blogspot.com/-Eh08ZhPbKSo/VjItsl3b2tI/AAAAAAABx54/xr-FCljsoZk/s1600/Marc%2BChagall%252C%2BJew%2Bin%2BRed%252C%2B1914%2B-%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://1.bp.blogspot.com/-Eh08ZhPbKSo/VjItsl3b2tI/AAAAAAABx54/xr-FCljsoZk/s320/Marc%2BChagall%252C%2BJew%2Bin%2BRed%252C%2B1914%2B-%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Marc Chagall, Jew in Red, 1914. Oil on cardboard laid down on canvas, 39 3/4 x 31 7/8 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © 2015 Artists Rights Society (ARS), New York / ADAGP, Paris</span><br />
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Uma seleção de suas propriedades consideradas "coleções irmãs" - estão exibidas juntos, pela primeira vez nos Estados Unidos, incluindo O jardim de Daubigny (1890) de Vincent van Gogh, a tela Mulher de dupla face de Pablo Picasso no Teatro / O bebedor de absinto (1901), e três retratos monumentais de Marc Chagall desde 1914, judeu em vermelho, judeu em preto e branco e judeu em verde. A exposição também apresenta a Nafea Faaipoipo de Paul Gauguin (Quando você se casará?) (1892), uma pintura de grande importância da primeira estadia Tahitiana do artista.</div>
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<a href="http://2.bp.blogspot.com/-8XIPR_ENu9U/VjItugw53xI/AAAAAAABx6A/MaUpno7jXgQ/s1600/Paul%2BGauguin%252C%2BNAFEA%2Bfaaipoipo%2B%2528When%2BWill%2BYou%2BMarry%2529%252C%2B1892%2BThe%2BRudolf%2BStaechelin%2BCollection%2B%2B-%2B%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://2.bp.blogspot.com/-8XIPR_ENu9U/VjItugw53xI/AAAAAAABx6A/MaUpno7jXgQ/s320/Paul%2BGauguin%252C%2BNAFEA%2Bfaaipoipo%2B%2528When%2BWill%2BYou%2BMarry%2529%252C%2B1892%2BThe%2BRudolf%2BStaechelin%2BCollection%2B%2B-%2B%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Paul Gauguin, NAFEA faaipoipo (When Will You Marry?), 1892. Oil on canvas, 40 x 30 1/2 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler</span><br />
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<a href="http://1.bp.blogspot.com/-XaU2uBfOsrI/VjItwmh0UeI/AAAAAAABx6I/jOx7c_UhP8s/s1600/Ferdinand%2BHodler%252C%2BMont-Blanc%2Bwith%2BPink%2BCloud%252C%2B1918.%2BThe%2BRudolf%2BStaechelin%2BCollection%2B%2B-%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://1.bp.blogspot.com/-XaU2uBfOsrI/VjItwmh0UeI/AAAAAAABx6I/jOx7c_UhP8s/s320/Ferdinand%2BHodler%252C%2BMont-Blanc%2Bwith%2BPink%2BCloud%252C%2B1918.%2BThe%2BRudolf%2BStaechelin%2BCollection%2B%2B-%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Ferdinand Hodler, Mont-Blanc with Pink Cloud, 1918. Oil on canvas, 23 2/3 x 33 1/2 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler</span><br />
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<a href="http://4.bp.blogspot.com/-qwbQYWanbKo/VjItzH9_hWI/AAAAAAABx6Q/AYOAzcdUBcY/s1600/Ferdinand%2BHodler%252C%2BThe%2BPatient%252C%2Bpainted%2B1914%252C%2Bdated%2B1915.%2BThe%2BRudolf%2BStaechelin%2BCollection%2B%25C2%25A9%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://4.bp.blogspot.com/-qwbQYWanbKo/VjItzH9_hWI/AAAAAAABx6Q/AYOAzcdUBcY/s320/Ferdinand%2BHodler%252C%2BThe%2BPatient%252C%2Bpainted%2B1914%252C%2Bdated%2B1915.%2BThe%2BRudolf%2BStaechelin%2BCollection%2B%25C2%25A9%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Ferdinand Hodler, The Patient, painted 1914, dated 1915. Oil on canvas, 13 3/4 x 10 5/8 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler</span><br />
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<a href="http://4.bp.blogspot.com/-mOasJ8Odjcw/VjIt2VwFyAI/AAAAAAABx6Y/pKKTNKaktDs/s1600/Wassily%2BKandinsky%252C%2BStudy%2Bof%2BMurnau%2B-%2BLandscape%2Bwith%2BChurch%252C%2B1909.%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://4.bp.blogspot.com/-mOasJ8Odjcw/VjIt2VwFyAI/AAAAAAABx6Y/pKKTNKaktDs/s320/Wassily%2BKandinsky%252C%2BStudy%2Bof%2BMurnau%2B-%2BLandscape%2Bwith%2BChurch%252C%2B1909.%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Wassily Kandinsky, Study of Murnau?Landscape with Church, 1909. Oil on cardboard, 13 x 17 3/4 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © 2015 Artists Rights Society (ARS), New York</span><br />
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<a href="http://3.bp.blogspot.com/-CiQhVuN8xvI/VjIt4bUV6pI/AAAAAAABx6g/83x1XGLvLhE/s1600/Amedeo%2BModigliani%252C%2BPortrait%2Bof%2BMrs.%2BDorival%252C%2Bc.%2B1916%2B-%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://3.bp.blogspot.com/-CiQhVuN8xvI/VjIt4bUV6pI/AAAAAAABx6g/83x1XGLvLhE/s320/Amedeo%2BModigliani%252C%2BPortrait%2Bof%2BMrs.%2BDorival%252C%2Bc.%2B1916%2B-%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Amedeo Modigliani, Portrait of Mrs. Dorival, c. 1916. Oil on canvas, 24 x 15 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © Mark Gisler, Müllheim</span><br />
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<a href="http://1.bp.blogspot.com/-RuhZ9mlGw1U/VjIt7BQfbhI/AAAAAAABx6o/4N9qnbybSQM/s1600/Claude%2BMonet%252C%2BCalm%2BWeather%252C%2BF%25C3%25A9camp%252C%2B1881.%2B-%2B%2BThe%2BRudolf%2BStaechelin%2BCollection%2B%25C2%25A9%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://1.bp.blogspot.com/-RuhZ9mlGw1U/VjIt7BQfbhI/AAAAAAABx6o/4N9qnbybSQM/s320/Claude%2BMonet%252C%2BCalm%2BWeather%252C%2BF%25C3%25A9camp%252C%2B1881.%2B-%2B%2BThe%2BRudolf%2BStaechelin%2BCollection%2B%25C2%25A9%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Claude Monet, Calm Weather, Fécamp, 1881. Oil on canvas, 23 5/8 x 29 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler</span><br />
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<a href="http://2.bp.blogspot.com/-U2GDuzOgvfA/VjIt91VBtxI/AAAAAAABx6w/J_W7az90rvw/s1600/Pablo%2BPicasso%252C%2BThe%2BAbsinthe%2BDrinker%2Bverso%2B%2528Woman%2Bat%2Bthe%2BTheater%252C%2B1901.%2529%2B%2B-%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://2.bp.blogspot.com/-U2GDuzOgvfA/VjIt91VBtxI/AAAAAAABx6w/J_W7az90rvw/s320/Pablo%2BPicasso%252C%2BThe%2BAbsinthe%2BDrinker%2Bverso%2B%2528Woman%2Bat%2Bthe%2BTheater%252C%2B1901.%2529%2B%2B-%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Pablo Picasso, The Absinthe Drinker [verso: Woman at the Theater], 1901. Oil on canvas, 31 7/8 x 23 5/8 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © 2015 Estate of Pablo Picasso / Artists Rights Society (ARS), New York</span> <br />
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<a href="http://3.bp.blogspot.com/-8xvkqvMemmg/VjIuBIM0rEI/AAAAAAABx64/0a6xkCDsEYo/s1600/Pablo%2BPicasso%252C%2BWoman%2Bat%2Bthe%2BTheater%2B%255Bverso%2BThe%2BAbsinthe%2BDrinker%255D%252C%2B1901.-%2B%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://3.bp.blogspot.com/-8xvkqvMemmg/VjIuBIM0rEI/AAAAAAABx64/0a6xkCDsEYo/s320/Pablo%2BPicasso%252C%2BWoman%2Bat%2Bthe%2BTheater%2B%255Bverso%2BThe%2BAbsinthe%2BDrinker%255D%252C%2B1901.-%2B%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Pablo Picasso, Woman at the Theater [verso: The Absinthe Drinker], 1901. Oil on canvas, 31 7/8 x 23 5/8 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © 2015 Estate of Pablo Picasso / Artists Rights Society (ARS), New York</span><br />
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<a href="http://4.bp.blogspot.com/-sO4Ve0L0f6o/VjIuEf2gk1I/AAAAAAABx7A/JGeR5UIwkBE/s1600/Pablo%2BPicasso%252C%2BSleeping%2BNude%252C%2B1934.%2B-%2B%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://4.bp.blogspot.com/-sO4Ve0L0f6o/VjIuEf2gk1I/AAAAAAABx7A/JGeR5UIwkBE/s320/Pablo%2BPicasso%252C%2BSleeping%2BNude%252C%2B1934.%2B-%2B%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Pablo Picasso, Sleeping Nude, 1934. Oil on canvas, 13 x 21 5/8 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © 2015 Estate of Pablo Picasso / Artists Rights Society (ARS), New York</span><br />
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<a href="http://1.bp.blogspot.com/-0SI312430I4/VjIuHIeYgPI/AAAAAAABx7I/ZnzPrzLYrxc/s1600/Camille%2BPissarro%252C%2BQuarry%252C%2BPontoise%252C%2Bc.%2B1874.%2B-The%2BRudolf%2BStaechelin%2BCollection%2B%25C2%25A9%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://1.bp.blogspot.com/-0SI312430I4/VjIuHIeYgPI/AAAAAAABx7I/ZnzPrzLYrxc/s320/Camille%2BPissarro%252C%2BQuarry%252C%2BPontoise%252C%2Bc.%2B1874.%2B-The%2BRudolf%2BStaechelin%2BCollection%2B%25C2%25A9%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Camille Pissarro, Quarry, Pontoise, c. 1874. Oil on canvas, 22 7/8 x 28 1/2 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler</span><br />
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<a href="http://2.bp.blogspot.com/-4lC9yHtJTfY/VjIuJmlqBdI/AAAAAAABx7Q/jQdufwlu_c0/s1600/Pierre-Auguste%2BRenoir%252C%2BGabrielle%252C%2Bc.%2B1910.%2B-%2BThe%2BRudolf%2BStaechelin%2BCollection%2B%25C2%25A9%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://2.bp.blogspot.com/-4lC9yHtJTfY/VjIuJmlqBdI/AAAAAAABx7Q/jQdufwlu_c0/s320/Pierre-Auguste%2BRenoir%252C%2BGabrielle%252C%2Bc.%2B1910.%2B-%2BThe%2BRudolf%2BStaechelin%2BCollection%2B%25C2%25A9%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Pierre-Auguste Renoir, Gabrielle, c. 1910. Oil on canvas, 16 x 12 5/8 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler</span><br />
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<a href="http://1.bp.blogspot.com/-6gxnNTD8Ojg/VjIuNhYBRMI/AAAAAAABx7Y/Ba8F9e99kAs/s1600/Georges%2BRouault%252C%2BLandscape%2Bwith%2BRed%2BSail%252C%2B1939.-%2B%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel..jpg"><img border="0" src="http://1.bp.blogspot.com/-6gxnNTD8Ojg/VjIuNhYBRMI/AAAAAAABx7Y/Ba8F9e99kAs/s320/Georges%2BRouault%252C%2BLandscape%2Bwith%2BRed%2BSail%252C%2B1939.-%2B%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel..jpg" /></a><br />
<span style="font-size: xx-small;">Georges Rouault, Landscape with Red Sail, 1939. Oil on paper laid down on gauze, 19 3/4 x 33 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel. Photo © Mark Gisler, Müllheim. Image © 2015 Artists Rights Society (ARS), New York / ADAGP, Paris</span><br />
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<a href="http://4.bp.blogspot.com/-b_I2a6lIFHE/VjIuP3GswBI/AAAAAAABx7g/L6jZgqMbEcA/s1600/Cha%25C3%25AFm%2BSoutine%252C%2BStill%2BLife%2Bwith%2BViolin%252C%2BBread%252C%2Band%2BFish%252C%2Bc.%2B1922.%2B-%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel..jpg"><img border="0" src="http://4.bp.blogspot.com/-b_I2a6lIFHE/VjIuP3GswBI/AAAAAAABx7g/L6jZgqMbEcA/s320/Cha%25C3%25AFm%2BSoutine%252C%2BStill%2BLife%2Bwith%2BViolin%252C%2BBread%252C%2Band%2BFish%252C%2Bc.%2B1922.%2B-%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel..jpg" /></a><br />
<span style="font-size: xx-small;">Chaïm Soutine, Still Life with Violin, Bread, and Fish, c. 1922. Oil on canvas, 25 5/8 x 21 1/4 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel. Photo © Mark Gisler, Müllheim. Image © 2015 Artists Rights Society (ARS), New York</span><br />
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<a href="http://1.bp.blogspot.com/-qJnlrWI-33M/VjIuUuOT5TI/AAAAAAABx7o/evSsQVMGivs/s1600/Suzanne%2BValadon%252C%2BThe%2BFrog%252C%2B1910%2B-%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://1.bp.blogspot.com/-qJnlrWI-33M/VjIuUuOT5TI/AAAAAAABx7o/evSsQVMGivs/s320/Suzanne%2BValadon%252C%2BThe%2BFrog%252C%2B1910%2B-%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Suzanne Valadon, The Frog, 1910. Pastel and oil on paper laid down on cardboard, 23 x 19 1/2 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © Mark Gisler, Müllheim</span><br />
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<a href="http://1.bp.blogspot.com/-thyKAjANcs8/VjIuYsOySGI/AAAAAAABx7w/ZZF8qiyxjNo/s1600/Vincent%2Bvan%2BGogh%252C%2BThe%2BGarden%2Bof%2BDaubigny%252C%2B1890%2B-%2B%2BThe%2BRudolf%2BStaechelin%2BCollection%2B%25C2%25A9%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://1.bp.blogspot.com/-thyKAjANcs8/VjIuYsOySGI/AAAAAAABx7w/ZZF8qiyxjNo/s320/Vincent%2Bvan%2BGogh%252C%2BThe%2BGarden%2Bof%2BDaubigny%252C%2B1890%2B-%2B%2BThe%2BRudolf%2BStaechelin%2BCollection%2B%25C2%25A9%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Vincent van Gogh, The Garden of Daubigny, 1890. Oil on canvas, 22 x 40 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler</span><br />
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<a href="http://3.bp.blogspot.com/-04e9VmHQQUg/VjIudxiicII/AAAAAAABx74/K69UiB6SQRk/s1600/Vincent%2Bvan%2BGogh%252C%2BHead%2Bof%2Ba%2BWoman%252C%2B1887%2B-%2BThe%2BRudolf%2BStaechelin%2BCollection%2B%25C2%25A9%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://3.bp.blogspot.com/-04e9VmHQQUg/VjIudxiicII/AAAAAAABx74/K69UiB6SQRk/s320/Vincent%2Bvan%2BGogh%252C%2BHead%2Bof%2Ba%2BWoman%252C%2B1887%2B-%2BThe%2BRudolf%2BStaechelin%2BCollection%2B%25C2%25A9%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Vincent van Gogh, Head of a Woman, 1887. Oil on canvas, 16 x 12 3/4 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler</span><br />
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<a href="http://4.bp.blogspot.com/-DUJoa6QOCzU/VjIugIPb7wI/AAAAAAABx8A/boNNT_TPxT8/s1600/Alexej%2Bvon%2BJawlensky%252C%2BSelf-Portrait%252C%2B1911%2B-%2B%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://4.bp.blogspot.com/-DUJoa6QOCzU/VjIugIPb7wI/AAAAAAABx8A/boNNT_TPxT8/s320/Alexej%2Bvon%2BJawlensky%252C%2BSelf-Portrait%252C%2B1911%2B-%2B%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Alexej von Jawlensky, Self-Portrait, 1911. Oil on linen-finish cardboard, 21 1/4 x 20 1/8 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © 2015 Artists Rights Society (ARS), New York</span><br />
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<a href="http://4.bp.blogspot.com/-4-fmxpoY3Gs/VjIuiw6kLcI/AAAAAAABx8I/_OH-CB6jHak/s1600/Alexej%2Bvon%2BJawlensky%252C%2BStill%2BLife%252C%2B1915%2B-%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://4.bp.blogspot.com/-4-fmxpoY3Gs/VjIuiw6kLcI/AAAAAAABx8I/_OH-CB6jHak/s320/Alexej%2Bvon%2BJawlensky%252C%2BStill%2BLife%252C%2B1915%2B-%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Alexej von Jawlensky, Still Life, 1915. Oil on linenfinish paper laid down on cardboard, 20 1/4 x 14 3/8 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © 2015 Artists Rights Society (ARS), New York</span><br />
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<a href="http://4.bp.blogspot.com/-FXgFEOqgu24/VjIulOxfbTI/AAAAAAABx8Q/wjv-ekS0UCI/s1600/Alexej%2Bvon%2BJawlensky%252C%2BAbstract%2BHead%2BMysterium%252C%2B1925%2B-%2B%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg"><img border="0" src="http://4.bp.blogspot.com/-FXgFEOqgu24/VjIulOxfbTI/AAAAAAABx8Q/wjv-ekS0UCI/s320/Alexej%2Bvon%2BJawlensky%252C%2BAbstract%2BHead%2BMysterium%252C%2B1925%2B-%2B%2BIm%2BObersteg%2BFoundation%252C%2Bpermanent%2Bloan%2Bto%2Bthe%2BKunstmuseum%2BBasel.jpg" /></a><br />
<span style="font-size: xx-small;">Alexej von Jawlensky, Abstract Head: Mysterium, 1925. Oil on linen-finish paper laid down on cardboard, 16 3/4 x 12 3/4 in. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel © 2015 Artists Rights Society (ARS), New York</span></div>
Anonymoushttp://www.blogger.com/profile/10370422379136607865noreply@blogger.com0The Phillips Collection, 1600 21st St NW, Washington, DC 20009, USA38.9117674 -77.04692239999997110.157558900000002 -118.35551589999997 67.6659759 -35.738328899999971tag:blogger.com,1999:blog-8754394483835304098.post-83042782302358578652015-10-13T16:27:00.001-03:002015-10-13T19:56:57.233-03:00Esplendores e misérias. Imagens da prostituição, 1850-1910 <br />
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<a href="http://4.bp.blogspot.com/-ZC21_WP5V1U/Vh1QMM8JEoI/AAAAAAABx2w/rIxE6Tat0Cw/s1600/catalogue-d-exposition-splendeurs-et-miseres-images-de-la-prostitution-1850-1910%2B%25281%2529.jpg"><img border="0" src="http://4.bp.blogspot.com/-ZC21_WP5V1U/Vh1QMM8JEoI/AAAAAAABx2w/rIxE6Tat0Cw/s320/catalogue-d-exposition-splendeurs-et-miseres-images-de-la-prostitution-1850-1910%2B%25281%2529.jpg" /></a><br />
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<span style="font-size: xx-small;">Henri de Toulouse-Lautrec No Moulin Rouge © The Art Institute of Chicago</span></div>
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Primeiro grande evento dedicada ao tema da prostituição, esta exposição tenta retraçar o modo como os artistas franceses e estrangeiros, fascinados por atores e locais deste fato social, continuaram a procurar novos meios pictóricos para representar realidades e fantasias.<br />
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<span style="color: #ce3031;"><br /></span><a href="http://2.bp.blogspot.com/-L0cY9jZvBP4/Vh1QaxT75iI/AAAAAAABx24/3dz4zH_Wh_c/s1600/6e80e6bd99dc51d636af3456925b0fc5.jpg"><img border="0" src="http://2.bp.blogspot.com/-L0cY9jZvBP4/Vh1QaxT75iI/AAAAAAABx24/3dz4zH_Wh_c/s320/6e80e6bd99dc51d636af3456925b0fc5.jpg" /></a><br />
<span style="font-size: xx-small;">Mulher que levanta sua meia 1894 Toulouse Lautrec - Musée d'Orsay, Paris</span><br />
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de 22 de setembro de 2015 - 17 de janeiro de 2016 no Musée d'Orsay - Paris<br />
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<a href="http://1.bp.blogspot.com/-9uIOANCKyWs/Vh1QbBWRD8I/AAAAAAABx3A/0Sle7Y2H6eE/s1600/20b52594c59c1ed38f63c6c742c53c3b.jpg"><img border="0" src="http://1.bp.blogspot.com/-9uIOANCKyWs/Vh1QbBWRD8I/AAAAAAABx3A/0Sle7Y2H6eE/s320/20b52594c59c1ed38f63c6c742c53c3b.jpg" /></a><br />
<span style="font-size: xx-small;">Edouard Manet, a Garconete, 1878-1879, óleo sobre tela, 77 x 64,5 centímetros. © Musée d'Orsay, Dist. RMN / Patrice Schmidt</span> <br />
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De Olympia de Manet ao Absinthe de Degas, as incursões em bordéis de Toulouse-Lautrec e Munch às figuras corajosas de Vlaminck, Van Dongen e Picasso, a exposição tem como objetivo mostrar a centralidade deste mundo obscuro no desenvolvimento da pintura moderna.</div>
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<span style="font-size: xx-small;">Cabaret (1887) detalhe - Emile Bernard (1868-1941)</span><br />
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O fenômeno é apreendido em suas dimensões sociais e culturais através das pinturas dp Salon, escultura, artes decorativas e fotografia. Um material documental rico que permite finalmente evocar o status ambivalente das prostitutas, o esplendor da miséria meia-mundana das "pierreuses" ( o último degrau da prostituição) .</div>
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<span style="font-size: xx-small;">Jean Beraud, A espera, 1880 Óleo sobre tela, 56 x 39,5 cm. © RMN (Musée d'Orsay) / Franck Raux</span></div>
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O museu informa que alguns dos trabalhos apresentados na exposição são susceptíveis de ofender as sensibilidades dos visitantes (principalmente do público jovem).<br />
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<a href="http://1.bp.blogspot.com/-RyJNpmDbICg/Vh1QcNKuA7I/AAAAAAABx3c/xuuCg03TsRI/s1600/catalogue-d-exposition-splendeurs-et-miseres-images-de-la-prostitution-1850-1910.jpg"><img border="0" src="http://1.bp.blogspot.com/-RyJNpmDbICg/Vh1QcNKuA7I/AAAAAAABx3c/xuuCg03TsRI/s320/catalogue-d-exposition-splendeurs-et-miseres-images-de-la-prostitution-1850-1910.jpg" /></a><br />
<span style="font-size: xx-small;">Édouard Manet, Olympia, 1863, Huile sur toile, 130 x 190 cm.© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt</span><br />
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<a href="http://2.bp.blogspot.com/-cOS6Tx5BYE4/Vh1QcTaWt3I/AAAAAAABx3g/Pig2I2FH6no/s1600/f31fed17e81c61426bf058646e17832e.jpg"><img border="0" src="http://2.bp.blogspot.com/-cOS6Tx5BYE4/Vh1QcTaWt3I/AAAAAAABx3g/Pig2I2FH6no/s320/f31fed17e81c61426bf058646e17832e.jpg" /></a><br />
<span style="font-size: xx-small;">Giovanni Boldini, cena de festa no no Moulin Roude, por volta de 1889, óleo sobre tela, 96,5 x 104,4 centímetros. © Musée d'Orsay, Dist. RMN / Patrice Schmidt</span><br />
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<span style="font-size: xx-small;">A cervejaria Jean-Georges Beraud (1883) Coleção particular</span><br />
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<span style="font-size: xx-small;">Mere Gregoire - Gustave Courbet 1855 Art Institute of Chicago, Chicago, IL, USA</span></div>
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<span style="font-size: xx-small;">Edgar Degas, Dans un café (L’absinthe), 1873Huile sur toile© RMN-Grand Palais (Musée d’Orsay) — Photo © Hervé Lewandowsk</span><br />
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<a href="http://1.bp.blogspot.com/-PcS8cPaHaY0/Vh1QeDxxZSI/AAAAAAABx4k/k7G1qDAGgfU/s1600/olympia-14A2257FB313DF18E14.png"><img border="0" src="http://1.bp.blogspot.com/-PcS8cPaHaY0/Vh1QeDxxZSI/AAAAAAABx4k/k7G1qDAGgfU/s320/olympia-14A2257FB313DF18E14.png" /></a><br />
<span style="font-size: xx-small;">Édouard Manet, Olympia, 1863, Huile sur toile, 130 x 190 cm.© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt</span><br />
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<a href="http://1.bp.blogspot.com/-fKn52P79KfI/Vh1Qd_uT9WI/AAAAAAABx4U/MTprShoJ5LU/s1600/picture19.jpg"><img border="0" src="http://1.bp.blogspot.com/-fKn52P79KfI/Vh1Qd_uT9WI/AAAAAAABx4U/MTprShoJ5LU/s320/picture19.jpg" /></a><br />
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<span style="font-size: xx-small;">Les Demoiselles d'Avignon - Pablo Picasso 1907 Museu de Arte Moderna, Nova Iorque</span></div>
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<a href="http://4.bp.blogspot.com/-giHxj0fGLHU/Vh1QbvQTjjI/AAAAAAABx3I/eTQzpSFXQ00/s1600/Rolla%252C%2BHenri%2BGervex%252C%2B1878.jpg"><img border="0" src="http://4.bp.blogspot.com/-giHxj0fGLHU/Vh1QbvQTjjI/AAAAAAABx3I/eTQzpSFXQ00/s320/Rolla%252C%2BHenri%2BGervex%252C%2B1878.jpg" /></a><br />
<span style="font-size: xx-small;">Henri Gervex "Rolla" Musée des Beaux-Arts de Bordeaux</span><br />
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<a href="http://3.bp.blogspot.com/-1y-G7f42Wvs/Vh1QeWdxUAI/AAAAAAABx4Y/ENsgMOK_EFw/s1600/sqqbbykibshai9cdrfw9.jpg"><img border="0" src="http://3.bp.blogspot.com/-1y-G7f42Wvs/Vh1QeWdxUAI/AAAAAAABx4Y/ENsgMOK_EFw/s320/sqqbbykibshai9cdrfw9.jpg" /></a><br />
<span style="font-size: xx-small;">Pablo Picasso, 1902-1903, Femme assise (Mulher Melancolica), óleo sobre tela, 100 x 69,2 cm, Detroit Institute of Arts, Michigan</span><br />
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<a href="http://3.bp.blogspot.com/-4an-tEBjNUA/Vh1Qewf1vbI/AAAAAAABx4g/Qsah0KXPRr4/s1600/woman%2Bdrinking%2Babsinthe%2B-%2Bpicasso.jpg"><img border="0" src="http://3.bp.blogspot.com/-4an-tEBjNUA/Vh1Qewf1vbI/AAAAAAABx4g/Qsah0KXPRr4/s320/woman%2Bdrinking%2Babsinthe%2B-%2Bpicasso.jpg" /></a><br />
<span style="font-size: xx-small;">A bebedora de absinto - Pablo Picasso 1901</span></div>
Anonymoushttp://www.blogger.com/profile/10370422379136607865noreply@blogger.com2Musée d'Orsay, 1 Rue de la Légion d'Honneur, 75007 Paris, France48.8599614 2.326561399999945920.105749900000003 -38.982032600000053 77.6141729 43.635155399999945tag:blogger.com,1999:blog-8754394483835304098.post-70900237409808081972015-09-28T15:56:00.003-03:002015-09-28T16:30:47.098-03:00A elegância dos alimentos. Contos sobre alimentos e moda <img border="0" height="225" src="http://4.bp.blogspot.com/-wdkT_M9i0MU/VgmErrtywOI/AAAAAAABx1A/NlecjU6BUjs/s320/2.jpg" width="320" /><br />
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de 19 de maio - 1 de novembro, 2015<br />
Mercado de Trajano - Museu dos Fóruns Imperiais</div>
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Via Quattro Novembre, 94 - Roma</div>
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Uma grande exposição em Roma para celebrar a combinação perfeita da nutrição, o tema dominante da EXPO 2015, em Milão, e da criatividade italiana. </div>
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A elegância dos alimentos. Contos sobre alimentos e moda , é promovida pelo Departamento de Cultura e Turismo de Roma<br />
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Apresentada no Museu dos Fóruns Imperiais, um sítio arqueológico de rara beleza, para a história, de prestígio e elegância arquitetônica, escolhido para contar a contaminação de culturas da moda e nutrição, dois aspectos do patrimônio nacional, dos mais populares e bem conhecidos no mundo.<br />
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Água, Ar, Terra, Fogo. Os quatro elementos naturais são o tema da exposição, incluída como parte dos eventos programados em Roma e Milão para a Exposição Universal de maio a outubro.</div>
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A exposição, comissariada por Stefano Dominella e Bonizza Giordani Aragno, está dividida em vários significados próprios da moda, tecido, bordado, vestido, acessório . </div>
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A moda veste o corpo, embeleza, melhora e protege. A comida passa através dele, nutre e penetra. Moda alimenta o espírito, a comida alimenta o corpo.</div>
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Dentro das salas do museu estão configuradas diferentes áreas, projetos inspirados na fusão entre moda e nutrição, moda e eco sustentabilidade, moda e energia. A comida e as matérias-primas da natureza representam o fio condutor da exposição que é dedicado à moda, de ontem, hoje e amanhã.</div>
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Roupas, acessórios, imagens fotográficas e de vídeo, e artes visuais construindo um percurso contemporâneo e criativo onde o Made in Italy, o alto artesanato e a tradição do belo e do bem feito, são a expressão de como e quanto de moda tem atraído a inspiração da nutrição.</div>
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A exposição também está enriquecida por fotografias, incluindo as do artista coreano Yeonju Sung, Uma viagem de sonho que informa através de 8 imagens como os alimentos podem interagir com a roupa e assumir as suas formas.</div>
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Apresentando roupas de trabalho, mas também acessórios feitos de materiais incomuns, formas e desenhos resultantes da investigação inovadora, original e, acima de tudo irônica. Porque é próprio da ironia caracterizar a criatividade dos designers quando interpretam a comida.<br />
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As roupas feitas por designers de topo, desde 1950, juntamente com o trabalho de jovens estilistas e jovens talentos emergentes compõe a exposição com o objetivo de melhorar o conteúdo e explicar a inspiração de onde nasceu o conceito de mostra. <br />
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A moda, contaminada pelo gosto, com suas estrelas traçam uma viagem incomum e fascinante em perfeita harmonia com o tema da Expo 2015.</div>
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Se você fizer o "jogo" de substituir a palavra moda, pela palavra alimento, você começa a entender como e por que esses dois pilares da criatividade e da cultura italiana fatalmente se reunem continuamente e, em especial, robustecem seu vínculo.<br />
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Entre as 160 criações em exposição, incluindo acessórios e roupas, alguns dos quais nunca foram mostrados antes, para não mencionar como Giorgio Armani que excepcionalmente se juntou à iniciativa. King George, em sua mais recente coleção Privé, inspirada em bambu, planta delicada e robusta ao mesmo tempo, cada vez mais popular na indústria sustentável, metáfora de elegância que eleva a poesia em tecido e design</div>
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Anonymoushttp://www.blogger.com/profile/10370422379136607865noreply@blogger.com0Trajan's Market, Via IV Novembre, 94, 00187 Roma, Italy41.895641300000008 12.48624810000001213.141420300000007 -28.822345899999988 70.649862300000009 53.794842100000011tag:blogger.com,1999:blog-8754394483835304098.post-30117932061953972442015-08-26T19:01:00.002-03:002015-08-26T19:31:40.307-03:0010 auto retratos ocultosA tradição do pintor esconder um auto-retrato de si próprio no fundo da pintura surgiu no Renascimento ; dez exemplos disso:<br />
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1- Raphael em A Escola de Atenas<br />
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<a href="http://2.bp.blogspot.com/-Y_Sc3H2PZew/Vd4QUjIQtDI/AAAAAAABxl0/tgU0g3xibbY/s1600/VA%2BSchool%2Bof%2BAthens.jpg"><img border="0" height="173" src="http://2.bp.blogspot.com/-Y_Sc3H2PZew/Vd4QUjIQtDI/AAAAAAABxl0/tgU0g3xibbY/s320/VA%2BSchool%2Bof%2BAthens.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Raphael, Escola de Atenas, 1509-1510, Stanza della Segnatura, apartamentos papais, Museu do Vaticano</span><br />
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Raphael pintou este afresco nos aposentos do Papa no Vaticano, ao mesmo tempo em que Michelangelo estava pintando a Capela Sistina. O papa na época era Papa Júlio II, que contratou Rafael para pintar uma série de grandes pinturas em todos os apartamentos papais.</div>
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<a href="http://3.bp.blogspot.com/-X2TsWW2aCh0/Vd4QXvT0USI/AAAAAAABxl8/FSz4IT2WzkE/s1600/The_School_of_AthensRaphael.jpg"><img border="0" src="http://3.bp.blogspot.com/-X2TsWW2aCh0/Vd4QXvT0USI/AAAAAAABxl8/FSz4IT2WzkE/s320/The_School_of_AthensRaphael.jpg" /></a><br />
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O afresco, agora conhecido como A Escola de Atenas, mostra uma variedade de figuras famosas em um ambiente clássico. Raphael usou vários de seus contemporâneos que eram artistas para representar antigos estudiosos gregos famosos , filósofos, cientistas e matemáticos. Entre eles (circulado em vermelho abaixo) estão Leonardo da Vinci, no centro, Michelangelo sentados e um auto-retrato de Rafael no lado direito. <br />
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Raphael está olhando para o espectador em um auto-retrato oculto, um estilo que já tinha uma longa história no Renascimento, como podemos ver em alguns exemplos anteriores.</div>
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2- Lorenzo Ghiberti em As Portas do Paraíso<br />
<a href="http://4.bp.blogspot.com/-fY3sbhtNvPo/Vd4Qaty3BWI/AAAAAAABxmE/-SWRl9pFwhY/s1600/002.JPG"><img border="0" src="http://4.bp.blogspot.com/-fY3sbhtNvPo/Vd4Qaty3BWI/AAAAAAABxmE/-SWRl9pFwhY/s320/002.JPG" /></a><br />
<span style="font-size: xx-small;">Ghiberti, Portões do Paraíso, Florença Baptistério, 1425-1452</span><br />
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Belo conjunto de portas de bronze de Lorenzo Ghiberti, o seu segundo conjunto para o Batistério de Florença, que estava no lado leste e foram chamadas de As Portas do Paraíso pelo colega florentino Michelangelo. O espectador vai primeiro prestar atenção em qualquer uma das dez grandes cenas bíblicas retratados nas portas. No entanto Ghiberti, na verdade escondia dois auto-retratos pequenos de si mesmo na decoração entre os grandes painéis. <br />
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O primeiro foi um retrato de si próprio, e o segundo foi dele quando menino olhando para um pequeno retrato de sua mãe.<br />
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<a href="http://4.bp.blogspot.com/-MYxWdUsq1xY/Vd4QdJkOOUI/AAAAAAABxmM/5yCYtNn0egc/s1600/003.JPG"><img border="0" src="http://4.bp.blogspot.com/-MYxWdUsq1xY/Vd4QdJkOOUI/AAAAAAABxmM/5yCYtNn0egc/s320/003.JPG" /></a><br />
<span style="font-size: xx-small;">Ghiberti, Portões do Paraíso, Florença Baptistério, 1425-1452</span><br />
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3- Andrea Mantegna na Camera degli Sposi<br />
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<a href="http://3.bp.blogspot.com/-YwSXFujGVnc/Vd4Qg6D1vAI/AAAAAAABxmU/5nGWOAvzI_E/s1600/800px-Andrea_Mantegna_115.jpg"><img border="0" src="http://3.bp.blogspot.com/-YwSXFujGVnc/Vd4Qg6D1vAI/AAAAAAABxmU/5nGWOAvzI_E/s320/800px-Andrea_Mantegna_115.jpg" /></a><br />
<span style="font-size: xx-small;">Andrea Mantegna, The Meeting, Camera degli Sposi, Mantua, 1465-74</span><br />
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Andrea Mantegna é talvez melhor conhecido pela sua Camera degli Sposi (Câmara de casamento), também conhecida como a' Camera Picta" (Quarto Pintado), no Palácio Ducal de<a href="http://www.mantovaducale.beniculturali.it/"> </a>Mântua. Os quartos tem afrescos ao longo das paredes e do teto. Assim como fez Ghiberti, Mantegna escondeu um pequeno retrato seu entre as faixas decorativas. Tanto a parede pintada que mostra a cena do encontro de prestígio e um detalhe da banda decorativa são mostrados acima. <br />
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<a href="http://4.bp.blogspot.com/-xLtKkRCgE9g/Vd4RTC7HsxI/AAAAAAABxmc/liWa79nz02U/s1600/Mantegna_selfportrait_camera_picta.jpg"><img border="0" src="http://4.bp.blogspot.com/-xLtKkRCgE9g/Vd4RTC7HsxI/AAAAAAABxmc/liWa79nz02U/s320/Mantegna_selfportrait_camera_picta.jpg" /></a><br />
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<span style="font-size: xx-small;">Detalhe com Auto-Retrato</span><br />
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4- Botticelli em A Adoração dos Magos</div>
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Botticelli pintou mais de uma versão da Adoração dos Magos, esta foi pintada em 1475 .<br />
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<a href="http://1.bp.blogspot.com/-aQnxyxokpQ8/Vd4RdBJA8sI/AAAAAAABxmk/oEiv-aUQrxo/s1600/300px-Botticelli_-_Adoration_of_the_Magi_Zanobi_Altar_-_Uffi.jpg"><img border="0" src="http://1.bp.blogspot.com/-aQnxyxokpQ8/Vd4RdBJA8sI/AAAAAAABxmk/oEiv-aUQrxo/s320/300px-Botticelli_-_Adoration_of_the_Magi_Zanobi_Altar_-_Uffi.jpg" /></a><br />
<span style="font-size: xx-small;">Botticelli, Adoração dos Magos, Museu Uffizi, 1475</span><br />
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Supõe-se que Botticelli seja a figura ao lado direito, olhando para o espectador como visto no detalhe abaixo. Assim como na pintura posterior de Raphael, figura está no lado direito, e ao invés de tomar parte na ação da pintura , ele está olhando para o observador. Este é um estilo que seria repetido por outros pintores do Renascimento italiano.<br />
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<a href="http://1.bp.blogspot.com/-TOhLTaWcQCM/Vd4RfmHyYqI/AAAAAAABxms/0QFaHdIq-N4/s1600/150px-Sandro_Botticelli_083.jpg"><img border="0" height="320" src="http://1.bp.blogspot.com/-TOhLTaWcQCM/Vd4RfmHyYqI/AAAAAAABxms/0QFaHdIq-N4/s320/150px-Sandro_Botticelli_083.jpg" width="264" /></a><br />
<span style="font-size: xx-small;">Detalhe do Auto-Retrato de Botticelli na Adoração dos Magos</span><br />
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Fillipino Lippi em A disputa com Simon Magus<br />
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<a href="http://2.bp.blogspot.com/-7Jt4qQRxUbg/Vd4Rh1yuN4I/AAAAAAABxm0/SZQR6C-uqxI/s1600/800px-Filippino_Lippi_004.jpg"><img border="0" src="http://2.bp.blogspot.com/-7Jt4qQRxUbg/Vd4Rh1yuN4I/AAAAAAABxm0/SZQR6C-uqxI/s320/800px-Filippino_Lippi_004.jpg" /></a><br />
<span style="font-size: xx-small;">Lippi, A disputa com Simon Magus (1481-1482) Capela Brancacci, Santa Maria del Carmine em Florença</span><br />
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A disputa com Simon Magus (1481-1482) é um afresco na Capela Brancacci no Santa Maria del Carmine em Florença, Itália.<br />
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A Capela Brancacci é famosa por ser a capela onde Masaccio e Masolino usaram pela primeira vez uma perspectiva do ponto na pintura.<br />
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Os afrescos todos mostram cenas da vida de São Pedro. Lippi estudou com Botticelli e este auto-retrato tem várias semelhanças na forma como é retratado como em Botticelli na Adoração dos Magos.<br />
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<a href="http://3.bp.blogspot.com/-B7FSVbrgwU0/Vd4RkIj6CJI/AAAAAAABxm8/iu2rWaLQGrw/s1600/640px-Filippino_Lippi_007.jpg"><img border="0" src="http://3.bp.blogspot.com/-B7FSVbrgwU0/Vd4RkIj6CJI/AAAAAAABxm8/iu2rWaLQGrw/s320/640px-Filippino_Lippi_007.jpg" /></a><br />
<span style="font-size: xx-small;">Detalhe de Lippi auto-retrato em A disputa com Simon Magus na Capela Brancacci</span><br />
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6- Michelangelo em O Juizo Final<i style="background-color: #fafafa; color: #333333; font-family: Arial, sans-serif; font-size: small; line-height: 18.2000007629395px; text-align: justify;"><span class=""><br /></span></i>
<a href="http://2.bp.blogspot.com/-lNVIRDIH3TY/Vd4RnDL2IqI/AAAAAAABxnE/ZMRWuXi780g/s1600/Last_Judgement_%2528Michelangelo%2529.jpg"><img border="0" src="http://2.bp.blogspot.com/-lNVIRDIH3TY/Vd4RnDL2IqI/AAAAAAABxnE/ZMRWuXi780g/s320/Last_Judgement_%2528Michelangelo%2529.jpg" /></a><br />
<span style="font-size: xx-small;">Michelangelo, O Juizo Final , 1537-41, da Capela Sistina, Vaticano</span><br />
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O Juizo Final foi pintado em 1537-41, ele começou a pinta-lo na Capela Sistina 25 anos depois de ter concluído a pintura com seus famosos afrescos de teto. </div>
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O ato de pintar em afresco, especialmente na enorme escala da Capela Sistina deixou o artista desgastado e esgotado. Ele deixa que o observador veja tanto, um auto-retrato oculto e um tanto grotesco como a pele esfolada de São Bartolomeu. São Bartolomeu está sentando-se em uma nuvem logo abaixo e à direita de Cristo e está segurando seu corpo esfolado como um símbolo de seu próprio martírio.</div>
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7- Sofonisba Anguissola na pintura de Bernardino Campi </div>
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<a href="http://1.bp.blogspot.com/-bR95OZhZnSg/Vd4Rpc_j_aI/AAAAAAABxnM/JA7K7XiZ93k/s1600/640px-Sofonisba_Anguissola_-_Bernardino_Campi_Painting_Sofonisba_Anguissola_-_WGA00696.jpg"><img border="0" src="http://1.bp.blogspot.com/-bR95OZhZnSg/Vd4Rpc_j_aI/AAAAAAABxnM/JA7K7XiZ93k/s320/640px-Sofonisba_Anguissola_-_Bernardino_Campi_Painting_Sofonisba_Anguissola_-_WGA00696.jpg" /></a><br />
<span style="font-size: xx-small;">Anguissola, Pintura Bernardino Campi Sofonisba Anguissola, 1550,</span><br />
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Esta obra datas do final de 1550 e é menos um auto-retrato oculto do que uma variante única de outros auto-retratos.<br />
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A pintura mostra tanto o seu próprio auto-retrato, pelo fato de ser um artista bem conhecido, como de ter pintado a própria.<br />
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No entanto, ele foi muito inteligente, uma vez que não é mostrado diretamente como num auto-retrato. O artista, usa dois estilos de pintura de forma convincente, para diferenciar sua pessoa da pessoa que está sendo pintada.<br />
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Pontormo na Deposição de Cristo da cruz<br />
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<a href="http://4.bp.blogspot.com/-oDcA_OAC7Ks/Vd4RrmKUuGI/AAAAAAABxnU/LG2mEOZI29A/s1600/479px-Jacopo_Pontormo_-Descent%2Bfrom%2Bthe%2BCross.jpg"><img border="0" src="http://4.bp.blogspot.com/-oDcA_OAC7Ks/Vd4RrmKUuGI/AAAAAAABxnU/LG2mEOZI29A/s320/479px-Jacopo_Pontormo_-Descent%2Bfrom%2Bthe%2BCross.jpg" /></a><br />
<span style="font-size: xx-small;">Pontormo, Deposição de Cristo, 1525-1528, Santa Felicita, Florença</span><br />
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O que é interessante sobre Pontormo é que ele usou seu próprio rosto para modelar a maioria dos outros rostos, por isso há ecos de seus elementos em várias figuras, tanto neste trabalho como em outros. Assim como em vários de seus antecessores Renascença florentina ele pinta a si mesmo na extrema direita e olhando para o observador.<br />
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Esta pintura é de 1525-28 e foi pintada no novo estilo do Maneirismo que se seguiu ao Alto Renascimento italiano e foi inspirado por Michelangelo.<br />
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9- Caravaggio em Davi com a Cabeça de Golias<br />
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Esta pintura feita em 1609-1610 tem outro tipo de auto-retrato escondido e grotesco . Caravaggio pintou suas próprias feições na cabeça decepada do gigante Golias. Sabemos que Caravaggio, cujo nome era Michelangelo Merisi, se inspirou no teto da Capela Sistina de Michelangelo no famoso gesto de Adão no afresco do teto aparecendo em sua Vocação de São Mateus. Talvez ele também se influenciou em seu auto-retrato macabro do Juízo Final quando pintou este auto-retrato escondido.<br />
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<a href="http://1.bp.blogspot.com/-NtmNl87aOPI/Vd4RtlQQp-I/AAAAAAABxnc/42CEmm0bExU/s1600/Caravaggio_-_David_con_la_testa_di_Golia.jpg"><img border="0" src="http://1.bp.blogspot.com/-NtmNl87aOPI/Vd4RtlQQp-I/AAAAAAABxnc/42CEmm0bExU/s320/Caravaggio_-_David_con_la_testa_di_Golia.jpg" /></a><br />
<span style="font-size: xx-small;">Caravaggio, Davi com a Cabeça de Golias, 1609-1610, Galeria Borghese, Roma</span><br />
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10- Velázquez em Las Meninas<br />
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<a href="http://1.bp.blogspot.com/-eMPaiIl_iRE/Vd4RwcNovPI/AAAAAAABxnk/n52rqvCzKjQ/s1600/Velazquez-Meninas.jpg"><img border="0" src="http://1.bp.blogspot.com/-eMPaiIl_iRE/Vd4RwcNovPI/AAAAAAABxnk/n52rqvCzKjQ/s320/Velazquez-Meninas.jpg" /></a><br />
<span style="font-size: xx-small;">Diego Velázquez, Las Meninas, 1656, Museu do Prado, Madrid</span><br />
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Velázquez pintou Las Meninas em 1656, enquanto ele era o pintor da corte real do Rei da Espanha, o rei Filipe IV. Esta é uma das pinturas mais conhecidas e analisadas na história da arte. O tema do trabalho é a princesa, Infanta Margarita Teresa e seus assistentes. No entanto, existem várias figuras escondidas na pintura e a mais proeminente delas é o próprio pintor, na sombra parcial trabalhando em sua armação à esquerda. </div>
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A razão pela qual ele se incluiu neste trabalho tem sido freqüentemente discutida, este é um tipo de cartão de visita artístico, uma maneira de mostrar a sua importância na corte, ele se sente que faz parte da família real ou ele está simplesmente pintando uma versão realista de tudo o que se passa no dia-a-dia na corte real? Talvez ele saiba que ele esteja criando uma leve ilusão para o espectador e nos dando um enigma para resolver. <br />
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Há muitos auto-retratos escondidos na história da arte, uma forma inteligente do pintor deixar sua marca sobre seu trabalho e se incluir nas cenas interessantes que retratam.</div>
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Anonymoushttp://www.blogger.com/profile/10370422379136607865noreply@blogger.com0tag:blogger.com,1999:blog-8754394483835304098.post-58945592711856342952015-08-11T15:37:00.000-03:002015-08-11T15:45:41.555-03:00Piero di Cosimo (1462-1522) - Pintor "Florentino excêntrico entre o Renascimento e o Maneirismo<br />
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Galleria degli Uffizi - Florença <br />
23-06-2015 | 27-09-2015<br />
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Gênio excêntrico do Renascimento florentino, Piero di Cosimo é a figura da retrospectiva monográfica dedicada ao quase desconhecida, apesar da valorização mostrada pelos críticos, Piero di Cosimo, e do extenso catálogo de pinturas de temáticas sacras e profanas agora preservadas em museus e através coleções em todo o mundo.</div>
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Filho de um ferreiro chamado Lorenzo, Piero cumpriu o seu aprendizado cronológico no estúdio do pintor Cosimo Rosselli, aficionado ao professor, onde, ao lado da cena impressionante da arte nos anos em que Lorenzo, o Magnífico estava encomendando retábulos, se encontavam em Florença e em muitas cidades , excelentes pintores atiuntes, como Botticelli e Filippino Lippi, Ghirlandaio e Leonardo da Vinci, enquanto de Flandres vieram trabalhos artísticos realizados por mestres flamengos igualmente estraordinários.</div>
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A partir desta massa cultural, Piero desenvolveu uma linguagem altamente original, marcada por uma aguda observação da natureza, revelando afinidade com os pintores de todo os Alpes e Leonardo da Vinci, através do qual os modelos de composição e tomadas tradicionais tipológicas assumirm conotações insólitas extraordinárias. </div>
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Da originalidade da pintura de Piero, Giorgio Vasari parece encontrar uma correspondência na biografia do mestre onde ele o descreve como um homem não sociável, absorto na contemplação da natureza em sua forma mais selvagem e incomum, de onde tirou inspiração para invenções fantásticas traduzidas na pintura ou na realização de carros alegóricos bizarros para desfiles agora perdidos, mas decantados por seus contemporâneos ...</div>
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Anonymoushttp://www.blogger.com/profile/10370422379136607865noreply@blogger.com0Uffizi Gallery, Piazzale degli Uffizi, 6, 50122 Firenze, Italy43.7677856 11.25531079999996115.013543600000002 -30.05328270000004 72.5220276 52.563904299999962tag:blogger.com,1999:blog-8754394483835304098.post-77609014675185158562015-07-07T10:52:00.001-03:002015-07-07T10:57:31.523-03:00Do No à Mata Hari, 2 000 anos de teatro na ÁsiaO Museu Nacional Guimet de Arte Asiática de Paris - oferece uma exposição sobre os 2.000 anos de teatro na Ásia. Este novo panorama inédito se anima dos que participam, como sinais visíveis e tangíveis, da essência do mesmo teatro: o traje, a corôa e a máscara.<br />
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de 15 de abril a 31 de agosto de 2015 no Musée Guimet em Paris<br />
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De fantasias de teatro indiano à quimonos e máscaras No japonesas, a vestidos da Ópera de Pequim e teatro de sombras do Sudeste Asiático, é todo um mundo de divindades, de animais e personagens que tomam vida.</div>
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A exposição aborda os aspectos épicos e dramáticos que caracterizam as diferentes criações teatrais asiáticas em todas as suas variedades. As primeiras representações que são mantidas são os substitutos funerários de terracota - Minqi - mostrando dançarinos e acrobatas datando da China dos Han (206 aC - 220 dC) ... A exposição culmina com uma reinterpretação contemporânea das tradições teatrais concertantes com kimonos e a apresentação de paisagens de Itchiku Kubota que dão sentido à dimensão teatral do traje.</div>
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Excedendo as suas fontes rituais, os teatros dançados na Índia floresceu em uma perfeição gestual que deram origem a formas complexas e refinadas, como Kathakali no século 17. Na Ásia Oriental, um drama histórico, com base em obras literárias levaram à criação de trajes brilhantes, mas extremamente codificados.</div>
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A máscara é particularmente honrada na exposição, como é inseparável das formas de teatro na Ásia, da Índia ao Japão, do teatro épico ao histórico.</div>
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Marionetes e teatros sombra do Sudeste Asiático e da China formam uma outra parte desta criação e servem tanto de textos épicos, como textos históricos, por vezes, a sua apresentação evocativa introduz o visitante num espaço povoado de silhuetas. Os couros cortados, as almas dos antepassados, conferem um poder sobrenatural ao artista capaz de fazer voltar os mortos, de curar ou exorcizar.</div>
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Anonymoushttp://www.blogger.com/profile/10370422379136607865noreply@blogger.com0Musée national des arts asiatiques Guimet, 6 Place d'Iéna, 75116 Paris, France48.865100800000008 2.293689900000003920.110882300000007 -39.014904099999995 77.6193193 43.6022839tag:blogger.com,1999:blog-8754394483835304098.post-41480535405099809942015-06-26T16:44:00.000-03:002015-06-26T16:45:05.247-03:00Rogier van der Weyden - Museo Nacional del PradoOs historiadores da arte concordam com a grandeza do artista Holandês Rogier van der Weyden, mas eles tendem a discordar sobre o que ele realmente pintou. Das 25 obras sobreviventes agora geralmente atribuídas a van der Weyden, os historiadores estão certos sobre apenas três. Agora, essas três obras estão reunidas pela primeira vez quando o Museu do Prado de Madrid abriu a sua exposição sobre o artista.<br />
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<span style="font-size: xx-small;">Descida da Cruz, Rogier van der Weyden, 220 centímetros x 262 centímetros, ca. 1435. Madrid, Museo Nacional del Prado</span></div>
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<span style="font-size: xx-small;">Rogier van der Weyden: A Crucificação (Escorial)</span><br />
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"Rogier van der Weyden" reune a pintura recentemente restaurada "A Crucificação", parte da coleção da antiga residência real do El Escorial, a 30 milhas de Madrid, com "A Descida da Cruz" do Prado, saida pela primeira vez em décadas de sua sala em uma galeria no piso inferior. O "Tríptico Miraflores", do Museu Gemäldegalerie de Berlim», estão junto às duas grandes pinturas do painel.</div>
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<span style="font-size: xx-small;">São Lucas desenhando a Virgem (Weyden) </span><br />
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"Nem mesmo Rogier van der Weyden viu estas três obras juntas", diz Lorne Campbell, um curador aposentado do National Gallery de Londres, que veio para a curadoria da exposição. "Nós somos os primeiros."</div>
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<span style="font-size: xx-small;">Triptico dos sete sacramentos Rogier van der Weyden óleo no painel do carvalho c. 1450 Antuérpia, Museu Real de Belas Artes</span><br />
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A mostra, que vai até 28 de junho, dispõe de 19 obras raras de van der Weyden e de outros artistas do século 15, vividamente expostas contra um fundo azul-escuro. A exposição apresenta empréstimos do Metropolitan Museum de Nova York de Arte e Los Angeles 'J. Paul Getty Museum. Royal Museum of Fine Arts da Antuérpia emprestou "Os Sete Sacramentos," um grande tríptico de van der Weyden restaurado em 2009. O Sr. Campbell diz que acredita que este trabalho foi pintado por van der Weyden e alguns assistentes. Ele diz que a pintura "não teve o status merecido " porque "não ,puderam ser todos pintados pela própria mão de Rogier", mas ele não a coloca na categoria das obras controvertidas.</div>
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<span style="font-size: xx-small;">Retrato de uma Dama - Rogier van der Weyden c. 1460 Pintura a óleo</span></div>
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<span style="font-size: xx-small;">Galeria Nacional de Arte, Washington, D.C.</span></div>
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Nascido por volta de 1399, Rogier van der Weyden viveu e trabalhou em Bruxelas e foi um dos mais célebres artistas de sua época, quando ele morreu em 1464. Mas os conflitos religiosos e militares do século 16 e 17 que atormentaram onde está agora se encontra a atual Bélgica, destruiuram muitas das suas obras mais conhecidas. Depois de sair fora de moda com a ascensão da arte barroca, van der Weyden foi quase esquecido, até que colecionadores e estudiosos começaram a redescobrir a arte neerlandesa no início do século 19. Os debates sobre a atribuição de suas obras continuam até hoje.</div>
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Anonymoushttp://www.blogger.com/profile/10370422379136607865noreply@blogger.com1Museo Nacional del Prado, Paseo del Prado, s/n, 28014 Madrid, Madrid, Spain40.4137818 -3.692127099999993311.659570800000001 -45.000721099999993 69.167992800000007 37.616466900000006tag:blogger.com,1999:blog-8754394483835304098.post-7146839047254755872015-06-19T10:46:00.001-03:002015-06-19T10:47:12.307-03:00Retrospectiva Velásquez no Grand Palais - Paris <div class="separator" style="clear: both;">
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de 25 de março -13 de julho 2015 </div>
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Grand Palais - Paris </div>
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<span style="font-size: xx-small;">Diego Velázquez, Autorretrato (1644-1652), Florença, Ufizzi </span><br />
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Figura maior da história da arte, Diego Velázquez (1599-1660) é, sem dúvida, o mais célebre pintor da idade de ouro espanhola.</div>
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<span style="font-size: xx-small;">Diego Velázquez A Imaculada Conceição (1618-1619), óleo sobre tela, 135 x 101,6cm, National Gallery, Londres</span><br />
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A exposição coloca sua obra em diálogo com numerosas telas de artistas de seu tempo que ele conheceu, admirou ou influênciou. Ela também analisa a questão de variações de estilos e temas das primeiras composições de Velázquez, a passagem entre o naturalismo e o caravagismo, bem como a sua capacidade de realizar paisagens, retratos e pinturas da história. Esta exposição é organizada pela RMN - Grand Palais e o Museu do Louvre, Paris, em colaboração com o Museu Kunsthistorisches, em Viena.</div>
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<span style="font-size: xx-small;">Diego Velázquez, Demócrito (cerca de 1627-1628), óleo sobre tela, 101 x 81 centímetros, Rouen Museu de Belas Artes.</span><br />
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"A exposição tem três grandes momentos e propõe um percurso tanto cronológico como temático. A emergência da personalidade artística de Velázquez entre os seus contemporâneos (professores, colegas, rivais e concorrentes) é a sua primeira fase. A segunda e terceira seções são a base da proposição: elas evocam o reinado de Velázquez na corte espanhola e o triunfo da sua pintura. Finalmente, a influência de Diego Velázquez é enfatizada através da última seção, os velazqueños ".</div>
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<span style="font-size: xx-small;">Diego Velázquez, A forja de Vulcão (1630), óleo sobre tela, 222x290 cm, Madrid, Museo Nacional del Prado.</span><br />
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<span style="font-size: xx-small;">Caravaggio, Michelangelo Merisi da Caravaggio: Vocação de São Mateus (cerca de 1571-1610), óleo sobre tela, 322 x 340 cm, Roma, Igreja de São Luís dos Franceses.</span></div>
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<span style="font-size: xx-small;">imagem de comparação</span></div>
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<span style="font-size: xx-small;">Diego Velázquez, vista para os jardins da Villa Medici, da Loggia ou ao meio do dia (1630), óleo sobre tela, 44 x 38,5cm 4, Madrid, Museo Nacional del Prado.</span><br />
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SEÇÃO 1: os anos de formação salas 1 a 4, Tal como o nome indica, esta primeira seção convida os visitantes a voltar a formação que Diego Velázquez recebeu na oficina de seu mestre, Francisco Pacheco. Ela permite confrontar as primeiras criações do jovem pintor, retranscrevendo a atmosfera e contexto de Sevilha, uma cidade que desempenhou um papel</div>
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<span style="font-size: xx-small;">Diego Velázquez Retrato do Infante Baltasar Carlos e seu anão (1631), óleo sobre tela, 128 x 102 centímetros, Boston, Museu de Belas Artes.</span> <br />
SEÇÃO 2: Velásquez pintor do rei salas 5 a 7 . O coração da exposição é dedicado a Velázquez como pintor da corte. Esta seção aborda a primeira viagem para a Itália, o que ajuda a moldar a identidade artística do pintor, assim como suas relações com a família real. Estes três quartos também permitem a discussão dos diferentes temas que são tratados por Diego Velázquez: retratos, temas mitológicos ou cenas de gênero. 5: A primeira viagem para a Itália 6: Baltasar Carlos o infante querido 7: Mitologias<br />
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<span style="font-size: xx-small;">Diego Velázquez, A Toalete de Vênus (1647-1651), óleo sobre tela, 122,5 x 177 centímetros, National Gallery, Londres</span><br />
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SEÇÃO 3: Velázquez retratista salas 8 a 10. Nos anos 1630-1640 , Velázquez está no auge de sua carreira: Felipe IV lhe dá a sua total confiança e gratidão na corte e seus pares. É principalmente através do gênero retrato que ele se destaca como pintor e sua contribuição é significativa. 8: Pintor da corte 9: A segunda viagem à Itália 10: Velázquez chefe do atelier</div>
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<a href="http://2.bp.blogspot.com/--tO7frbZ94g/VYQX7n_QKNI/AAAAAAABxB4/NRNvHeqAuuk/s1600/toilete%2Bde%2Bvenus.jpg"><img border="0" src="http://2.bp.blogspot.com/--tO7frbZ94g/VYQX7n_QKNI/AAAAAAABxB4/NRNvHeqAuuk/s320/toilete%2Bde%2Bvenus.jpg" /></a></div>
<span style="font-size: xx-small;">imagem comparativa</span><br />
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<span style="font-size: xx-small;">Diego Velázquez Retrato da Infanta Margarita em azul (1659) Óleo sobre tela, 148,5 x 128,5 centímetros, Viena, Kunsthistorisches Museum.</span><br />
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SEÇÃO 4: Velázquez à partir de Velázquez salas 11 a 12 O epílogo da exposição aborda a questão da influência do pintor espanhol sobre seus contemporâneos. Aqui é interessante prestar atenção especial para as criações de Juan Bautista Martínez del Mazo, que trabalhou no estúdio de Diego Velázquez e que incluem algumas inspirações mestre através de suas pinturas. 11: 12 Velazqueños Juan Bautista Martínez del Mazo</div>
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<span style="font-size: xx-small;">Diego Velázquez. As Meninas ou família de Philip IV (cerca de 1656), óleo sobre tela, 318 x 276 centímetros, Madrid, Museo Nacional del Prado.</span> <br />
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<br />Anonymoushttp://www.blogger.com/profile/10370422379136607865noreply@blogger.com0Grand Palais, 3 Avenue du Général Eisenhower, 75008 Paris, France48.8661091 2.312454399999978720.1118841 -38.996139100000022 77.620334100000008 43.621047899999979tag:blogger.com,1999:blog-8754394483835304098.post-39780036130737800492015-04-24T16:49:00.001-03:002015-04-24T16:54:21.958-03:00Jean Paul Gaultier - Grand PalaisExatamente como há 11 anos, com Paris Couture by Jean Paul Gaultier, na Fundação Cartier, esta retrospectiva no Grand Palais (até 3 de agosto) realiza a façanha de ser, ao mesmo tempo, repleta de ideias impertinentes e vazia de conteúdos pertinentes.<br />
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<span style="font-size: xx-small;">Jean-Paul Goude, Jean Paul Gaultier,</span></div>
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<span style="font-size: xx-small;">Made in Mode, 2012.</span></div>
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Por felicidade, o inquieto e curioso estilista afirma 'não se considerar um artista'. Melhor assim. O seu eclético trabalho de quatro décadas, apesar da originalidade e inventividade, não pode mesmo ser chamado de arte. As 175 peças apresentadas, algumas inéditas e audaciosas, não raro são resultado de puro e afetado capricho. Começam e terminam na própria e frívola extravagância.<br />
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Gaultier quer se mostrar tão interessante e sedutor como pessoa, quanto as suas invenções. Consegue. </div>
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O primeiro objeto da mostra é Sana, o urso despelado e esfalfado da sua infância, objeto primordial de tortura, antecessor das suas modelos. O pobre, que abre a exposição, é a prova `viva" de quão cedo o estilista caiu ' nas redes da alta costura. O bicho, que provavelmente foi de pelúcia, recebeu implantes, cabelos de corda, camadas e camadas de maquiagem com os produtos da avó do dono e, para terminar, a costura dos famosos seios cónicos que depois vestiram Madonna. Hoje, os museus precisam de estrelas para ter sucesso. </div>
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<span style="font-size: xx-small;">Coleção You got the look... Alike, prêt-à-porter femme </span><br />
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<span style="font-size: xx-small;">Primavera-Verão 2013 Vestido marinheiro malha ráfia.</span><br />
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Bowie na Filarmônica de Paris, Bob Wilson e Lady Gaga no Louvre, Gaultier no Grand Palais... espetáculos fetichistas atraem multidões. Esta exposição multimídia com cenografia feérica, para a qual contribuíram dezenas de profissionais em várias áreas, e que o costureiro considera não como unia retrospectiva mas unia "obra" em si, celebra não apenas a audácia da moda. </div>
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<span style="font-size: xx-small;">Coleção rabino chique, prêt-à-porter </span></div>
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<span style="font-size: xx-small;">Outono-Inverno 1993/1994. </span></div>
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<span style="font-size: xx-small;">Casaco de cirê, </span><span style="font-size: xx-small;">calças jacquard, e raposa.</span></div>
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Explora igualmente a cultura e a contracultura enquanto fontes de fascínio e inspiração. Por meio de uni percurso temático em oito segmentos, traça uni itinerário imaginário que se inicia nas ruas de Paris e vai até o universo da ficção científica.<br />
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<a href="http://4.bp.blogspot.com/-kfwUcd9-spk/VTqUATBOtjI/AAAAAAABwhM/F_ON4tqtyzY/s1600/Collection%2BCape%2Bet%2Bd%E2%80%99%C3%A9p%C3%A9e.jpg"><img border="0" height="320" src="https://4.bp.blogspot.com/-kfwUcd9-spk/VTqUATBOtjI/AAAAAAABwhM/F_ON4tqtyzY/s1600/Collection%2BCape%2Bet%2Bd%E2%80%99%C3%A9p%C3%A9e.jpg" width="243" /></a><br />
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<span style="font-size: xx-small;">Coleção Capa e Espad, alta costura</span></div>
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<span style="font-size: xx-small;">outono-inverno da moda 2004- Modelo 2005 Feiticeira.</span></div>
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<span style="font-size: xx-small;">Saia e corpo em python, bordados com de pregos e cobre.</span></div>
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Toda a parafernália da imagética gaultieriana está ali, em conjunto com os seus desvios, transgressões, metamorfoses e reinterpretações. Desde as célebres marinheiras e criações étnicas, até o kilt e os mesmos vestidos-corselete criados para as estrelas. Gaultier suprime as fronteiras entre as culturas, mas também entre os sexos. Cria uma nova androginia ou, de modo oposto, diverte-se invertendo códigos para uma moda hiper sexualizada. </div>
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<a href="http://4.bp.blogspot.com/-uiUGz8Xhkb4/VTqUEEomiEI/AAAAAAABwhU/VgoFIs0fxsg/s1600/Campagne%2Bpublicitaire%2Bpour%2Bla%2Bcollection%2BHommage%2B%C3%A0%2BFrida%2BKahlo.jpg"><img border="0" height="215" src="https://4.bp.blogspot.com/-uiUGz8Xhkb4/VTqUEEomiEI/AAAAAAABwhU/VgoFIs0fxsg/s1600/Campagne%2Bpublicitaire%2Bpour%2Bla%2Bcollection%2BHommage%2B%C3%A0%2BFrida%2BKahlo.jpg" width="320" /></a><br />
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<span style="font-size: xx-small;">Campanha publicitária para a coleção Homenagem à Frida Kahlo,</span></div>
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<span style="font-size: xx-small;"> prêt-à-porter primavera-verão 1998.</span></div>
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Da alta costura ao prét-à-porter dos anos 7o até hoje, vemos as roupas para teatro e cinema de Almodóvar, Greenaway, Besson, Jeunet. </div>
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<span style="font-size: xx-small;">Coleção Black Swann, couture outono-inverno 2011-2012,<br />Vestido Corset 3D todo em fitas de cetim e rendas laços salmão, efeitos chifre em abundância.</span></div>
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Passamos por espaços interativos, retratos, croquis e documentos pessoais; assistimos a filmes, concertos, espetáculos de dança, videoclipes, programas de televisão. Testemunhamos os primeiros anos do estilista, a Odisseia, Punk Cancan com Catherine Deneuve, As Musas — uma instalação criada pelo Studio Moment Factor). de Montreal, na qual cada espectador pode ser "Gaultierizado". Atravessamos estandes de nomes sugestivos como O Salão, À Flor da Pele, Metropolis e Floresta urbana, videoinstalaçào criada pelos jovens artistas Lucie Simon. Um lugar importante é dado à fotografia da moda, evidentemente, com tiragens às vezes inéditas de Warhol, Cindy Sherman, Lindbergh, Avedon, Pierre et Gilles, Doisneau e tantos outros. </div>
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<span style="font-size: xx-small;">Campanha publicitária para a coleção um guarda-roupa para dois </span></div>
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<span style="font-size: xx-small;"> prêt-à-porter primavera-verão de 1985.</span></div>
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Tudo é emblemático de uma só marca. Tudo é relativo à 'dissipação do mundo contemporâneo que nos afasta definitivamente da transcendência', como dizia Jean Baudrillard. Ocorre com o trabalho de Gaultier. O resultado é 'uma equação nula, sem diferenciar'. Na ausência total de transcendência espiritual, na falta de finalidade simbólica e objetivos — e apesar da decisão de parar o prét-à-porter — a sua criação fica destinada a se reproduzir indefinidamente, de maneira interminável. E a se lançar em órbitas vazias, mesmo quando se apresenta no Grand Palais.<br />
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<span style="font-size: xx-small;">Coleção Hussardos, couture outono-inverno 2002-2003 Noiva. </span><br />
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Tudo é emblemático de uma só marca. Tudo é relativo à 'dissipação do mundo contemporâneo que nos afasta definitivamente da transcendência', como dizia Jean Baudrillard. Ocorre com o trabalho de Gaultier. O resultado é 'uma equação nula, sem diferenciar'. </div>
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<a href="http://3.bp.blogspot.com/-vo61BqMzuN8/VTqUUxE7daI/AAAAAAABwh0/Zzbc66D6rjA/s1600/Collection%2BBelles%2Bdes%2Bchamps.jpg"><img border="0" height="320" src="https://3.bp.blogspot.com/-vo61BqMzuN8/VTqUUxE7daI/AAAAAAABwh0/Zzbc66D6rjA/s1600/Collection%2BBelles%2Bdes%2Bchamps.jpg" width="240" /></a><br />
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<span style="font-size: xx-small;">Coleção Belles des champs, prêt-à-porter femme printemps-été 2006.</span></div>
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<span style="font-size: xx-small;">Corset em palha natural tressée e trigo</span></div>
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Na ausência total de transcendência espiritual, na falta de finalidade simbólica e objetivos — e apesar da decisão de parar o prét-à-porter — a sua criação fica destinada a se reproduzir indefinidamente, de maneira interminável. E a se lançar em órbitas vazias, mesmo quando se apresenta no Grand Palais. </div>
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Sheila Leirner - Especial para o Estado</div>
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<span style="font-size: 0px; line-height: 0px;">O material jornalístico produzido pelo Estadão é protegido por lei. Para compartilhar este conteúdo, utilize o link:</span><a href="http://cultura.estadao.com.br/noticias/geral,estilista-jean-paul-gaultier-tem-sua-carreira-revisitada-com-exposicao-em-paris,1672731" style="border: 0px; font-size: 0px; font-stretch: inherit; line-height: 0px; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;">http://cultura.estadao.com.br/noticias/geral,estilista-jean-paul-gaultier-tem-sua-carreira-revisitada-com-exposicao-em-paris,1672731</a></div>
<span style="font-size: 0px; line-height: 0px;">O material jornalístico produzido pelo Estadão é protegido por lei. Para compartilhar este conteúdo, utilize o link:</span><a href="http://cultura.estadao.com.br/noticias/geral,estilista-jean-paul-gaultier-tem-sua-carreira-revisitada-com-exposicao-em-paris,1672731" style="border: 0px; font-size: 0px; font-stretch: inherit; line-height: 0px; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;">http://cultura.estadao.com.br/noticias/geral,estilista-jean-paul-gaultier-tem-sua-carreira-revisitada-com-exposicao-em-paris,1672731</a><br />
<a href="http://1.bp.blogspot.com/-fGiyu-y3Ubo/VTqUaLZklyI/AAAAAAABwh8/B5ea8tTF0go/s1600/Collection%2BLa%2BRussie.jpg"><img border="0" height="317" src="https://1.bp.blogspot.com/-fGiyu-y3Ubo/VTqUaLZklyI/AAAAAAABwh8/B5ea8tTF0go/s1600/Collection%2BLa%2BRussie.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Coleção La Russie, haute couture outono-inverno 1997-1998. </span></div>
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<span style="font-size: xx-small;">Robe du soir en taffetas, broderies de tubes et de perles «peau de
léopard», griffes en strass. </span><br />
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<span style="font-size: xx-small;">Coleção Ambiance, salon de haute couture </span></div>
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<span style="font-size: xx-small;">haute couture printemps-été 1997.</span></div>
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<span style="font-size: xx-small;">Boléro en plumes de perroquet, combinaison pantalon en crêpe, coiffure</span> </div>
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<a href="http://1.bp.blogspot.com/-1KMAahyrjU8/VTqUodeJXGI/AAAAAAABwiM/tolsnsRIlUA/s1600/COLLECTION%2BLES%2BROCK%2BSTARS.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-1KMAahyrjU8/VTqUodeJXGI/AAAAAAABwiM/tolsnsRIlUA/s1600/COLLECTION%2BLES%2BROCK%2BSTARS.jpg" width="213" /></a><br />
<span style="font-size: xx-small;">Coleção Les Rock Stars - pret a porter masculino outono inverno 1987-1988</span><br />
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<a href="http://4.bp.blogspot.com/-4F0AkY1G7Sg/VTqUsROcdAI/AAAAAAABwiU/XjR1OJVbPTQ/s1600/Collection%2BParis%2Bet%2Bses%2B%C3%A9g%C3%A9ries%2C.jpg"><img border="0" height="320" src="https://4.bp.blogspot.com/-4F0AkY1G7Sg/VTqUsROcdAI/AAAAAAABwiU/XjR1OJVbPTQ/s1600/Collection%2BParis%2Bet%2Bses%2B%C3%A9g%C3%A9ries%2C.jpg" width="230" /></a><br />
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<span style="font-size: xx-small;">Collection Paris et ses égéries, haute couture automne-hiver 2000-2001, modèle Paris-Glasgow-Delhi. Robe-sari torsadée et plissée en lainage et velours.</span></div>
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<span style="font-size: xx-small;">Collection Louise Brooks chez Easy Rider, prêt-à-porter femme printemps-été 2001. demi-perfecto en cuir.</span></div>
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<span style="font-size: xx-small;">Collection So British, prêt-à-porter femme automne-hiver 2007-2008. Robe-trench en gabardine «tartan», demi-perfecto en cuir, épingles «Gaultier».</span></div>
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<span style="font-size: xx-small;">Collection "Punk Cancan". Haute couture Printemps-été 2011. </span><br />
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<a href="http://1.bp.blogspot.com/-k38RbdAiHu0/VTqU0GT6moI/AAAAAAABwik/8kZuCjSF4kQ/s1600/Costume%2Bde%2Bsc%C3%A8ne%2Bpour%2BR%C3%A9gine%2BChopinot.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-k38RbdAiHu0/VTqU0GT6moI/AAAAAAABwik/8kZuCjSF4kQ/s1600/Costume%2Bde%2Bsc%C3%A8ne%2Bpour%2BR%C3%A9gine%2BChopinot.jpg" width="172" /></a><br />
<span style="font-size: xx-small;">Figurino para Régine Chopinot, combinando marinheiro dos dois lados.</span><br />
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<a href="http://3.bp.blogspot.com/-wUAOAxXwgdU/VTqU3tWJQ2I/AAAAAAABwis/8N1lpWvFbyw/s1600/COLLECTION%2BVOYAGE%2BAUTOUR%2BDU%2BMONDE%2BEN%2B168%2BTENUES%2C.jpg"><img border="0" height="320" src="https://3.bp.blogspot.com/-wUAOAxXwgdU/VTqU3tWJQ2I/AAAAAAABwis/8N1lpWvFbyw/s1600/COLLECTION%2BVOYAGE%2BAUTOUR%2BDU%2BMONDE%2BEN%2B168%2BTENUES%2C.jpg" width="252" /></a><br />
<span style="font-size: xx-small;">Collection prêt-à-porter printemps-été 1989 intitulée Voyage autour du monde en 168 tenues, </span><br />
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<a href="http://1.bp.blogspot.com/-IVbYdOPHJuY/VTqU6lzJ_BI/AAAAAAABwi0/L-PWKz4d_3k/s1600/Collection%2BLa%2BCalligraphie%2C.jpg"><img border="0" height="207" src="https://1.bp.blogspot.com/-IVbYdOPHJuY/VTqU6lzJ_BI/AAAAAAABwi0/L-PWKz4d_3k/s1600/Collection%2BLa%2BCalligraphie%2C.jpg" width="320" /></a><br />
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<span style="font-size: xx-small;">Collection La Calligraphie, haute couture printemps-été 2009, modèle Enluminure. Réalisation: 56 heures.</span></div>
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<span style="font-size: xx-small;">Veste de smoking en satin, pantalon de torero en jersey de soie, broderie «châle espagnol».</span></div>
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<span style="font-size: xx-small;">Modèle porté par Arielle Dombasle dans son vidéoclip Porque te vas (2011).</span></div>
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<span style="font-size: xx-small;"><br /></span></div>
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<span style="font-size: xx-small;">Collection L’Élégance machiste Prêt-à-porter Homme printemps-été 1998. Combinaison « dos nu » en jersey</span></div>
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<a href="http://3.bp.blogspot.com/-PQesSw5-2hY/VTqU98JTrAI/AAAAAAABwi8/0ANio3NN7gc/s1600/Collection%2BL%E2%80%99Europe%2Bde%2Bl%E2%80%99avenir%2C.jpg"><img border="0" height="320" src="https://3.bp.blogspot.com/-PQesSw5-2hY/VTqU98JTrAI/AAAAAAABwi8/0ANio3NN7gc/s1600/Collection%2BL%E2%80%99Europe%2Bde%2Bl%E2%80%99avenir%2C.jpg" width="191" /></a><br />
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<span style="font-size: xx-small;">Collection L’Europe de l’avenir, prêt-à-porter femme automne-hiver 1992-1993. </span></div>
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<span style="font-size: xx-small;">Jupe à taille haute à bretelles «seins nus».</span></div>
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<span style="font-size: xx-small;">Modèle porté par Madonna pour le défilé Jean Paul Gaultier in L.A.</span></div>
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<a href="http://3.bp.blogspot.com/-ZtXduQYUrJc/VTqVBvF2VgI/AAAAAAABwjE/Kyw8LfR4rFo/s1600/CORSET-CAGE%2BMADONNA%2BEN%2BCUIR%2B%C2%B7.jpg"><img border="0" height="320" src="https://3.bp.blogspot.com/-ZtXduQYUrJc/VTqVBvF2VgI/AAAAAAABwjE/Kyw8LfR4rFo/s1600/CORSET-CAGE%2BMADONNA%2BEN%2BCUIR%2B%C2%B7.jpg" width="173" /></a><br />
<span style="font-size: xx-small;">corset comme une cage - Madonna</span><br />
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<a href="https://www.facebook.com/280698011956458/photos/pcb.1126412170718367/1126409600718624/?type=1&theater">(1) Gabinete de Curiosidades</a></div>
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<img border="0" height="320" src="https://3.bp.blogspot.com/--ZNNqYls7NU/VRx9KhJTCKI/AAAAAAABwSo/pcnbUZQR_rk/s1600/10953167_1126409600718624_1843871367785212126_n.jpg" width="250" /></div>
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François Barraud (1899-1934) "Natureza morta de flores com lírios" 1934</div>
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O Lírio na história da arte ( Açucena - Lilium candidum)</div>
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Origem : Pérsia e da Síria.</div>
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O Lírio de Páscoa é a flor mais popular dessa época.</div>
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http://sergiozeiger.tumblr.com/…/acucena-lilium-candidum-o-…</div>
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Essas flores, quando surgem na cor branca, significam a pureza, e o fascínio dos homens em torno da Açucena esteve presente sempre por vários séculos.</div>
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A bíblia diz que no templo de Salomão algumas destas flores já eram encontradas representadas em esculturas.</div>
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Existem referências a flor amarílis na mitologia grega, ela representa altivez, elegância e graça, e está relacionada ao deus do olímpo Apolo, famoso por seu orgulho.</div>
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No império romano as Açucenas representavam a "Tristeza e Angústia" pela falta da pessoa amada. O seu nome derivado do latim significa frescura, brilho e planta de grandes e belas flores.</div>
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O nome Açucena (quer dizer singela e branca, que vem da língua tupi.). </div>
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Uma característica dessa planta é que seu nome é adotado por várias pessoas para batizar as filhas mulheres, principalmente no norte e nordeste do Brasil.</div>
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No resto do mundo essa planta é conhecida como Amarilis, que também é um nome feminino bastante usado.</div>
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<a href="http://4.bp.blogspot.com/-5Xc9GxEoavo/VRh5DdEWZ3I/AAAAAAABwQ4/tY1DYpzfKfM/s1600/lorenzetti_allegory_of_good_government_in_the_city_and_country11316019521865.png"><img border="0" height="141" src="https://4.bp.blogspot.com/-5Xc9GxEoavo/VRh5DdEWZ3I/AAAAAAABwQ4/tY1DYpzfKfM/s1600/lorenzetti_allegory_of_good_government_in_the_city_and_country11316019521865.png" width="320" /></a><br />
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de 21 de março a 17 ago 2015<br />
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Museu de Belas Artes de Rouen, França<br />
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<a href="http://3.bp.blogspot.com/-JkA7ZhDRW3A/VRh5GuS1eOI/AAAAAAABwRA/ck-S1nzc5Mc/s1600/martini.jpg"><img border="0" height="256" src="https://3.bp.blogspot.com/-JkA7ZhDRW3A/VRh5GuS1eOI/AAAAAAABwRA/ck-S1nzc5Mc/s1600/martini.jpg" width="320" /></a><br />
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Depois da exposição de arte gótica Sienesa realizada no museu do palácio em Avignon em 1983, organizada em parceria com a Galeria Nacional de Siena, nemhuma retrospectiva foi dedicada à pintura de Siena dos séculos XIV e XV, na França. O Renascimento florentino, bem conhecido do público francês constitui um tema freqüentemente honradonos museus franceses.</div>
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<span class="goog-gtc-unit" id="goog-gtc-unit-18" style="white-space: pre-wrap;"><span class="goog-gtc-translatable" dir="ltr" gtc:wc="40">Depuis<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>l’exposition<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>l’art<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>gothique<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>siennois<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>tenue<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>au<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>musée<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>du<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>petit<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>palais<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>à<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>Avignon<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>en<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>1983,<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>organisée<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>en<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>partenariat<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>avec<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>la<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>Pinacothèque<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>Nationale<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>de<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>Sienne,<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>aucune<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>rétrospective<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>n’a<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>été<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>consacrée<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>à<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>la<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>peinture<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>siennoise<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>des<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>XIVe<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>et<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>XVe<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>siècles<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>en<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>France.</span></span> <span class="goog-gtc-unit" id="goog-gtc-unit-19" style="white-space: pre-wrap;"><span class="goog-gtc-translatable" dir="ltr" gtc:wc="21">La<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>Renaissance<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>florentine,<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>bien<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>connue<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>du<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>public<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>français<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>constitue<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>en<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>revanche<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>un<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>thème<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>fréquemment<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>mis<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>à<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>l’honneur<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>dans<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>les<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>musées<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>français.</span></span></div>
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<a href="http://1.bp.blogspot.com/-dM03DYE_JHk/VRh5L8AlDGI/AAAAAAABwRI/Bp_utRJqVcg/s1600/Effects%2Bof%2BGood%2BGovernment%2Bon%2Bthe%2BCity%2BLife%2B(detail)%2B1338-40.%2BFresco%2BPalazzo%2BPubblico%2C%2BSiena.jpg"><img border="0" height="218" src="https://1.bp.blogspot.com/-dM03DYE_JHk/VRh5L8AlDGI/AAAAAAABwRI/Bp_utRJqVcg/s1600/Effects%2Bof%2BGood%2BGovernment%2Bon%2Bthe%2BCity%2BLife%2B(detail)%252B1338-40.%252BFresco%252BPalazzo%252BPubblico%252C%252BSiena.jpg&container=blogger&gadget=a&rewriteMime=image%2F*" width="320" /></a><br />
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A retrospectiva, Siena às origens da Renascença, rotulada de interesse nacional, se propõe a descobrir as especificidades da arte de Siena, mostrando as obras realizadas entre o final do século XIII e no final do século XV. Esta apresentação tanto cronológica como temática ajuda a entender como, graças ao impulso incutido por Duccio, grandes artistas como Simone Martini e os irmãos Lorenzetti revolucionaram a pintura, a imagem do seu homólogo florentino, o famoso Giotto .</div>
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<span class="goog-gtc-unit" id="goog-gtc-unit-20" style="white-space: pre-wrap;"><span class="goog-gtc-translatable" dir="ltr" gtc:wc="38">La<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>rétrospective<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span><em>Sienne,<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; font-style: normal; padding-left: 1px; padding-right: 1px;"> </span>aux<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; font-style: normal; padding-left: 1px; padding-right: 1px;"> </span>origines<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; font-style: normal; padding-left: 1px; padding-right: 1px;"> </span>de<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; font-style: normal; padding-left: 1px; padding-right: 1px;"> </span>la<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; font-style: normal; padding-left: 1px; padding-right: 1px;"> </span>Renaissance</em>,<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>labellisée<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>d'intérêt<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>national,<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>propose<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>de<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>découvrir<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>les<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>spécificités<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>de<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>l’art<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>siennois<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>en<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>donnant<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>à<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>voir<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>des<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>oeuvres<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>exécutées<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>entre<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>la<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>fin<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>du<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>XIIIe<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>siècle<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>et<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>la<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>fin<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>du<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>XVe<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>siècle.</span></span> <span class="goog-gtc-unit" id="goog-gtc-unit-21" style="white-space: pre-wrap;"><span class="goog-gtc-translatable" dir="ltr" gtc:wc="42">Cette<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>présentation<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>à<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>la<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>fois<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>chronologique<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>et<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>thématique<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>permet<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>de<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>comprendre<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>comment,<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>grâce<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>à<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>l’impulsion<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>insufflée<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>par<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>Duccio,<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>des<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>artistes<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>majeurs<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>comme<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>Simone<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>Martini<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>et<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>les<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>frères<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>Lorenzetti<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>ont<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>véritablement<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>révolutionné<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>la<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>peinture,<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>à<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>l’image<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>de<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>leur<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>homologue<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>Florentin,<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>le<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>fameux<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>Giotto.</span></span><br />
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<a href="http://2.bp.blogspot.com/-wCkdoasPT2Y/VRh5ODGXQsI/AAAAAAABwRQ/ir4MgV-kwTs/s1600/sale-della-pace.jpg"><img border="0" height="201" src="https://2.bp.blogspot.com/-wCkdoasPT2Y/VRh5ODGXQsI/AAAAAAABwRQ/ir4MgV-kwTs/s1600/sale-della-pace.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Ambrogio Lorenzetti, vista da sala da Paz, Palácio Público de Siena, 1338-1339 As alegorias do bom governo e Os efeitos do bom governo</span></div>
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<b><br /></b> Introdução do conceito de perspectiva, uma nova sensibilidade para o mundo real, a atençãotrazida para a variedade de cores, a elegância das figuras, o desenvolvimento da paisagem, a humanização dos episódios sagrados, o desenvolvimento de uma identidade cívica e mesmo a arte do retrato do nascimento são todos temas que podem caracterizar a pintura de Siena do século XIV.</div>
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Introduction de la notion de perspective, sensibilité nouvelle face au monde réel, attention portée à la variété des coloris, élégance des figures, développement du paysage, humanisation des épisodes sacrés, essor d’un art civique voire identitaire et naissance du portrait sont autant de thèmes qui peuvent caractériser la peinture siennoise du XIVe siècle.</div>
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<a href="http://1.bp.blogspot.com/-7KDabdw0pD0/VRh5QjAtnhI/AAAAAAABwRY/pk3z9EkYEM0/s1600/Ambrogio_Lorenzetti_-_Allegory_of_the_Good_Government_(detail)_-_WGA13487.jpg"><img border="0" height="249" src="https://1.bp.blogspot.com/-7KDabdw0pD0/VRh5QjAtnhI/AAAAAAABwRY/pk3z9EkYEM0/s1600/Ambrogio_Lorenzetti_-_Allegory_of_the_Good_Government_(detail)_-_WGA13487.jpg&container=blogger&gadget=a&rewriteMime=image%2F*" width="320" /></a></div>
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<span style="font-size: xx-small;">detalhe</span><br />
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François Rouan "Uma Primavera em Siena" de Rouen a Siena e retorno</div>
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O olhar do pintor é um dos melhores veículos para viajar na arte do passado. Mais secreto, mais sensível, ele revela sem explicar evoca sem destacar. Com os seus meios, o pincel, as tesouras, o lápis, Rouan ainda permanece como o visualizador da fabulosa de arte de Siena. Os trinta trabalhos realizados em Rouen, desenhos, pinturas, vídeos, apresentados como um contraponto à exposição Siena, origens renascentistas permitem que os visitantes perceber a atualidade deste património em nosso mundo contemporâneo, e de se apropriar por sua vez, uma realidade tão distante no tempo e no espaço.</div>
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François Rouan "Un printemps à Sienne" de Rouen à Sienne, et retour</div>
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Le regard du peintre est un des meilleurs véhicules pour voyager dans l’art du passé. Plus secret, plus sensible, il révèle sans expliquer, évoque sans souligner. Avec ses moyens, le pinceau, les ciseaux, le crayon, Rouan reste encore aujourd’hui ce fabuleux regardeur de l’art siennois. La trentaine d’oeuvres réunie à Rouen, dessins, tableaux, vidéos, présentée en contrepoint de l’exposition Sienne, aux origines de la Renaissance permettra aux visiteurs de percevoir l’actualité de cet héritage dans notre monde contemporain, et de s’approprier à leur tour une réalité si éloignée de nous, dans le temps et dans l’espace.</div>
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<a href="http://2.bp.blogspot.com/-WHQNmJZG3vo/VRh5VeBMtqI/AAAAAAABwRg/Yy4uJSAjn9s/s1600/pfile254528_activity14090.jpg"><img border="0" height="320" src="https://2.bp.blogspot.com/-WHQNmJZG3vo/VRh5VeBMtqI/AAAAAAABwRg/Yy4uJSAjn9s/s1600/pfile254528_activity14090.jpg" width="242" /></a></div>
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<span style="font-size: xx-small;">Cennino Cennini A Natividade da Virgem( detalhe)</span></div>
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<span style="font-size: xx-small;">1390-1400</span><br />
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A exposição, François Rouen, primavera em Siena, que continua no Château de Hautefort no Perigord, de abril a setembro de 2015, é para o artista a oportunidade de desvendar as obras permaneceram inéditas até agora, e explorar as ressonâncias destas imagem primitivas em seu trabalho mais recente. Esta é uma rara oportunidade de ver o trabalho de um dos maiores pintores franceses que só aparecem muito discretamente.</div>
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Cette exposition, François Rouan, Un printemps à Sienne, qui se double d’un second volet à au Château de Hautefort en Périgord, d’avril à septembre 2015, est pour l’artiste l’occasion de dévoiler des oeuvres restées jusque-là inédites, et d’explorer les résonances de cette image primitive dans son travail le plus actuel. C’est une opportunité rare de découvrir l’oeuvre d’un des plus grands peintres français, qui ne se montre que très discrètement.</div>
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<a href="http://1.bp.blogspot.com/-z0IRjwvRPKI/VRh5X259bzI/AAAAAAABwRo/XUfeFQ2NsOU/s1600/Tresors-de-Sienne-630x0.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-z0IRjwvRPKI/VRh5X259bzI/AAAAAAABwRo/XUfeFQ2NsOU/s1600/Tresors-de-Sienne-630x0.jpg" width="245" /></a><br />
<span style="font-size: xx-small;">Giovanni di Paolo - A Virgem da humildade cerca de 1450</span></div>
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<a href="http://3.bp.blogspot.com/-Gj0IUbZHQFw/VQiD_jF7f3I/AAAAAAABt2M/leFx1Al2zw0/s1600/lanvin.jpg"><img border="0" height="320" src="https://3.bp.blogspot.com/-Gj0IUbZHQFw/VQiD_jF7f3I/AAAAAAABt2M/leFx1Al2zw0/s1600/lanvin.jpg" width="225" /></a><br />
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<span style="font-size: xx-small;">Jeanne Lanvin et sa fille Marguerite, 1907 © Patrimoine Lanvin</span></div>
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De 8 de março a 23 de agosto de 2015<br />
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Palais Galliera, Paris </div>
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<a href="http://4.bp.blogspot.com/-DL5rMpZRUCE/VQiEDN5YUaI/AAAAAAABt2U/KTlv1qjJQjQ/s1600/arpege-perfume-bottle-lanvin-biography.jpg"><img border="0" height="320" src="https://4.bp.blogspot.com/-DL5rMpZRUCE/VQiEDN5YUaI/AAAAAAABt2U/KTlv1qjJQjQ/s1600/arpege-perfume-bottle-lanvin-biography.jpg" width="240" /></a><br />
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<span style="font-size: xx-small;">Parfum «Arpège », flacon boule noire, 1927</span></div>
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O Palais Galliera, em estreita colaboração com Alber Elbaz, diretor artístico da Maison Lanvin, comemora a mais antiga casa de alta costura francesa ainda ativa. Dedicado a Jeanne Lanvin (1867-1946), a primeira retrospectiva em Paris reúne, mais de cem modelos, excepcionais do Palais Galliera e do Patrimônio Lanvin.<br />
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<a href="http://4.bp.blogspot.com/-SwN9-_7ayNE/VQiENjGA3jI/AAAAAAABt2c/tdWRl3u_4Pw/s1600/Robe%2Bdu%2Bsoir%2B%C2%ABWalkyrie%2B%2Baussi%2Bnomm%C3%A9e%2BBrunehilde%2B%2C%2B1935..jpg"><img border="0" height="320" src="https://4.bp.blogspot.com/-SwN9-_7ayNE/VQiENjGA3jI/AAAAAAABt2c/tdWRl3u_4Pw/s1600/Robe%2Bdu%2Bsoir%2B%C2%ABWalkyrie%2B%2Baussi%2Bnomm%C3%A9e%2BBrunehilde%2B%2C%2B1935..jpg" width="239" /></a><br />
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<span style="font-size: xx-small;">Robe du soir «Walkyrie » aussi nommée «Brunehilde », 1935 Lamé or, soie bleu marine surpiquée </span><span style="font-size: xx-small;">Collection Palais Galliera © Katerina Jebb, 2014</span></div>
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<span style="white-space: pre-wrap;">Mademoiselle</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">Jeanne</span> começou em 1885 como um chapeleira. Em 1889, ela abriu uma boutique <span style="white-space: pre-wrap;">«</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-nbsp goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">Lanvin</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">(Melle</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">Jeanne)</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">Modes</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-nbsp goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">»</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span> na rua Boissy d'Anglais, n.16 antes da sua loja da rue du Faubourg Saint-Honoré, nº 22. <span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">aujourd’hui.</span></div>
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<a href="http://1.bp.blogspot.com/-E02H_9DJqO4/VQiEWhOLKaI/AAAAAAABt2k/jKq5kLcJvOg/s1600/Robe%2B%C2%ABNeptune%2B%C2%BB%2C%2Bhiver%C2%A01926-1927.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-E02H_9DJqO4/VQiEWhOLKaI/AAAAAAABt2k/jKq5kLcJvOg/s1600/Robe%2B%C2%ABNeptune%2B%C2%BB%2C%2Bhiver%C2%A01926-1927.jpg" width="170" /></a><br />
<span style="font-size: xx-small;">Robe «Neptune », hiver 1926-1927
Satin de soie noire, franges en biais
de satin noir
Collection Palais Galliera
© Katerina Jebb, 2014 </span></div>
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Em 1897, sua única filha, Margaret, nasceu e se tornou sua primeira fonte de inspiração, sua musa ... A modista de repente vê um novo horizonte em 1908: as roupas das crianças. </div>
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<a href="http://3.bp.blogspot.com/-AjZ6YgQPw54/VQiEeXcPtBI/AAAAAAABt2s/C17Tk4Qoapw/s1600/robe-my-fair-lady-lanvin_5272759.jpg"><img border="0" height="320" src="https://3.bp.blogspot.com/-AjZ6YgQPw54/VQiEeXcPtBI/AAAAAAABt2s/C17Tk4Qoapw/s1600/robe-my-fair-lady-lanvin_5272759.jpg" width="247" /></a><br />
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<span style="font-size: xx-small;">Robe «My Fair Lady », 1939 Ruban biais en organdi blanc, fond en tulle noir, grand nœud en taffetas noir Patrimoine Lanvin © Katerina Jebb, 2014</span></div>
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Ele cria, no ano seguinte, um departamento menina e mulher. </div>
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<a href="http://2.bp.blogspot.com/-rt1kRP-hKV4/VQiEjkoGNsI/AAAAAAABt20/k3XnI9dlbMo/s1600/robe%2Bdu%2Bsoir%2BConcerto%2C%2Bhiver%2B1934-1935..jpg"><img border="0" height="320" src="https://2.bp.blogspot.com/-rt1kRP-hKV4/VQiEjkoGNsI/AAAAAAABt20/k3XnI9dlbMo/s1600/robe%2Bdu%2Bsoir%2BConcerto%2C%2Bhiver%2B1934-1935..jpg" width="226" /></a><br />
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<span style="font-size: xx-small;">Robe «Concerto », hiver 1934-1935 Crêpe ivoire, col à cabochons en matière synthétique noire </span><span style="font-size: xx-small;">Collection Palais Galliera © Katerina Jebb, 2014</span></div>
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Jeanne Lanvin, em seguida, se juntou à União de costura e entra para o mundo fechado das "casas de moda". </div>
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<a href="http://4.bp.blogspot.com/-hJQMqyqqyQA/VQiEnmocQrI/AAAAAAABt28/Lek0OjIJoTI/s1600/102665599.jpg"><img border="0" height="320" src="https://4.bp.blogspot.com/-hJQMqyqqyQA/VQiEnmocQrI/AAAAAAABt28/Lek0OjIJoTI/s1600/102665599.jpg" width="188" /></a><br />
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<span style="font-size: xx-small;">Robe du soir « La Diva », hiver 1935-1936 Velours de soie bleu nuit, broderies de paillettes métalliques argentées superposées Collection Palais Galliera © Katerina Jebb, 2014</span></div>
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Seguem os departamentos noiva, lingerie, peles e do início dos anos 1920, abre o departamento de decoração e de esporte ... </div>
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<a href="http://3.bp.blogspot.com/-em9qC-DR9vE/VQiEvkCCEqI/AAAAAAABt3M/hQiePulCgnk/s1600/Robe%2C%2B1911..jpg"><img border="0" height="320" src="https://3.bp.blogspot.com/-em9qC-DR9vE/VQiEvkCCEqI/AAAAAAABt3M/hQiePulCgnk/s1600/Robe%2C%2B1911..jpg" width="175" /></a><br />
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<span style="font-size: xx-small;">Robe, 1911 Crêpe de soie imprimé noir et bleu à rayures, soutaches, tulle de soie bleu </span><span style="font-size: xx-small;">Collection Palais Galliera © Katerina Jebb, 2014</span></div>
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Em 1926, a mulher de negócios adere a moda masculina. </div>
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<a href="http://2.bp.blogspot.com/-H8jHjVql21A/VQiE2SCa2eI/AAAAAAABt3U/1v0WdcXAtAE/s1600/Colombine.jpg"><img border="0" height="278" src="https://2.bp.blogspot.com/-H8jHjVql21A/VQiE2SCa2eI/AAAAAAABt3U/1v0WdcXAtAE/s1600/Colombine.jpg" width="320" /></a><br />
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<span style="font-size: xx-small;">Robe de style «Colombine », hiver 1924-1925 Taffetas de soie ivoire, applications de velours de soie noir, broderies de grosses perles fines et de fils or, nœud en velours de soie rouge Collection Palais Galliera © Katerina Jebb, 2014</span></div>
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Ela também abriu filiais em Deauville, Biarritz, Barcelona, Buenos Aires, Cannes, Le Touquet ... </div>
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<a href="http://3.bp.blogspot.com/-9vnOkd5lwj8/VQiE5QRsaYI/AAAAAAABt3c/Dt3Hniho2lU/s1600/Marjolaine.jpg"><img border="0" height="320" src="https://3.bp.blogspot.com/-9vnOkd5lwj8/VQiE5QRsaYI/AAAAAAABt3c/Dt3Hniho2lU/s1600/Marjolaine.jpg" width="238" /></a><br />
<span style="font-size: xx-small;">Robe de style «Marjolaine »,
été 1921
Taffetas de soie changeant bronze,
reps jaune, dentelle mécanique
argentée
Collection Palais Galliera
© Katerina ebb, 2014</span><br />
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O azul Quattrocento que encantava Fra Angelico se tornou sua cor favorita ... </div>
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<a href="http://3.bp.blogspot.com/-47v02oh8lVk/VQiFEZ01uHI/AAAAAAABt3k/z7wIcrl1tns/s1600/Lesbos%2B1.jpg"><img border="0" height="320" src="https://3.bp.blogspot.com/-47v02oh8lVk/VQiFEZ01uHI/AAAAAAABt3k/z7wIcrl1tns/s1600/Lesbos%2B1.jpg" width="212" /></a><br />
<span style="font-size: xx-small;">Robe « Lesbos », 1925
Satin de soie vert absinthe, broderies
de perles de verre et de tubes
argentés
Patrimoine Lanvin
© Katerina Jebb, 2014</span><br />
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Para comemorar 30 anos de sua filha, ela cria o Arpege em 1927, o mais poderoso dos perfumes Lanvin. </div>
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<a href="http://2.bp.blogspot.com/-QLNrWNAAw9Q/VQiFJI5HIRI/AAAAAAABt3s/VqUTeKYSV6g/s1600/La%2BDuse.jpg"><img border="0" height="320" src="https://2.bp.blogspot.com/-QLNrWNAAw9Q/VQiFJI5HIRI/AAAAAAABt3s/VqUTeKYSV6g/s1600/La%2BDuse.jpg" width="238" /></a><br />
<span style="font-size: xx-small;">Robe « La Duse », 1925
Satin de soie et tulle vert absinthe,
broderies de perles, de cristaux
Swarovski et de tubes argentés
© Patrimoine Lanvin</span><br />
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O logotipo da casa, desenhado por Paul Iribe, representando a costureira e Margaret, é colocado no frasco bola feito por Armand Albert Rateau. Este é o mesmo logotipo que continua a acompanhar as criações Lanvin até hoje.</div>
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<a href="http://4.bp.blogspot.com/-ZgozFDB-qZk/VQiFN6urHEI/AAAAAAABt30/TOQqrncgfBA/s1600/Alcm%C3%A8ne.jpg"><img border="0" height="320" src="https://4.bp.blogspot.com/-ZgozFDB-qZk/VQiFN6urHEI/AAAAAAABt30/TOQqrncgfBA/s1600/Alcm%C3%A8ne.jpg" width="240" /></a><br />
<span style="font-size: xx-small;">Ensemble du soir «Alcmène »,
1929
Crêpe de soie rose, broderies
de cristaux Swarovski
et de tubes argentés
Collection Palais Galliera
© Katerina Jebb, 2014</span><br />
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Diários de viagem, amostras de tecidos étnicos, biblioteca de arte, Jeanne Lanvin não para de cultivar sua curiosidade para criar seus tecidos, padrões e cores exclusivas. </div>
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<a href="http://1.bp.blogspot.com/-wggOx7VBxzQ/VQiFhZCfavI/AAAAAAABt38/6gZ9IUUn_90/s1600/102539105.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-wggOx7VBxzQ/VQiFhZCfavI/AAAAAAABt38/6gZ9IUUn_90/s1600/102539105.jpg" width="274" /></a><br />
<span style="font-size: xx-small;"><br />Robe du soir «Bel oiseau », 1928. Taffetas noir, broderies de demitubes, cristaux Swarovski et fils métalliques argent. Collection Palais Galliera © Marie-Camille Raynaud </span></div>
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Jeanne Lanvin, é a arte da matéria e da transparência, dos bordados, costura, pespontos entrecruzados, espirais, cortes: o virtuosismo da especialização. </div>
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<a href="http://3.bp.blogspot.com/-waCXAsExu4I/VQiFo3yvrSI/AAAAAAABt4E/qEtJT526bXo/s1600/Donatienne.jpg"><img border="0" height="320" src="https://3.bp.blogspot.com/-waCXAsExu4I/VQiFo3yvrSI/AAAAAAABt4E/qEtJT526bXo/s1600/Donatienne.jpg" width="247" /></a><br />
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<span style="font-size: xx-small;">Robe «Donatienne », hiver 1920-1921 Crêpe de soie bleu et corail, velours de coton noir, broderies </span><span style="font-size: xx-small;">de corail, perles et fils de soie corail Collection Palais Galliera © Katerina Jebb, 2014</span></div>
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É um perfeito classicismo à francesa com muitos vestidos de estilo século XVIII - busto refinado, cintura baixa, saias infladas - dialogando com a linha "tubo" do Art Deco, a sua geometria em preto e branco, a sua profusão de fitas, cristais, pérolas, fios de seda ...</div>
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<a href="http://2.bp.blogspot.com/-ParghKDX5zA/VQiFtpdBgbI/AAAAAAABt4M/CslWiEaqOsE/s1600/Boulogne%2B1.jpg"><img border="0" height="320" src="https://2.bp.blogspot.com/-ParghKDX5zA/VQiFtpdBgbI/AAAAAAABt4M/CslWiEaqOsE/s1600/Boulogne%2B1.jpg" width="241" /></a><br />
<span style="font-size: xx-small;">Robe « Boulogne », été 1920. Crêpe beige, crêpe rouge, piqûres rouges, applications de velours bleu marine, broderies de perles blanches. Patrimoine Lanvin. Photos Alain R. Truong</span></div>
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Trabalho, a intuição, a compreensão do mundo moderno, o sucesso desta mulher discreta no destino excepcional está esperando por você. Alber Elbaz e o Palais Galliera convidá-o a ver a essa grande dama da moda: Jeanne Lanvin.</div>
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<a href="http://2.bp.blogspot.com/-jJqmP97iEHE/VQiF0ZJ9uqI/AAAAAAABt4U/E1vnGSgM5d8/s1600/102600468.jpg"><img border="0" height="218" src="https://2.bp.blogspot.com/-jJqmP97iEHE/VQiF0ZJ9uqI/AAAAAAABt4U/E1vnGSgM5d8/s1600/102600468.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Robe du soir «Scintillante »,
été 1939
Tulle noir et blanc, crêpe noir,
broderies de paillettes, crêpe rose
Collection Palais Galliera
© Katerina Jebb, 2014</span><br />
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<a href="http://1.bp.blogspot.com/-1ffn11Sa9fc/VQiF5XmTbsI/AAAAAAABt4c/6jwW8LDSQUs/s1600/102600570.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-1ffn11Sa9fc/VQiF5XmTbsI/AAAAAAABt4c/6jwW8LDSQUs/s1600/102600570.jpg" width="240" /></a><br />
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<span style="font-size: xx-small;">Manteau, 1937 Taffetas noir, broderies de paillettes dorées superposées Patrimoine Lanvin © Katerina Jebb, 201</span></div>
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<img border="0" height="235" src="https://4.bp.blogspot.com/-XNPlbr-WgiM/VQiF8Bnt8OI/AAAAAAABt4k/YqQqAXIll4w/s1600/102538805.jpg" width="320" /><br />
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<span style="font-size: xx-small;">Robe « La Cavallini », 1925 Taffetas noir, nœud brodé de fils argent, de perles, de cristaux </span><span style="font-size: xx-small;">Swarovski et de perles fines Patrimoine Lanvin © Katerina Jebb, 2014</span></div>
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2.6191315000000421tag:blogger.com,1999:blog-8754394483835304098.post-25792653081639163682015-03-05T16:45:00.000-03:002015-03-05T16:46:19.023-03:00A toilette, Nascimento da Intimidade <div>
Depois de comemorar 80 anos da abertura do museu ao público através das duas exposições “Les Impressionnistes en privé ” e ” Impression, soleil levant”, o Museu Marmottan Monet apresenta a partir de 12 e fevereiro a 5 Julho de 2015, “A toilette, Nascimento da Intimidade“, a primeira exposição dedicada ao tema da Toilette e ao Nascimento do Íntimidade . A exposição reúne obras de grandes artistas do século XV até o presente, sobre os ritos de limpeza , seus espaços e seus gestos .</div>
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<a href="http://4.bp.blogspot.com/-Uv09zmGiNto/VPipNA_pfgI/AAAAAAABp-E/ePcmx9y542U/s1600/slide_401870_4987986_free.jpg"><img border="0" height="266" src="https://4.bp.blogspot.com/-Uv09zmGiNto/VPipNA_pfgI/AAAAAAABp-E/ePcmx9y542U/s1600/slide_401870_4987986_free.jpg" width="320" /></a><br />
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<span style="font-size: xx-small;"> Eugène Lomont – Jeune femme à sa toilette – 1898 – Huile sur toile – 54x65cm Beauvais, Musée départemental de l’Oise </span></h2>
de 12 e fevereiro a 5 Julho de 2015<br />
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Musée Marmottan Monet - Paris<br />
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<a href="http://4.bp.blogspot.com/-N3iiY7x6B5E/VPipRDlqVcI/AAAAAAABp-M/F9E-TBufCVM/s1600/slide_401870_4988086_free.jpg"><img border="0" height="320" src="https://4.bp.blogspot.com/-N3iiY7x6B5E/VPipRDlqVcI/AAAAAAABp-M/F9E-TBufCVM/s1600/slide_401870_4988086_free.jpg" width="267" /></a><br />
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<span style="font-size: xx-small;"> François Boucher – La jupe relevée 1742? Ou années1760? – Huile sur toile 52,5x42cm – Collection particulière </span></div>
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Esta é a primeira vez que esse tema, único e indispensável, é apresentado sob a forma de exposição. Nessas obras que refletem práticas cotidianas que podem parecer banais, o público vai descobrir os prazeres e surpresas com uma profundidade poucos esperavam.</div>
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<span gtc-suppressed-attr="style="font-family:arial,helvetica,sans-serif"" gtc:phclose=""><span class="goog-gtc-unit" id="goog-gtc-unit-30" style="white-space: pre-wrap;"><span class="goog-gtc-translatable" dir="ltr" gtc:wc="15">C’est<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>la<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>première<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>fois<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>qu’un<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>tel<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>sujet,<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>unique<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>et<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>incontournable,<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>est<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>présenté<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>sous<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>forme<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>d’exposition.</span></span> </span><span gtc-suppressed-attr="style="font-family:arial,helvetica,sans-serif"" gtc:phopen=""><span class="goog-gtc-unit" id="goog-gtc-unit-31" style="white-space: pre-wrap;"><span class="goog-gtc-translatable" dir="ltr" gtc:wc="24">Dans<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>ces<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>œuvres<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>qui<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>reflètent<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>des<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>pratiques<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>quotidiennes<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>qu’on<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>pourrait<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>croire<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>banales,<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>le<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>public<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>découvrira<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>des<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>plaisirs<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>et<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>des<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>surprises<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>d’une<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>profondeur<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>peu<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>attendue.</span></span></span></div>
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<a href="http://1.bp.blogspot.com/-UKIRzn6269I/VPipSrWb6TI/AAAAAAABp-U/qhZugyiSSBE/s1600/slide_401870_4988084_free.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-UKIRzn6269I/VPipSrWb6TI/AAAAAAABp-U/qhZugyiSSBE/s1600/slide_401870_4988084_free.jpg" width="254" /></a><br />
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<span style="font-size: xx-small;">François Boucher – La Gimblette 1742? Ou années1760? – Huile sur toile 52,5x41,5cm – Karlsruhe, Staatliche Kunsthalle Karlsruhe </span></div>
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Prestigiados museus e coleções internacionais aderiram entusiasticamente e fizeram grandes empréstimos, incluindo pinturas que nunca foram exibidas desde a sua criação. Uma centena de pinturas, esculturas, gravuras, fotografias e imagens em movimento ("cronofotografias") permitem oferecer um percurso excepcional.</div>
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<span gtc-suppressed-attr="style="font-family:arial,helvetica,sans-serif"" gtc:phclose=""><span class="goog-gtc-unit" id="goog-gtc-unit-32" style="white-space: pre-wrap;"><span class="goog-gtc-translatable" dir="ltr" gtc:wc="35">Des<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>musées<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>prestigieux<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>et<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>des<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>collections<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>internationales<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>se<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>sont<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>associés<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>avec<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>enthousiasme<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>à<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>cette<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>entreprise<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>et<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>ont<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>consenti<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>des<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>prêts<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>majeurs,<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>parmi<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>lesquels<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>des<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>suites<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>de<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>peintures<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>qui<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>n’avaient<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>jamais<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>été<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>montrées<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>depuis<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>leur<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>création.</span></span> </span><span gtc-suppressed-attr="style="font-family:arial,helvetica,sans-serif"" gtc:phopen=""><span class="goog-gtc-unit" id="goog-gtc-unit-33" style="white-space: pre-wrap;"><span class="goog-gtc-translatable" dir="ltr" gtc:wc="21">Une<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>centaine<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>de<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>tableaux,<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>des<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>sculptures,<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>des<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>estampes,<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>des<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>photographies<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>et<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>des<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>images<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>animées<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>(«<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>chronophotographies<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>»)<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>permettent<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>de<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>proposer<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>un<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>parcours<span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px;"> </span>d’exception.</span></span></span></div>
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<a href="http://1.bp.blogspot.com/-ZM87FdXAzPI/VPipYSyQxKI/AAAAAAABp-c/_SRUuz0GItI/s1600/2413.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-ZM87FdXAzPI/VPipYSyQxKI/AAAAAAABp-c/_SRUuz0GItI/s1600/2413.jpg" width="275" /></a><br />
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<span style="font-size: xx-small;">Salomon de Bray – Jeune femme nue, à mi-corps, en train de se peigner – Vers 1635 Huile sur bois – 54x46cm – Paris, musée du Louvre</span></div>
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A exposição inaugurada com uma incrível coleção de gravuras de Dürer, de Primatice, pinturas da Escola de Fontainebleau, incluindo uma Clouet, a excepcional Mulher com a pulga de Georges La Tour, um conjinto único e surpreendente de François Boucher, que mostra a invenção de gestos e de lugares específicos da toilette na Europa do Antigo Regime.</div>
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<span style="white-space: pre-wrap;">L’exposition</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">s’ouvre</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">sur</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">un</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">ensemble</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">exceptionnel</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">de</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">gravures</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">de</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">Dürer,</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">de</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">Primatice,</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">de</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">peintures</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">de</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">l’Ecole</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">de</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">Fontainebleau,</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">parmi</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">lesquels</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">un</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">Clouet,</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">l’exceptionnelle</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">Femme</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">à</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">la</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">puce</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">de</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">Georges</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">de</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">La</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">Tour,</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">un</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">ensemble</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">unique</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">et</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">étonnant</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">de</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">François</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">Boucher,</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">montrant</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">l’invention</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">de</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">gestes</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">et</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">de</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">lieux</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">spécifiques</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">de</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">toilette</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">dans</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">l’Europe</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">d’Ancien</span><span class="goog-gtc-inchars-highlight goog-gtc-inchars-space goog-gtc-highlight" style="font-family: Arial, Helvetica, sans-serif; padding-left: 1px; padding-right: 1px; white-space: pre-wrap;"> </span><span style="white-space: pre-wrap;">Régime.</span></div>
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<span style="font-size: xx-small;">Edgar Degas – Femme dans son bain s’épongeant la jambe – Vers 1883 Pastel sur monotype – 9,7x41cm – Paris, musée d’Orsay</span></div>
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Na segunda parte da exposição, os visitantes poderão descobrir que com o século XIX, houve uma profunda renovação de ferramentas e modos de asseio.</div>
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Dans la deuxième partie de l’exposition, le visiteur découvrira qu’avec le xixe siècle s’affirme un renouvellement en profondeur des outils et des modes de la propreté.</div>
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<a href="http://4.bp.blogspot.com/-g9MRzml5zcg/VPipcXzjuKI/AAAAAAABp-s/2-b0k60kC9Q/s1600/752.jpg"><img border="0" height="320" src="https://4.bp.blogspot.com/-g9MRzml5zcg/VPipcXzjuKI/AAAAAAABp-s/2-b0k60kC9Q/s1600/752.jpg" width="238" /></a><br />
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<span style="font-size: xx-small;">Georges de La Tour – La Femme à la puce – 1638 – Huile sur toile 121x89cm – Nancy, Musée Lorrain </span></div>
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A aparição do toilette, de uma utilização mais diversificada e abundante de água inspiram Manet, Berthe Morisot, Degas, Toulouse Lautrec e ainda outros artistas, não menos importante, cenas de higiene inéditas de mulheres em uma banheira ou uma tina.</div>
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L’apparition du cabinet de toilette, celle d’un usage plus diversifié et abondant de l’eau inspirent à Manet, à Berthe Morisot, à Degas, à Toulouse Lautrec et encore à d’autres artistes, et non des moindres, des scènes inédites de femmes se débarbouillant dans un tub ou une cuve de fortune. </div>
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<a href="http://4.bp.blogspot.com/-4Nu-YPgQN8Q/VPipfENn9BI/AAAAAAABp-0/DrLOBV-OWpI/s1600/La-Toilette-Naissance-de-l%E2%80%99intime-1024x1021.jpg"><img border="0" height="319" src="https://4.bp.blogspot.com/-4Nu-YPgQN8Q/VPipfENn9BI/AAAAAAABp-0/DrLOBV-OWpI/s1600/La-Toilette-Naissance-de-l%E2%80%99intime-1024x1021.jpg" width="320" /></a><br />
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<span style="font-size: xx-small;">František Kupka – Le rouge à lèvres 1908 – Huile sur toile – 63,5x63,5cm – Paris, Centre Pompidou, Musée national d’art moderne </span></div>
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O gestos são interrompidas, o espaço é definitivamente encerrado e dá total privacidade, uma forma de cuidar de si nestas obras, a partir das quais surge uma profunda impressão de intimidade e de modernidade.</div>
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Les gestuelles sont bouleversées, l’espace est définitivement clos et livré à une totale intimité, une forme d’entretien entre soi et soi se lit dans ces œuvres, d’où se dégage une profonde impression d’intimité et de modernité.</div>
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<a href="http://3.bp.blogspot.com/-TwqagdYvMjE/VPiphvo505I/AAAAAAABp-8/dAfywJDWHIU/s1600/slide_401870_4988000_free.jpg"><img border="0" height="320" src="https://3.bp.blogspot.com/-TwqagdYvMjE/VPiphvo505I/AAAAAAABp-8/dAfywJDWHIU/s1600/slide_401870_4988000_free.jpg" width="239" /></a><br />
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<span style="font-size: xx-small;">Natalino Bentivoglio Scarpa, dit Cagnaccio di San Pietro – Femme au miroir – 1927 – Huile sur toile – 80x59,5cm Vérone, collezione della Fondazione Cariverona </span></div>
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A última parte da exposição mostra ao visitante a imagem ora familiar ora desconcertante dos banheiros "funcionais" que são também, com Pierre Bonnard, que também são espaços onde é permitido, longe dos olhares dos outros e do barulho da cidade, se abandonar e sonhar. "</div>
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La dernière partie de l’exposition livre au visiteur l’image à la fois familière et déconcertante de salles de bains modernes et « fonctionnelles » qui sont aussi, avec Pierre Bonnard, des espaces où il est permis, à l’écart du regard des autres et du bruit de la ville, de s’abandonner et de rêver.»</div>
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<a href="http://1.bp.blogspot.com/-2-TGOTZcVfo/VPipj1BvuXI/AAAAAAABp_E/pW8KcBxIjRs/s1600/slide_401870_4988004_free.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-2-TGOTZcVfo/VPipj1BvuXI/AAAAAAABp_E/pW8KcBxIjRs/s1600/slide_401870_4988004_free.jpg" width="242" /></a><br />
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<span style="font-size: xx-small;">Erwin Blumenfeld – Study for an advertising photograph – 1948 Dye transfer – 51x41,5cm – Signé en bas à droite – Paris, Centre Pompidou, Musée national d’art moderne </span></div>
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<a href="http://1.bp.blogspot.com/-9AKk_sUydbc/VO9JDTiTz3I/AAAAAAABov0/orMjCfq07bM/s1600/Bartolomeo%2BManfredi%2C%2B%C2%AB%2BLa%2Br%C3%A9union%2Bde%2Bbuveurs%C2%AB%2B%2C%2Bc.%2B1619-1620%2C%2Bcollection%2Bparticuli%C3%A8re.jpg"><img border="0" height="216" src="https://1.bp.blogspot.com/-9AKk_sUydbc/VO9JDTiTz3I/AAAAAAABov0/orMjCfq07bM/s1600/Bartolomeo%2BManfredi%2C%2B%C2%AB%2BLa%2Br%C3%A9union%2Bde%2Bbuveurs%C2%AB%2B%2C%2Bc.%2B1619-1620%2C%2Bcollection%2Bparticuli%C3%A8re.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Bartolomeo Manfredi, "A reunião dos bebedores ", c. 1619-1620, coleção particular</span><br />
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24 fevereiro - 24 maio, 2015</div>
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Grandes Galeries du Petit Palais,</div>
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<a href="http://1.bp.blogspot.com/-7HSNy5_zhyQ/VO9JHhoWcgI/AAAAAAABov8/lbY0LPE7l9s/s1600/Anonyme%2C%2Bcercle%2Bde%2BBartolomeo%2BManfredi%2C%2B%C2%AB%2BHomme%2Bfaisant%2Ble%2Bgeste%2Bde%2Bla%2Bfica%C2%AB%2B%2C%2Bc.%2B1615-1625.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-7HSNy5_zhyQ/VO9JHhoWcgI/AAAAAAABov8/lbY0LPE7l9s/s1600/Anonyme%2C%2Bcercle%2Bde%2BBartolomeo%2BManfredi%2C%2B%C2%AB%2BHomme%2Bfaisant%2Ble%2Bgeste%2Bde%2Bla%2Bfica%C2%AB%2B%2C%2Bc.%2B1615-1625.jpg" width="242" /></a><br />
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<span style="font-size: xx-small;">Anônimo, circulo de Bartolomeo Manfredi, homem fazendo o gesto da fica, c. 1615-1625, © Archivo fotografico Soprintendenza per i Beni architettonici, Paesaggistici, Storici, Artistici ed Etnoantropologici per província di Lucca e Massa Carrara </span></div>
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A exposição "O Bas-fonds do Barroco - A Roma do vício e da miséria" convida o público a descobrir, na Grande Galeria do Petit Palais, o rosto sombrio e violento da Roma barroca do século XVII, muitas vezes celebrado por sua pompa e grandiosidade, símbolos do triunfo do Papado.</div>
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L’exposition «Les Bas-fonds du Baroque, la Rome du vice et de la misère » invite le public à découvrir, dans les Grandes Galeries du Petit Palais, le visage sombre et violent de la Rome baroque du XVIIe siècle, souvent célébrée pour ses fastes et sa grandeur, symboles du triomphe de la Papauté.</div>
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<a href="http://4.bp.blogspot.com/-ht_KCTXnjws/VO9JLvBOlsI/AAAAAAABowE/pDBIPkoS2ZA/s1600/Jean%2BBoth%2C%2B%C2%AB%2BF%C3%AAte%2Bet%2Bbagarre%2Bpr%C3%A8s%2Bde%2Bl%E2%80%99ambassade%2Bespagnole%2B%C3%A0%2BRome%C2%AB%2B%2C%2B1637-1638%2C%2BStockholms%2BUniversitets%2BKonstsamling..jpg"><img border="0" height="225" src="https://4.bp.blogspot.com/-ht_KCTXnjws/VO9JLvBOlsI/AAAAAAABowE/pDBIPkoS2ZA/s1600/Jean%2BBoth%2C%2B%C2%AB%2BF%C3%AAte%2Bet%2Bbagarre%2Bpr%C3%A8s%2Bde%2Bl%E2%80%99ambassade%2Bespagnole%2B%C3%A0%2BRome%C2%AB%2B%2C%2B1637-1638%2C%2BStockholms%2BUniversitets%2BKonstsamling..jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Jan Both, "Dia e briga perto da Embaixada de Espanha em Roma", 1637-1638, Estocolmo Universitets Konstsamling.</span><br />
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Cerca de 70 pinturas evocam o universo submundo clandestino e da capital que representa um novo aspecto desta incrível produção artística romana do Seicento, de Manfredi a Nicolas Regnier.<br />
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Près de 70 tableaux évoqueront l’univers clandestin et interlope de la capitale représentant un aspect inédit de cette étonnante production artistique romaine du Seicento, de Manfredi à Nicolas Régnier.</div>
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<a href="http://3.bp.blogspot.com/-XDVzlcYv3Z4/VO9JSwi-GlI/AAAAAAABowM/ZXMqEyHeI5w/s1600/Bartolomeo%2BCavarozzi%2C%2B%C2%AB%2BLa%2BDouleur%2Bd%E2%80%99Aminte%C2%AB%2B%2C%2Bcollection%2Bparticuli%C3%A8re..jpg"><img border="0" height="245" src="https://3.bp.blogspot.com/-XDVzlcYv3Z4/VO9JSwi-GlI/AAAAAAABowM/ZXMqEyHeI5w/s1600/Bartolomeo%2BCavarozzi%2C%2B%C2%AB%2BLa%2BDouleur%2Bd%E2%80%99Aminte%C2%AB%2B%2C%2Bcollection%2Bparticuli%C3%A8re..jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Bartolomeo Cavarozzi "A dor de Aminte", coleção privada.</span><br />
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Apresentado na Villa Medici, no Outono de 2014, a exposição Petit Palais é enriquecida por prestígiosos novos empréstimos.</div>
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Présentée à la Villa Medicis à l’automne 2014, l’exposition du Petit Palais est enrichie de nouveaux prêts prestigieux.</div>
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<a href="http://2.bp.blogspot.com/-ufxiF8-NCSw/VO9JV9uircI/AAAAAAABowU/9AwiuJ7sj2w/s1600/Nicolas%2BTournier%2C%2B%C2%AB%2BUn%2Bconcert%C2%AB%2B%2C%2Bc.%2B1624-1626%2C%2BCollection%2BMus%C3%A9es%2Bde%2BBourges%2C%2BFrance.jpg"><img border="0" height="229" src="https://2.bp.blogspot.com/-ufxiF8-NCSw/VO9JV9uircI/AAAAAAABowU/9AwiuJ7sj2w/s1600/Nicolas%2BTournier%2C%2B%C2%AB%2BUn%2Bconcert%C2%AB%2B%2C%2Bc.%2B1624-1626%2C%2BCollection%2BMus%C3%A9es%2Bde%2BBourges%2C%2BFrance.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Nicolas Tournier, "Concerto", c. 1624-1626 Museu Coleção de Bourges, França</span><br />
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Pela primeira vez na França, será apresentado esta "Roma ao inverso", no qual florescem vício, miséria e excessos de todos os tipos.</div>
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Pour la première fois en France, sera présentée cette « Rome à l’envers », au sein de laquelle s’épanouissent le vice, la misère et les excès de toutes sortes.</div>
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<a href="http://4.bp.blogspot.com/-8e0CMaUuELo/VO9JYwQrmcI/AAAAAAABowc/G_uQbNcx3Zc/s1600/Pietro%2BPaolini%2C%2B%C2%AB%2BLes%2BTricheurs%C2%AB%2B%2C%2Bc.%2B1625%2C%2Bcollection%2Bparticuli%C3%A8re..jpg"><img border="0" height="190" src="https://4.bp.blogspot.com/-8e0CMaUuELo/VO9JYwQrmcI/AAAAAAABowc/G_uQbNcx3Zc/s1600/Pietro%2BPaolini%2C%2B%C2%AB%2BLes%2BTricheurs%C2%AB%2B%2C%2Bc.%2B1625%2C%2Bcollection%2Bparticuli%C3%A8re..jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Pietro Paolini, "Os impostores", c. 1625, coleção particular.</span><br />
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Graças a empréstimos excepcionais de coleções particulares e museus importantes como a National Gallery, em Londres, o Nationalmuseum em Estocolmo, a Galeria Nacional da Irlanda, o Louvre, a Galeria Borghese, Palazzo Barberini, o Rijksmuseum, em Amsterdã, entre outras O público vai descobrir as obras de grandes pintores Caravaggio, Bamboccianti e chave paisagem italiana.</div>
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Grâce à des prêts exceptionnels de collections privées et de grands musées internationaux comme la National Gallery de Londres, le Nationalmuseum de Stockholm, la National Gallery d’Irlande, le Louvre, la Galerie Borghèse, le Palazzo Barberini, le Rijksmuseum d’Amsterdam entre autres, le public découvrira les œuvres de grands peintres caravagesques, des Bamboccianti et des principaux paysagistes italianisants. </div>
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<a href="http://1.bp.blogspot.com/-4uvD_YPr-2s/VO9Jb4ohNBI/AAAAAAABowk/tmYyT6oUSdQ/s1600/Roeland%2Bvan%2BLaer%2C%2B%C2%AB%2BBentvueghels%2Bdans%2Bune%2Btaverne%2Bromaine%C2%AB%2B%2C%2B1626-1628%2C%2BMuseo%2Bdi%2BRoma%2B%E2%80%93%2BPalazzo%2BBraschi.jpg"><img border="0" height="186" src="https://1.bp.blogspot.com/-4uvD_YPr-2s/VO9Jb4ohNBI/AAAAAAABowk/tmYyT6oUSdQ/s1600/Roeland%2Bvan%2BLaer%2C%2B%C2%AB%2BBentvueghels%2Bdans%2Bune%2Btaverne%2Bromaine%C2%AB%2B%2C%2B1626-1628%2C%2BMuseo%2Bdi%2BRoma%2B%E2%80%93%2BPalazzo%2BBraschi.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Roeland van Laer, "Bentvueghels em uma taverna Romana", 1626-1628, Museu de Roma - Palazzo Braschi</span><br />
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A exposição vai reunir artistas de toda a Europa, da França como Valentin de Boulogne, Simon Vouet, Nicolas Tournier, Claude Lorrain, pintores do norte da Europa, tais Pieter Van Laer, Gerrit van Honthorst, Jan Miel ou sul como Bartolomeo Manfredi, Lanfranco, Salvator Rosa e Jusepe de Ribera. Sua produção artística, em seguida, em comum para retratar a Roma diária favorecendo visão "da natureza" em vez de elogiar a "beleza ideal".</div>
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L’exposition réunira des artistes venus de toute l’Europe : de France comme Valentin de Boulogne, Simon Vouet, Nicolas Tournier, Claude Lorrain, des peintres de l’Europe du Nord tels Pieter Van Laer, Gerrit van Honthorst, Jan Miel ou du sud comme Bartolomeo Manfredi, Lanfranco, Salvator Rosa ou Jusepe de Ribera. Leur production artistique a alors comme point commun de dépeindre une Rome du quotidien privilégiant la vision « d’après nature » plutôt que celle louant le « beau idéal ».</div>
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<a href="http://1.bp.blogspot.com/-7uvC1DGU1mk/VO9JjGIG7qI/AAAAAAABows/3NZ3KhFIiSM/s1600/Giovanni%2BLanfranco%2C%2B%C2%AB%2BJeune%2Bhomme%2Bnu%2Bau%2Bchat%2Bsur%2Bun%2Blit%C2%AB%2B%2C%2B1620-1622%2C%2Bcollection%2Bparticuli%C3%A8re.jpg"><img border="0" height="232" src="https://1.bp.blogspot.com/-7uvC1DGU1mk/VO9JjGIG7qI/AAAAAAABows/3NZ3KhFIiSM/s1600/Giovanni%2BLanfranco%2C%2B%C2%AB%2BJeune%2Bhomme%2Bnu%2Bau%2Bchat%2Bsur%2Bun%2Blit%C2%AB%2B%2C%2B1620-1622%2C%2Bcollection%2Bparticuli%C3%A8re.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Giovanni Lanfranco, "Jovem homem despido com gato em uma cama", 1620-1622, coleção particular</span><br />
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Eles participam da vida noturna da cidade e se encontram em seus bas-fonds, tabernas, neste mundo de miséria, violento e grosseiro, onde bebemos e onde jogamos, uma fonte inesgotável de inspiração.</div>
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Ils participent à la vie nocturne de la cité et trouvent dans ses bas-fonds, ses tavernes, dans ce monde de misère, violent et grossier, où l’on boit et où l’on joue, une source inépuisable d’inspiration. </div>
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<a href="http://4.bp.blogspot.com/-y2SJt17oouE/VO9LKqliaNI/AAAAAAABow4/JRGnjmgmYxU/s1600/download.jpg"><img border="0" height="239" src="https://4.bp.blogspot.com/-y2SJt17oouE/VO9LKqliaNI/AAAAAAABow4/JRGnjmgmYxU/s1600/download.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Nicolas Regnier - A Farsa</span><br />
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Muitos desses artistas, os do Norte da Europa, encontrar-se em uma sociedade secreta, a "Bentvueghels" (les « Oiseaux de la bande ») colocados sob a proteção de Baco, deus do vinho e inspiração artística. A vida boêmia que os pintores, por vezes, oferece representações específicas de melancolia, tirando do bas-fonds pinturas sublimes.</div>
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Bon nombre de ces artistes, ceux venant d’Europe du Nord, se retrouvent au sein d’une société secrète, la « Bentvueghels » (les « Oiseaux de la bande »), placée sous la protection de Bacchus, dieu du vin et de l’inspiration artistique. Une vie de Bohême dont les peintres livrent parfois aussi des représentations empruntes de mélancolie, tirant des bas-fonds des toiles sublimes.</div>
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<a href="http://1.bp.blogspot.com/-4afkYeIn5vQ/VO9Lgda9SHI/AAAAAAABoxA/QIxNg9OErPI/s1600/Theodoor%2BRombouts%2C%2BLa%2BRixe%2C%2B1620-1630%2BStatens%2BMuseum%2Bfor%2BKunst%2C%2BCopenhagen.jpg"><img border="0" height="198" src="https://1.bp.blogspot.com/-4afkYeIn5vQ/VO9Lgda9SHI/AAAAAAABoxA/QIxNg9OErPI/s1600/Theodoor%2BRombouts%2C%2BLa%2BRixe%2C%2B1620-1630%2BStatens%2BMuseum%2Bfor%2BKunst%2C%2BCopenhagen.jpg" width="320" /></a><br />
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<span style="font-size: xx-small;">Theodoor Rombouts, A rixa, 1620-1630 Statens Museum for Kunst, Copenhagen</span></div>
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O percurso da exposição evoca graças a uma cenografia espetacular do diretor italiano e cenógrafo Pier Luigi Pizzi, a dualidade de Roma na época, entre a violência de seus bas-fonds e o esplendor dos palácios do Papado.</div>
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Le parcours de l’exposition évoquera grâce à une scénographie spectaculaire du metteur en scène et scénographe italien Pier Luigi Pizzi, la dualité de la Rome de cette époque, entre la violence de ses bas-fonds et les fastes des palais de la Papauté.</div>
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<img border="0" height="320" src="https://1.bp.blogspot.com/-ZdXxZgB9BJ8/VO9YHMjbySI/AAAAAAABoxQ/kCNJ9mJfFeE/s1600/simon%2Bvouet.jpg" width="255" /></div>
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<span style="font-size: xx-small;">Simon Vouer Jovem homem com figos</span><br />
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Uma aplicação móvel estará disponível para explorar a exposição através de uma entrevista com Annick Lemoine e Pier Luigi Pizzi, uma seleção de obras comentadas e uma caça ao tesouro.</div>
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Une application mobile sera également disponible pour découvrir l’exposition grâce à une interview d’Annick Lemoine et de Pier Luigi Pizzi, à une sélection d’œuvres commentées ainsi que d’un jeu de piste</div>
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<span style="font-size: xx-small;">Caravaggio - Bacchus doente</span></div>
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misteriosos e imaginativos. E está sempre variando as produções que ela oferece para nós. O próprio artista é um desses meios". Paul Gauguin<br />
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"Nature has mysterious infinities and imaginative power. It is always varying the productions it offers to us. The artist himself is one of nature's means." Paul Gauguin<br />
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<a href="http://1.bp.blogspot.com/-Iw7UNIdJD90/VNUyIoYx8LI/AAAAAAABim4/s48CycQ7_fQ/s1600/parauapi_940.jpg"><img border="0" height="209" src="https://1.bp.blogspot.com/-Iw7UNIdJD90/VNUyIoYx8LI/AAAAAAABim4/s48CycQ7_fQ/s1600/parauapi_940.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Parau api, (Que notícia?) De 1892, Galerie Neue Meister, Staatliche Kunstsammlung Dresden</span><br />
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de 8 de fevereiro a 28 de junho de 2015</div>
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Fundação Beyeler, Basiléia, Suiça<br />
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<span style="font-size: xx-small;">Rupe Rupe, coleta de frutas, 1899, Moskau, o Museu de Belas Artes Pushkin </span><br />
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Com Paul Gauguin (1848 - 1903), a Fondation Beyeler apresenta um dos artistas mais famosos e fascinantes da história. </div>
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Como um dos grandes destaques culturais europeus do ano de 2015, a exposição na Fondation Beyeler reúne cerca de cinquenta obras-primas de Gauguin dos principais museus internacionais e coleções particulares. </div>
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Pinturas inovadoras de Gauguin se tornaram ícones da arte moderna e são alguns dos tesouros culturais mais significativos e valiosos do mundo. Com suas cores luminosas e formas elementares, que revolucionaram a arte, ainda hoje fascinam os visitantes.</div>
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<a href="http://3.bp.blogspot.com/-_p8z0AkDOiY/VNUybguzzdI/AAAAAAABinI/qPxaKMk43Ns/s1600/reiteramstrand_940.jpg"><img border="0" height="209" src="https://3.bp.blogspot.com/-_p8z0AkDOiY/VNUybguzzdI/AAAAAAABinI/qPxaKMk43Ns/s1600/reiteramstrand_940.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Cavaleiros na praia (II) de 1902, coleção particular</span><br />
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With Paul Gauguin (1848 – 1903), the Fondation Beyeler presents one of the most famous and fascinating artists in history.</div>
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As one of the great European cultural highlights in the year 2015, the exhibition at the Fondation Beyeler brings together about fifty masterpieces by Gauguin from leading international museums and private collections. </div>
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Gauguin’s groundbreaking paintings have become icons of modern art and are some of the most significant and valuable cultural treasures in the world. With their luminous colours and elementary forms, they revolutionised art and they still entrance viewers today.</div>
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<a href="http://2.bp.blogspot.com/-_IO9yhOBin0/VNUyg6NM_0I/AAAAAAABinQ/44BwXLGNEpU/s1600/edinburghvision-of-the-sermon-jacob-wrestling-with-the-angel_238x300mm_580.jpg"><img border="0" height="253" src="https://2.bp.blogspot.com/-_IO9yhOBin0/VNUyg6NM_0I/AAAAAAABinQ/44BwXLGNEpU/s1600/edinburghvision-of-the-sermon-jacob-wrestling-with-the-angel_238x300mm_580.jpg" width="320" /></a><br />
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<span style="font-size: xx-small;">Visão do sermão ou Jacob lutando com o Anjo, 1888, National Gallery of Scotland, Edimburgo</span></div>
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Apresentando diversos auto-retratos de Gauguin e suas, pinturas espirituais, visionárias do tempo em que ele passou na Bretanha, a exposição enfoca as pinturas mundialmente famosas que ele criou no Taiti. Nessas representações de figuras femininas sensuais situadas entre paisagens idílicas e, muitas vezes acompanhadas de animais emblemáticos, o artista celebra o seu ideal de um mundo exótico intocado. As obras de Gauguin transmitem uma harmonia excepcional entre natureza e cultura, misticismo e erotismo, o sonho e realidade. Além das pinturas, a exposição inclui uma seleção de esculturas de Gauguin que evocam a arte em grande parte desaparecida dos Mares do Sul.</div>
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<span style="font-size: xx-small;">Paul Gauguin em Copenhague em março de 1891</span><br />
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While featuring Gauguin’s diverse self-portraits and his visionary, spiritual paintings from the time he spent in Brittany, the exhibition focuses on the world-famous paintings he created in Tahiti. In those depictions of sensual female figures set amidst idyllic landscapes and often accompanied by emblematic animals, the artist celebrates his ideal of an unspoilt exotic world. Gauguin’s masterpieces convey an exceptional harmony between nature and culture, mysticism and eroticism, dream and reality. In addition to the paintings, the exhibition includes a selection of Gauguin’s outstanding sculptures that evoke the largely vanished art of the South Seas.</div>
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<a href="http://1.bp.blogspot.com/-NtlqInFzaQU/VNUzSChNqvI/AAAAAAABing/AJPXl3xnELs/s1600/%EA%B3%A0%EA%B0%B1-%EB%B6%80%EC%B1%84%EB%A5%BC_%EB%93%A0_%EC%97%AC%EC%9D%B8.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-NtlqInFzaQU/VNUzSChNqvI/AAAAAAABing/AJPXl3xnELs/s1600/%EA%B3%A0%EA%B0%B1-%EB%B6%80%EC%B1%84%EB%A5%BC_%EB%93%A0_%EC%97%AC%EC%9D%B8.jpg" width="237" /></a><br />
<span style="font-size: xx-small;">Mulher com leque</span><br />
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Criações notáveis de Gauguin que falam de sua busca de um paraíso perdido na terra, da sua história turbulenta como um artista que mudou-se entre as diferentes culturas durante uma vida marcada pela paixão e aventura.</div>
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<a href="http://1.bp.blogspot.com/-2rTvOWMWykI/VNUzst6UHSI/AAAAAAABino/_0DkimLbCEc/s1600/buffalo-albright-knox_the-yellow-christ_580.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-2rTvOWMWykI/VNUzst6UHSI/AAAAAAABino/_0DkimLbCEc/s1600/buffalo-albright-knox_the-yellow-christ_580.jpg" width="253" /></a><br />
<span style="font-size: xx-small;">O Cristo amarelo , 1889</span></div>
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<span style="font-size: xx-small;"><br /></span> Gauguin’s remarkable creations tell of his quest for a lost paradise on earth, of his turbulent history as an artist who moved between different cultures during a life marked by passion and adventure.</div>
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<a href="http://4.bp.blogspot.com/-SPLM6u2V0Mw/VNUzvu2tcBI/AAAAAAABinw/C3MvCIxqHUk/s1600/kopenhagen-design_jug3_580.jpg"><img border="0" height="320" src="https://4.bp.blogspot.com/-SPLM6u2V0Mw/VNUzvu2tcBI/AAAAAAABinw/C3MvCIxqHUk/s1600/kopenhagen-design_jug3_580.jpg" width="248" /></a><br />
<span style="font-size: xx-small;">pote em forma de cabeça, auto-retrato, 1889</span><br />
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Para tornar a exposição possível contou com o generoso apoio da Hansjörg Wyss, Fundação Wyss, Beyeler-Stiftung, Walter Haefner Stiftung, L. + Th. La Roche Stiftung, Dr. Christoph M. und Sibylla M. Müller, Stavros Niarchos Foundation e Novartis</div>
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<a href="http://2.bp.blogspot.com/-RvuSr4FQzNI/VNUzzloDycI/AAAAAAABin4/xR2XvVB8qC4/s1600/norfolk-chrysler_loss-of-virginity_580.jpg"><img border="0" height="220" src="https://2.bp.blogspot.com/-RvuSr4FQzNI/VNUzzloDycI/AAAAAAABin4/xR2XvVB8qC4/s1600/norfolk-chrysler_loss-of-virginity_580.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">A perda da virgindade 1890/1891</span><br />
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For making the exhibition possible through their generous support, our thanks go to:</div>
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Hansjörg Wyss, Wyss Foundation, Beyeler-Stiftung, Walter Haefner Stiftung, L. + Th. La Roche Stiftung, Dr. Christoph M. und Sibylla M. Müller, Stavros Niarchos Foundation and Novartis</div>
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<a href="http://1.bp.blogspot.com/-xF6fnYbNUuA/VNUz9rrBJXI/AAAAAAABioA/98VttjqsMBY/s1600/paris-orsay_portrait-christ-jaune_580.jpg"><img border="0" height="262" src="https://1.bp.blogspot.com/-xF6fnYbNUuA/VNUz9rrBJXI/AAAAAAABioA/98VttjqsMBY/s1600/paris-orsay_portrait-christ-jaune_580.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">auto-retrato com Cristo amarelo 1890/1891</span><br />
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<a href="http://1.bp.blogspot.com/-Gusd5C3jQCU/VNU0G4PcILI/AAAAAAABioI/hX4mcynWajg/s1600/prag_bonjour_580.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-Gusd5C3jQCU/VNU0G4PcILI/AAAAAAABioI/hX4mcynWajg/s1600/prag_bonjour_580.jpg" width="250" /></a><br />
<span style="font-size: xx-small;">bom dia monsieur Gauguin, 1889</span><br />
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<a href="http://1.bp.blogspot.com/-XGWJSlgej14/VNU0UD6e3HI/AAAAAAABioQ/M0dKAVu0JMw/s1600/self-portrait-with-palette-1894.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-XGWJSlgej14/VNU0UD6e3HI/AAAAAAABioQ/M0dKAVu0JMw/s1600/self-portrait-with-palette-1894.jpg" width="268" /></a><br />
<span style="font-size: xx-small;">Gauguin com paleta e pincel 1890</span><br />
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<a href="http://3.bp.blogspot.com/-mbwMPLRfEgE/VNU0bMAFF6I/AAAAAAABioY/jwFO1yfL2zk/s1600/tumblr_nbon9baFQ21rhtdm6o1_500.jpg"><img border="0" height="320" src="https://3.bp.blogspot.com/-mbwMPLRfEgE/VNU0bMAFF6I/AAAAAAABioY/jwFO1yfL2zk/s1600/tumblr_nbon9baFQ21rhtdm6o1_500.jpg" width="232" /></a><br />
<span style="font-size: xx-small;">mulheres perto de um riacho, 1892</span><br />
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<a href="http://3.bp.blogspot.com/-y6uHHAZHQtU/VNU0dC1Qk2I/AAAAAAABiog/VUBXrzAzvcc/s1600/teaser2.jpg"><img border="0" height="320" src="https://3.bp.blogspot.com/-y6uHHAZHQtU/VNU0dC1Qk2I/AAAAAAABiog/VUBXrzAzvcc/s1600/teaser2.jpg" width="241" /></a><br />
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73.110136699999984 48.959610099999992tag:blogger.com,1999:blog-8754394483835304098.post-86412383377137365752015-01-29T18:54:00.000-02:002015-01-29T18:59:51.015-02:00A arte e o amor no tempo das gueixas: obras primas proibidas das gravuras japonesas na Pinacoteca de ParisComo parte de sua temporada de Arte e Erotismo no Oriente, e em complemento da exposição Kama Sutra, a Pinacoteca Paris quer oferecer a uma abordagem única para a vida pública e da cultura erótica japonesa na era da período Edo (1603-1867). A exposição - A arte e o amor no tempo das gueixas: obras primas proibidas das gravuras japonesas é a primeiro realizada na França sobre as famosas estampas proibidas que estão dentro de nossas fantasias e imaginação do Extremo Oriente.<br />
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Dans le cadre de sa saison Art et Érotisme en Orient, et en complément de l’exposition Kâma-Sûtra, la Pinacothèque de Paris souhaite offrir au public une approche singulière de la vie et de la culture érotique du Japon à l’époque d’Edo (1603-1867). L’exposition L’Art de l’amour au temps des Geishas : les chefs-d’œuvre interdits de l’art japonais est la première jamais présentée en France sur ces fameuses estampes interdites qui relèvent de tous nos fantasmes et de l’imaginaire extrême-oriental.<br />
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<a href="http://4.bp.blogspot.com/-fH6IgJ7P1pY/VMpA-gyYcfI/AAAAAAABg6I/XWKRFXFdf0M/s1600/1157.jpg"><img border="0" height="225" src="https://4.bp.blogspot.com/-fH6IgJ7P1pY/VMpA-gyYcfI/AAAAAAABg6I/XWKRFXFdf0M/s1600/1157.jpg" width="320" /></a><br />
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<span style="font-size: xx-small;">Tsukioka Settei (atribuído a) • Imagens de Primavera (Shunjō Gadai)</span></div>
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<span style="font-size: xx-small;">1710-1787 • Museo delle Culture, Lugano</span></div>
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de 6 de novembro de 2014 a 15 de fevereiro de 2015<br />
na Pinacoteca de Paris<br />
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<a href="http://2.bp.blogspot.com/-M1aLiOMU3dA/VMpBF7iYYkI/AAAAAAABg6Q/Aru19hBoohQ/s1600/image23.jpg"><img border="0" height="213" src="https://2.bp.blogspot.com/-M1aLiOMU3dA/VMpBF7iYYkI/AAAAAAABg6Q/Aru19hBoohQ/s1600/image23.jpg" width="320" /></a><br />
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<span style="font-size: xx-small;">Katsukawa Shuncho • A alegria travesseiro (sem Ehon kantan makura) • 1795-1800 • Coleção particular, Suíça </span></div>
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A prosperidade do período Edo favorece o surgimento de uma classe burguesa dominante nas grandes cidades japonesas: os chonin (cidadãos). Estes comerciantes, artesãos, médicos, professores ou artistas afirmam através do movimento cultural ukiyo-e uma concepcçao hedonista da vida, em contraste com a moralidade neoconfucionista japonêsa das classes guerreiras dominantes. </div>
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La prospérité de l’époque d’Edo favorise la naissance d’une classe bourgeoise dominante au sein des grandes cités japonaises : les chōnin (citadins). Ces commerçants, artisans, médecins, enseignants ou artistes affirment par le biais du mouvement culturel ukiyo-e une conception hédoniste de l’existence, qui contraste avec la morale néo-confucianiste japonaise des classes guerrières dirigeantes. </div>
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<a href="http://1.bp.blogspot.com/-y3na0TMjAhU/VMpBKp52BrI/AAAAAAABg6Y/gVZpQM7RNHs/s1600/roman-gold-ring-with-2-snakes-1-1024x6821.jpg"><img border="0" height="214" src="https://1.bp.blogspot.com/-y3na0TMjAhU/VMpBKp52BrI/AAAAAAABg6Y/gVZpQM7RNHs/s1600/roman-gold-ring-with-2-snakes-1-1024x6821.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Kitagawa Utamaro • Livro Ilustrado do abraço de Komachi (Komachi Ehon biki) • 1802 • Museo delle Culture, Lugano </span><br />
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O movimento ukiyo-e "retratos do mundo flutuante" é o resultado de uma reflexão estética e moral sobre a natureza breve e transitória da vida, onde os angulos da beleza feminina idealizada e imaginação erótica tomam uma parte preponderante. </div>
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Le mouvement ukiyo-e, « images du monde flottant », est le fruit d’une réflexion esthétique et morale sur le caractère bref et transitoire de la vie, où les angles de la beauté féminine idéalisée et de l’imaginaire érotique prennent une part prépondérante.</div>
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<a href="http://2.bp.blogspot.com/-EQPl87_FNWo/VMpBN8Tq-HI/AAAAAAABg6g/D2R9PzrJS74/s1600/sans-nom-23.jpg"><img border="0" height="233" src="https://2.bp.blogspot.com/-EQPl87_FNWo/VMpBN8Tq-HI/AAAAAAABg6g/D2R9PzrJS74/s1600/sans-nom-23.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Utagawa Kunimaro I • pouso feliz em Nyōgo (Nyōgo no shima não Engi Irifune) • 1848-1858 • Museo delle Culture, Lugano </span><br />
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Gravuras policromadas de mulheres bonitas (bijinga) e aquelas eróticas - as shunga, "imagens de primavera" - são as manifestações mais importantes da época. Elas alcançaram seu pico durante o período Edo e refletem o estilo de vida refinado, luxuosos e moderno da classe chonin que frequenta os teatros, os bairros do prazer, organiza festas e reivindica uma vida voltada para o Hedonismo e a satisfação de desejos pessoais.</div>
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Les gravures polychromes représentant de belles femmes (bijinga) et celles érotiques – les shunga, « images de printemps » –, sont les manifestations les plus significatives de cette époque. Elles connurent leur apogée durant l’époque d’Edo et sont le reflet du mode de vie raffiné, luxueux et moderne de la classe des chōnin qui fréquente les théâtres, les quartiers de plaisir, organise des fêtes et revendique une existence tournée vers l’hédonisme et la satisfaction des désirs personnels.<br />
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<a href="http://4.bp.blogspot.com/-7eBL3sn8Fgs/VMpBRzCKxVI/AAAAAAABg6o/wJSXvBtANP4/s1600/sans-nom-14.jpg"><img border="0" height="223" src="https://4.bp.blogspot.com/-7eBL3sn8Fgs/VMpBRzCKxVI/AAAAAAABg6o/wJSXvBtANP4/s1600/sans-nom-14.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Utagawa Hiroshige I • A noite de primavera (Haru no yowa) • 1851 • Museo delle Culture, Lugano </span><br />
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Uma exposição sobre o tema do shunga é, antes de tudo, uma janela para uma visão muito particular de erotismo, que se manifesta e atinge seu pleno amadurecimento no Japão na época dos shoguns Tokugawa (1603-1867). Ela é também, como escreve Richard Lane, "uma imagem, espelho, gosto e hábitos de uma época", a tal ponto que, seria provavelmente possível escrever, graças ao estudo dessas gravuras, toda uma história de moralidade e do pensamento japonês.</div>
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Une exposition sur le thème du shunga est, avant tout, une fenêtre ouverte sur une vision très particulière de l’érotisme, qui se manifeste et atteint sa pleine maturité au Japon à l’époque des shoguns Tokugawa (1603-1867). Elle est aussi, comme l’écrit Richard Lane, « une image, miroir du goût et des habitudes d’une époque », à tel point qu’il serait probablement possible d’écrire, grâce à l’étude de ces estampes, toute une histoire de la morale et de la pensée japonaise. </div>
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<span style="font-size: xx-small;">Reimpressão datando da Era Meiji de uma obra de Kitao Masanobu • Espelho da caligrafia das cortesãs ; novas belezas de Yoshiwara (Yoshiwara bijin keisei shin awase: jihitsu kagami) • Fim do século XIX • Museo delle Culture, Lugano </span></div>
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A criação artística no período Edo é representada como a dos maiores mestres da pintura e gravura japonesa do século XVII ao século XX, incluindo a tríade de gênios são Utamaro, Hokusai e Hiroshige, um dos mais ativo na arte de shunga.</div>
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La création artistique à l’époque d’Edo y est représentée ainsi que les plus grands maîtres de la peinture et de la gravure japonaise du xviie au xxe siècle, y compris la triade de génies que constituent Utamaro, Hokusai et Hiroshige, parmi les plus actifs dans l’art du shunga.<br />
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<a href="http://2.bp.blogspot.com/-z6oE1bPCkzY/VMpBeXU7FZI/AAAAAAABg64/wOZ5dGGlA5Y/s1600/13-eisen-1456.jpg"><img border="0" height="226" src="https://2.bp.blogspot.com/-z6oE1bPCkzY/VMpBeXU7FZI/AAAAAAABg64/wOZ5dGGlA5Y/s1600/13-eisen-1456.jpg" width="320" /></a><br />
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<span style="font-size: xx-small;">Keisai Eisen • Sem título • c. 1835-1840 • Museo delle Culture, Lugano</span></div>
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Secretamente colecionadas na Europa, particularmente em Paris, por artistas famosos, como Gustav Klimt e Emile Zola, desde a abertura do Japão para o Ocidente em 1868, as gravuras ukiyo-e contribuem para o nascimento e desenvolvimento do Japonisme no final do século XIX.</div>
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Secrètement collectionnées en Europe, et tout particulièrement à Paris, par de grandes personnalités artistiques comme Gustav Klimt et Émile Zola dès l’ouverture du Japon à l’Occident en 1868, les gravures ukiyo-e contribuent à la naissance et au développement du Japonisme à la fin du xixe siècle.</div>
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<a href="http://3.bp.blogspot.com/-pbkFRX_CYGQ/VMpCK_sPq4I/AAAAAAABg7A/dL8qTu_9P6Y/s1600/14-hokusu-mf-2000.jpg"><img border="0" height="226" src="https://3.bp.blogspot.com/-pbkFRX_CYGQ/VMpCK_sPq4I/AAAAAAABg7A/dL8qTu_9P6Y/s1600/14-hokusu-mf-2000.jpg" width="320" /></a><br />
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<span style="font-size: xx-small;">Ukiyo-e escola • Sem título • Primeira metade do século XIX</span></div>
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<span style="font-size: xx-small;">século • Museo delle Culture, Lugano </span></div>
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São a princípio Pierre Loti e Edmond de Goncourt que, através de seus escritos, relataram esta visão poética do Japão. Em seguida, vêm Siegfried Bing e a grande exposição universal de 1900, onde o pavilhão japonês experimentou um sucesso explosivo com os parisienses. O erotismo natural e alegre do shunga, bem como composições originais de seus mestres conquistam Toulouse Lautrec e Manet, em busca de liberdade artística, atraidos pela imaginação de Utamaro.</div>
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Ce sont d’abord Pierre Loti et Edmond de Goncourt qui, par leurs écrits, ont rendu compte de cette vision poétique du Japon. Viennent ensuite les albums du Japon artistique de Samuel Bing et la grande exposition universelle de 1900, dont le pavillon japonais connaît un succès détonant auprès des Parisiens. L’érotisme naturel et joyeux des shunga, ainsi que les compositions originales de ses maîtres conquièrent Toulouse Lautrec et Manet, en quête de liberté artistique, qui sont attirés</div>
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par l’imaginaire d’Utamaro. </div>
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<a href="http://3.bp.blogspot.com/-cgBNhfO0odI/VMpCMo8LNSI/AAAAAAABg7M/4jwYxEsS9W0/s1600/14954178415_8d054d557f1.jpg"><img border="0" height="209" src="https://3.bp.blogspot.com/-cgBNhfO0odI/VMpCMo8LNSI/AAAAAAABg7M/4jwYxEsS9W0/s1600/14954178415_8d054d557f1.jpg" width="320" /></a><br />
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<span style="font-size: xx-small;">Torii Kiyonaga • Doze maneiras eróticos (Shikido juniban)</span></div>
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<span style="font-size: xx-small;">• c. 1784 • Museo delle Culture, Lugano</span></div>
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Estas gravuras também se espalharam para os impressionistas além das fronteiras, até o jovem Van Gogh, como tivemos a oportunidade de demonstrar na exposição em 2012 na Pinacoteca de Paris. A organização desta exposição faz parte da idéia de se lembrar também que a tradição parisiense de fascinação erótica pelo público descobrir essas obras-primas proibidas.</div>
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Ces estampes se propagent également aux impressionnistes et, au-delà des frontières, jusqu’au jeune Van Gogh, comme nous avons eu l’occasion de le démontrer lors de l’exposition en 2012 à la Pinacothèque de Paris. L’organisation de cette exposition s’inscrit dans l’idée de rappeler également cette tradition parisienne de la fascination pour l’érotisme en faisant découvrir au grand public ces chefs-d’œuvre interdits.</div>
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<a href="http://1.bp.blogspot.com/-2SSRgPEsQGQ/VMpCTrNNrFI/AAAAAAABg7U/LXRTM-TzJ3o/s1600/14931177746_58c657299e2.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-2SSRgPEsQGQ/VMpCTrNNrFI/AAAAAAABg7U/LXRTM-TzJ3o/s1600/14931177746_58c657299e2.jpg" width="214" /></a><br />
<span style="font-size: xx-small;">Hishikawa Ryukoku • A Cortesã Egawa Ebiya;da casa verde pequenas seguidoras Momiji e Tatta (Ebiya Egawa Momiji Tatta) • c.1802 Museo delle Culture, Lugano •</span></div>
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<span style="font-size: xx-small;">Keisai Eisen • Sem título - 1820 Museo delle Culture, Lugano</span><br />
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<span style="font-size: xx-small;">Utagawa Kunisada • Kesa Gozen, esposa de Watanabe Wataru • 1843-1847 Museo delle Culture, Lugano</span></div>
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<a href="http://4.bp.blogspot.com/-QBUPTRAfXMA/VMpCdqnKyGI/AAAAAAABg7s/TAwCi2AiO48/s1600/14767500680_a368e26e2d3.jpg"><img border="0" height="320" src="https://4.bp.blogspot.com/-QBUPTRAfXMA/VMpCdqnKyGI/AAAAAAABg7s/TAwCi2AiO48/s1600/14767500680_a368e26e2d3.jpg" width="201" /></a><br />
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<span style="font-size: xx-small;">Kitagawa Utamaro Painting (Ga) • A partir das quatro virtudes (Kin sho ga ki) • 1792</span></div>
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<span style="font-size: xx-small;">Museo delle Culture, Lugano</span></div>
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43.634478500000029tag:blogger.com,1999:blog-8754394483835304098.post-69984339893248991962015-01-22T11:53:00.001-02:002015-01-22T12:23:16.643-02:00Kandinsky antes da Abstração, 1901-1911<br />
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<a href="http://3.bp.blogspot.com/-66bdUiSJgyc/VMDrtUMXn7I/AAAAAAABf08/v-i8_G3W9Nk/s1600/ex_Kandinsky_Landscape-near-Murnau-with-Locomotive_1024-620x466.jpg"><img border="0" height="240" src="https://3.bp.blogspot.com/-66bdUiSJgyc/VMDrtUMXn7I/AAAAAAABf08/v-i8_G3W9Nk/s1600/ex_Kandinsky_Landscape-near-Murnau-with-Locomotive_1024-620x466.jpg" width="320" /></a><br />
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A história da Fundação Solomon R. Guggenheim se confunde com a obra de Vasily Kandinsky (nascido em 1866, Moscou;.. falecido em 1944, Neuilly-sur-Seine, França), mais do que qualquer outro artista do século XX. Artista, conselheiro, e primeiro diretor do museu Hilla Rebay incentivou o fundador Solomon R. Guggenheim a começar a colecionar a obra de Kandinsky em 1929 e mais tarde conhecer Kandinsky na Dessau Bauhaus em julho de 1930. Esta introdução deu início a um período de aquisição em curso da arte de Kandinsky, com mais de 150 obras em última análise, entrar para a coleção do museu.<br />
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<a href="http://3.bp.blogspot.com/-Tkhs7ym_F10/VMDrx1C4HQI/AAAAAAABf1E/BxPh-50UNoA/s1600/Vasily%2BKandinsky.%2BFishing%2BBoats%2C%2BSestri.jpg"><img border="0" height="232" src="https://3.bp.blogspot.com/-Tkhs7ym_F10/VMDrx1C4HQI/AAAAAAABf1E/BxPh-50UNoA/s1600/Vasily%2BKandinsky.%2BFishing%2BBoats%2C%2BSestri.jpg" width="320" /></a><br />
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Três décadas antes dessa reunião fatídica em Dessau, Kandinsky se lançou na sua carreira artística. Em 1895, ele abandonou a profissão de advogado para se tornar o diretor de arte da empresa de impressão Kushnerev em Moscou. Um ano depois Kandinsky partiu para Munique se associou com os principais grupos de vanguarda da cidade, incluindo o Phalanx, Neue Künstlervereinigung München (Association of Munich New Artists ') e Der Blaue Reiter (O Cavaleiro Azul).</div>
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<a href="http://2.bp.blogspot.com/-SiDkfWvkjt8/VMDrylFgTCI/AAAAAAABf1M/Ec4FoLRb_ds/s1600/Vasily-Kandinsky-Church-1907.jpg"><img border="0" height="320" src="https://2.bp.blogspot.com/-SiDkfWvkjt8/VMDrylFgTCI/AAAAAAABf1M/Ec4FoLRb_ds/s1600/Vasily-Kandinsky-Church-1907.jpg" width="266" /></a><br />
<span style="font-size: xx-small;">Vasily Kandinsky, Igreja ( Kirche ), 1907. Xilogravura</span><br />
<span style="font-size: xx-small;">Fundação Hilla von Rebay, emprestada para o Museu Solomon R. Guggenheim, New York 1970 </span><br />
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Em Munique, Kandinsky rapidamente percebeu seu talento para trabalhar com três técnicas de clássicas de gravura, xilogravura, litografia e começou a evoluir como artista e teórico. A xilogravura em particular, que desafiou os artistas a capturar a essência de sua visão ou uma história através de uma redução de meios de expressão, deu a Kandinsky um veículo para articular suas tendências românticas. Lembranças da Rússia, como a mobília alegremente decorada e imagens votivas que ele tinha observado nas casas dos camponeses, combinadas com o historicismo romântico, poesia lírica, folclore e pura fantasia do seu trabalho inicial.</div>
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<a href="http://3.bp.blogspot.com/-HsIr15RPSYQ/VMDr0IPzmwI/AAAAAAABf1U/yl5p5cLD1BM/s1600/Vasily-Kandinsky-Singer-1903.jpg"><img border="0" height="320" src="https://3.bp.blogspot.com/-HsIr15RPSYQ/VMDr0IPzmwI/AAAAAAABf1U/yl5p5cLD1BM/s1600/Vasily-Kandinsky-Singer-1903.jpg" width="234" /></a><br />
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<span style="font-size: xx-small;">Vasily Kandinsky, Cantora ( Sängerin ), 1903. Xilogravura em papel japonês<br />Solomon R. Guggenheim Museum, New York </span></h2>
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Kandinsky começou a viajar frequentement em 1904 com seu parceiro, o artista alemão Gabriele Münter, fazendo viagens a Veneza, Paris, Amsterdam, Tunísia, e da Rússia, antes de se estabelecer em Munique novamente em 1908 e traduzir sua gravura para pintura de paisagem. Tais elementos gráficos como formas claramente delineadas, perspectivas achatadas , e as em preto-e-branco e as "não cores" de suas xilogravuras, permeiam as paisagens bávaras coloridas de 1908-1909. Estas pinturas diferem notavelmente dos seus exercícios anteriores em pintura Neo-Impressionista.<br />
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<img border="0" height="246" src="https://2.bp.blogspot.com/-8TpxBVS3Efc/VMEFTPQ32aI/AAAAAAABf10/8YDNMjAVgmE/s1600/1970.1411_ph-1024.jpg" width="320" /></div>
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<span style="font-size: xx-small;">Vasily Kandinsky, Mulheres no bosque ( Frauen im Wald ), 1907. </span></div>
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<span style="font-size: xx-small;">Xilogravura em papel japonês - </span><span style="font-size: xx-small;">Solomon R. Guggenheim Museum, New York </span></div>
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Por volta de 1913, ele já havia reduzido seus temas reconhecíveis e recorrentes incluindo o cavalo e cavaleiro, colinas, torres e árvores para grandes áreas de cores brilhantes, radiantes que eram subsidiárias das qualidades expressivas de linha e cor. Esses contornos caligráficos e formas rítmicas revelam traços escassos de suas origens de representação. Kandinsky foi finalmente capaz de evocar o que chamou de "poder oculto da paleta" e se afastar de suas origens pictóricas, embarcando assim na estrada para a abstração.<br />
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<img border="0" height="320" src="https://1.bp.blogspot.com/-4XWepunzCds/VMEHTWN36wI/AAAAAAABf18/j06vsIhRxq8/s1600/71.1958_ph_web.jpg" width="192" /><span style="font-size: xx-small;">Vasily Kandinsky, Senhora com um leque ( Dame mit Fächer ), 1903. </span><br />
<span style="font-size: xx-small;">Solomon R. Guggenheim Museum, New York </span></div>
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Extraidas da coleção do Guggenheim, esta apresentação intimista das primeiras pinturas e xilogravuras é organizada por Tracey Bashkoff , curador sênior, coleções e exposições, e Megan Fontanella , Curador Associado, de Coleções e Procedências.</div>
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<a href="http://4.bp.blogspot.com/-AD1igb6fpNE/VLALmSocfKI/AAAAAAABdTE/cow-GT7K0Go/s1600/alma-tadema-the-roses-of-heliogabalus-1888-b-sm%2B(Large).jpg"><img border="0" height="242" src="https://4.bp.blogspot.com/-AD1igb6fpNE/VLALmSocfKI/AAAAAAABdTE/cow-GT7K0Go/s1600/alma-tadema-the-roses-of-heliogabalus-1888-b-sm%2B(Large).jpg&container=blogger&gadget=a&rewriteMime=image%2F*" width="320" /></a><br />
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<span style="font-size: xx-small;">Lawrence Alma-Tadema - The Roses of Heliogabalus 1888</span></div>
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<span style="font-size: xx-small;">Oil on canvas The Pérez Simón collection, Mexico</span></div>
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Uma Obsessão Vitoriana: A coleção Pérez Simón tem início no Leighton House Museum na sexta-feira 14 de Novembro. Ela apresenta obras de arte vitoriana raramente vistas pertencentes ao colecionador mexicano Juan Antonio Pérez Simón. Até o 29 de março de 2015 visitantes da Leighton House Museum poderão ver 52 pinturas excepcionais da maior coleção de arte privada Vitoriana fora da Grã Bretanha, mostrada pela primeira vez no Reino Unido - junto de seis obras de Frederic, Lord Leighton, quatro das quais terão de voltar para a casa em que foram pintadas.<br />
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A Victorian Obsession: The Pérez Simón Collection opened at Leighton House Museum on Friday 14 November. It presents rarely seen masterpieces of Victorian art belonging to the Mexican collector Juan Antonio Pérez Simón. Until the 29 March 2015 visitors to Leighton House Museum can experience 52 exceptional paintings from the largest Victorian private art collection outside Great Britain, shown for the first time in the UK - alongside six works by Frederic, Lord Leighton, four of which will be returning to the house in which they were painted.<br />
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<a href="http://3.bp.blogspot.com/-hBxvcGGkjBY/VLALrRF50ZI/AAAAAAABdTM/TtKW5THuojQ/s1600/leighton-crenaia-the-nymph-of-the-dargle-1880-sm.jpg"><img border="0" height="320" src="https://3.bp.blogspot.com/-hBxvcGGkjBY/VLALrRF50ZI/AAAAAAABdTM/TtKW5THuojQ/s1600/leighton-crenaia-the-nymph-of-the-dargle-1880-sm.jpg" width="173" /></a><br />
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<span style="font-size: xx-small;">Frederic, Lord Leighton - Crenaia, the nymph of the Dargle ca.1880 Oil on canvas The Pérez Simón collection, Mexico</span></div>
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Imagens excepcionais de Albert Moore, John Everett Millais, Dante Gabriel Rossetti, Edward Burne-Jones, John William Waterhouse, Edward Poynter, John Strudwick e John William Godward também são exibidas no ambiente íntimo e esplêndido de Leighton House. Como presidente da Royal Academy, Leighton e sua extraordinária casa estúdio estiveram no centro do mundo da tardia arte vitoriana. Os seus concertos anuais e recepções se tornaram comuns do calendário social artística. Estes artistas conheciam tanto a casa como a própria coleção de Leighton que continha várias imagens deles, incluindo um estudo de nu de Albert Moore, que retorna ao Leighton House pela primeira vez desde 1896 como parte da exposição.</div>
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Outstanding pictures by Albert Moore, John Everett Millais, Dante Gabriel Rossetti, Edward Burne-Jones, John William Waterhouse, Edward Poynter, John Strudwick and John William Godward are also displayed in the intimate and splendid environment of Leighton House. As President of the Royal Academy, Leighton and his extraordinary studio-house were at the centre of the late Victorian art world. His annual concerts and receptions became fixtures of the artistic social calendar. These artists knew the house well and Leighton’s own collection contained pictures by several of them, including a nude study by Albert Moore that returns to Leighton House for the first time since 1896 as part of the exhibition.</div>
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<span style="font-size: xx-small;">Frederic, Lord Leighton - Greek girls picking up pebbles by the sea 1871</span></div>
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<span style="font-size: xx-small;">Oil on canvas The Pérez Simón collection, Mexico</span></div>
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A exposição foi mostrada no Museu Jacquemart-André, em Paris, no Chiostro del Bramante em Roma e no Museu Thyssen-Bornemisza, em Madrid, com grande sucesso. A exposição foi comissariada por Daniel Robbins, curador sênior do Leighton House Museum e Véronique Gerard Powell que trabalhou extensivamente na Coleção Simón Pérez. </div>
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The exhibition has been shown at the Jacquemart-André Museum in Paris, the Chiostro del Bramante in Rome and the Thyssen-Bornemisza Museum in Madrid to great acclaim. The exhibition has been curated by Daniel Robbins, Senior Curator at Leighton House Museum and Véronique Gerard Powell who has worked extensively on the Pérez Simón Collection. </div>
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<span style="font-size: xx-small;">Albert Moore A Quartet: A painter’s tribute to the Art of Music 1868</span></div>
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<span style="font-size: xx-small;">Oil on canvas The Pérez Simón collection, Mexico</span></div>
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Com a exceção das pinturas do estúdio de Leighton, a coleção permanente foi retirada de Leighton House e a exposição foi pendurada por todo o interior histórico. Esquemas decorativos extraordinários de Leighton proporcionam um ambiente excepcionalmente adequado e autêntico para as imagens pertencentes a Juan Antonio Pérez Simón, tornando a exposição um evento imperdível e inesquecível umaexperiência estética única.</div>
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With the exception of Leighton’s painting studio, the permanent collection has been cleared from Leighton House and the exhibition hung throughout the historic interiors. Leighton’s extraordinary decorative schemes provide a uniquely appropriate and authentic setting for the pictures belonging to Juan Antonio Pérez Simón, making the exhibition an unmissable event and an unforgettable one-off aesthetic experience.</div>
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<span style="font-size: xx-small;">John Everett Millais The Crown of Love 1875</span></div>
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<span style="font-size: xx-small;">Oil on canvas The Pérez Simón collection, Mexico</span></div>
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Em sua coleção que está sendo exibida na Leighton House, Juan Antonio Pérez Simón comentou: "É uma honra fazer parte da viagem que permite que essas obras de arte serem mostradas em um cenário tão autêntico, e em alguns casos, retornando de volta a sua casa. Dá-me grande alegria saber que o público vai poder apreciar estas pinturas excepcionais, tornando-nos cúmplices em nosso dever eterno, para nutrir o espírito. "</div>
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On his collection being displayed at Leighton House, Juan Antonio Pérez Simón commented “It is an honour to be a part of the journey that allows these masterpieces to be shown in such an authentic setting, and in some cases returning to their home. It gives me great joy to know that the public will be able to appreciate these exceptional paintings, making us accomplices in our everlasting duty to nourish the spirit.”<br />
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<a href="http://1.bp.blogspot.com/-ndvjUVNjv2A/VLAL9mbXp-I/AAAAAAABdTs/EPi3JLmgvxM/s1600/john-melhuish-strudwick-in-the-golden-days-1907.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-ndvjUVNjv2A/VLAL9mbXp-I/AAAAAAABdTs/EPi3JLmgvxM/s1600/john-melhuish-strudwick-in-the-golden-days-1907.jpg" width="220" /></a><br />
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<span style="font-size: xx-small;">John Melhuish Strudwick In the Golden Days 1907 Oil on canvas</span></div>
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<span style="font-size: xx-small;">The Pérez Simón collection, Mexico</span></div>
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O Conselheiro Timothy Coleridge, o Royal Borough of Kensington e o Membro do Gabinete de Chelsea para a Política de Planejamento, Transportes e Artes, comentou: "É uma grande honra para nós estar hospedando a única exposição UK desta prestigiosa coleção no Leighton House Museum. Não poderia haver local mais apropriado do que a casa-estúdio de Leighton onde alguns dos trabalhos foram realmente pintados e que eram familiar para muitos dos artistas que estão representados na exposição. Estamos ansiosos para receber muitos novos visitantes para descobrirem o museu e a coleção pela primeira vez e desfrutarem de uma experiência estética única. "</div>
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Councillor Timothy Coleridge, the Royal Borough of Kensington and Chelsea’s Cabinet Member for Planning Policy, Transport and Arts, commented: “It is a great honour for us to be hosting the only UK exhibition of this prestigious collection at Leighton House Museum. There could be no more fitting venue than Leighton’s studio-house where some of the works were actually painted and which was familiar to so many of the artists who are represented in the exhibition. We look forward to welcoming many new visitors to discover the museum and collection for the first time and enjoy a unique aesthetic experience.”<br />
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<a href="http://1.bp.blogspot.com/-2IYvQT71y-Q/VLAMAnHoVLI/AAAAAAABdT0/qXM9w5ZO0JY/s1600/Frederick-Goodall-The-Finding-of-Moses-1885.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-2IYvQT71y-Q/VLAMAnHoVLI/AAAAAAABdT0/qXM9w5ZO0JY/s1600/Frederick-Goodall-The-Finding-of-Moses-1885.jpg" width="238" /></a><br />
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<span style="font-size: xx-small;">Frederick Goodall The Finding of Moses 1885</span></div>
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<span style="font-size: xx-small;">Oil on canvas The Pérez Simón collection, Mexico</span></div>
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O Curador sênior de Leighton House Museum, Daniel Robbins disse: "Foi uma oportunidade maravilhosa trabalhar tão estreitamente com esta fantástica coleção de imagens. A casa foi agora transformada pelas pinturas e pinturas foram valorizadas, colocadas dentro de interiores decorativos do Leighton; nunca houve uma exposição onde tantas telas marcantes deste período foram mostradas em um ambiente tão especial e simpático. É um cenário único e um momento especial para o público ver estas obras, algumas das quais estão voltando para casa até para o lugar em que foram pintadas.</div>
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<span style="font-size: xx-small;">Edward Burne-Jones Pygmalion. The Heart Desires 1871</span></div>
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<span style="font-size: xx-small;">Oil on canvas The Pérez Simón collection, Mexico</span></div>
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Senior Curator for Leighton House Museum, Daniel Robbins said ‘It has been a wonderful opportunity to work so closely with this fantastic collection of pictures. The House is now transformed by the paintings and the paintings enhanced by setting them within Leighton’s decorative interiors; there has never been an exhibition where so many outstanding pictures of this period has been shown in such a special and sympathetic environment. It’s a unique setting and a special moment for the public to see these works, some of which are returning home to the very place they were painted.<br />
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<span style="font-size: xx-small;">Edward John Poynter Andromeda 1869</span></div>
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<span style="font-size: xx-small;">Oil on canvas The Pérez Simón collection, Mexico</span></div>
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<span style="font-size: xx-small;">Dante Gabriel Rossetti Venus Verticordia 1867-1868</span></div>
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<span style="font-size: xx-small;">Oil on canvas The Pérez Simón collection, Mexico</span></div>
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<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-mqJ4JZiRCXE/VKsnVzBnotI/AAAAAAABdLM/FXCG0AxohqY/s1600/1966-pull-sport-manequim.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-mqJ4JZiRCXE/VKsnVzBnotI/AAAAAAABdLM/FXCG0AxohqY/s1600/1966-pull-sport-manequim.jpg" height="202" width="320" /></a></div>Anonymoushttp://www.blogger.com/profile/10370422379136607865noreply@blogger.com0tag:blogger.com,1999:blog-8754394483835304098.post-89994759735307747182014-12-29T16:46:00.001-02:002014-12-29T16:48:31.126-02:00Retrospectiva Erro no Mac Lyon<div class="separator" style="clear: both;">
"Estamos identificados pelas imagens, é impossível escapar delas. [...] Parece-me que eu sou como uma espécie de repórter do repórter [...] que reune todas as imagens do mundo, e eu estou aqui para fazer a síntese. "</div>
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de 03 de outubro de 2014 a 22 de fevereiro de 2015 </div>
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No Museu de Arte Contemporânea Cité Internationale de Lyon</div>
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81 Quai Charles de Gaulle</div>
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69006 Lyon</div>
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<img border="0" height="320" src="https://2.bp.blogspot.com/-nL-IMN0z_vY/VKF_djlNHFI/AAAAAAABbok/PTkIhlr9u_I/s1600/Diane%2Bet%2BApollo%2C%2Bcirca%2B1975%2BS%C3%A9rie%2BSpatiale%2Berro.jpg" width="280" /></div>
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<span style="font-size: xx-small;">Diana e Apollo, circa 1975 Série Spa ale - Huile et peinture glycérophtalique sur toile </span><span style="font-size: xx-small;">100.5 × 88,5 cm Collection de l’artiste, Paris - © Archives Erró</span></div>
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Criadas por Erró, é no final dos anos cinqüenta que surge a matéria-prima existente para sua obra. É recuperar materiais, textos, imagens ou objetos para transformar e dar-lhes um novo significado. </div>
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Seu trabalho: É colocar esses elementos heterogêneos em novas configurações ou novas histórias. Erro é um virtuoso incondicional da colagem. Ele fez suas primeiras colagens, osdesenhos- tragicômicos da série Radioatividade em Jaffa, em 1958. Mas foi em Paris em 1959-1960 com a série de Meca-Maquilhagem, composições misturando máquinas e peças usinadas para os rostos dos manequins que, antes de tudo, ele começou a transpor em pinturas muitas de suas montagens de ilustrações.</div>
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<a href="http://3.bp.blogspot.com/-SrBKIjHVvyI/VKF_i2Rtu3I/AAAAAAABbos/RZ4clMlKPKo/s1600/Empire%2BState%2BBuilding%2C%2B1979%2BSe%CC%81rie%2BChinese%2BPaintings.JPG"><img border="0" height="207" src="https://3.bp.blogspot.com/-SrBKIjHVvyI/VKF_i2Rtu3I/AAAAAAABbos/RZ4clMlKPKo/s1600/Empire%2BState%2BBuilding%2C%2B1979%2BSe%CC%81rie%2BChinese%2BPaintings.JPG" width="320" /></a><br />
<span style="font-size: xx-small;">Empire State Building, 1979 Série Chinese Paintings óleo sobre tela, 63,5 x 98,5 centímetros Coleção do artista, Paris © Archive Erró © ADAGP Paris de 2014 </span><br />
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Erro está entre as figuras importantes da vanguarda Europeia dos anos sessenta e na história da arte desse período, seu nome está associado não só na renovação da representação pictórica, através da invenção de telas -collages críticas ou satíricas mas também o movimento dos happenings e da onda do cinema experimental. `</div>
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Embora muitas vezes associado a grupos artísticos, como o surrealismo, a figuração narrativa ou a pop art, ele não se filiou a nenhum destes. </div>
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<a href="http://2.bp.blogspot.com/-OVNSHdRGGAQ/VKF_KKeDwcI/AAAAAAABboc/sl360GyIK2k/s1600/Nato-1977-Serie-L-Ouest-vu-de-L-Est-Peinture-glycerophtalique-sur-toile-114-160-cm-Collection-de-l-artiste-Paris-C-Archives-Erro-C_mobile_fullsize.jpg"><img border="0" height="213" src="https://2.bp.blogspot.com/-OVNSHdRGGAQ/VKF_KKeDwcI/AAAAAAABboc/sl360GyIK2k/s1600/Nato-1977-Serie-L-Ouest-vu-de-L-Est-Peinture-glycerophtalique-sur-toile-114-160-cm-Collection-de-l-artiste-Paris-C-Archives-Erro-C_mobile_fullsize.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Nato de 1977 Serie Oeste vista pelo Leste pintura alquídica sobre tela, 114 x 160 cm Colecção do artista, Paris © Archive Erró © ADAGP Paris de 2014</span><br />
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"A pintura é o laboratório do possível: um lugar onde podemos experimentar, transformar o velho em novo. Eu pinto porque a pintura é a forma particular da utopia, do prazer, da felicidade e do estar só contra todos, e a alegria de provocar »</div>
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<a href="http://1.bp.blogspot.com/-iLzeNvSdEds/VKF_qScyq-I/AAAAAAABbo0/L7A-lmJoPcY/s1600/he%2BBig%2BFox%2C%2B1964%2C%2BSe%CC%81rie%2BRetour%2Bd%E2%80%99USA.JPG"><img border="0" height="218" src="https://1.bp.blogspot.com/-iLzeNvSdEds/VKF_qScyq-I/AAAAAAABbo0/L7A-lmJoPcY/s1600/he%2BBig%2BFox%2C%2B1964%2C%2BSe%CC%81rie%2BRetour%2Bd%E2%80%99USA.JPG" width="320" /></a><br />
<span style="font-size: xx-small;">The Big Fox de 1964 Serie Volta para os EUA pintura alquídica sobre tela 137 x 200 cm Coleção do artista, Paris © Archive Erró © ADAGP Paris de 2014</span><br />
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Na era da internet e da globalização-googlisation do mundo, o trabalho de Erró, rico e abundante, ganhou nova relevância com as suas "bases" seu "copiar e colar" seu "fluxo imagens e informações. " </div>
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A exposição do MAC Lyon se propõe a acompanhar o desenvolvimento e evolução do trabalho de Erro e abordar os múltiplos aspectos. </div>
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<span style="font-size: xx-small;"><a href="http://2.bp.blogspot.com/-fyToF8OiqvY/VKF_uev32dI/AAAAAAABbo8/pGk5ceSyx0o/s1600/La%2BBombe%2C%2B1977%2BSe%CC%81rie%2BL%E2%80%99Ouest%2Bvu%2Bde%2BL%E2%80%99Est.JPG"><img border="0" height="224" src="https://2.bp.blogspot.com/-fyToF8OiqvY/VKF_uev32dI/AAAAAAABbo8/pGk5ceSyx0o/s1600/La%2BBombe%2C%2B1977%2BSe%CC%81rie%2BL%E2%80%99Ouest%2Bvu%2Bde%2BL%E2%80%99Est.JPG" width="320" /></a><br />Bomba 1977 Serie Oeste vista pelo Leste pintura alquídica sobre tela, 114 x 162 cm Coleção do artista, Paris © Archive Erró © ADAGP Paris de 2014</span><br />
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O primeiro andar do museu é dedicado ao período mais antigo na carreira de Erro, dos anos 1955- 1964. Pode-se ver o surgimento dessas imagens "ready-made" na sua criação e constituição desta linguagem peculiar que é ainda a sua. Os dois andares seguintes seguem um quadro chronologico-temático.<br />
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Ele apresenta várias séries pictóricas ou supra-séries, como "paisagens", os "retratos" ou "pinturas históricas", retornando em intervalos regulares. O percurso termina com obras recentes de Erro.</div>
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<a href="http://1.bp.blogspot.com/-sQHEBiJNRzY/VKF_5nJcfFI/AAAAAAABbpE/E0PqC6c7mOw/s1600/Tears%2Bfor%2BTwo%2C%2B1964%2C%2BSe%CC%81rie%2BRetour%2Bd%E2%80%99USA.JPG"><img border="0" height="214" src="https://1.bp.blogspot.com/-sQHEBiJNRzY/VKF_5nJcfFI/AAAAAAABbpE/E0PqC6c7mOw/s1600/Tears%2Bfor%2BTwo%2C%2B1964%2C%2BSe%CC%81rie%2BRetour%2Bd%E2%80%99USA.JPG" width="320" /></a><br />
<span style="font-size: xx-small;">Tears for Two, 1964 Serie Volta para os EUA pintura alquídica em 97 × 130 centímetros Colecção do artista, Paris © Archive Erró © ADAGP Paris de 2014</span> <br />
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"Meu primeiro nome de artista foi Ferro. Eu o achei no final de uma viagem para a Espanha, em 1953. Eu tinha vivido de uma semana em uma vila, Castel del Ferro. Achei este nome muito bonito, sendo mais que islandes, ‹fer ró› significando <a tranquilidade que se vai>. Eu não sabia, no entanto, que já havia um artista brasileiro em Montmartre, Gabriel Ferraud com este nome. Há uma lei na França, do período de Vichy, que exige que os estrangeiros não podem ter o nome de um artista já existente. Então, eu tive um julgamento que perdi duas vezes. Com Jean-Jacques Lebel, pensamos em seguida, escrever o nome com tres <Rs>, mas não aceitaram. Finalmente, o Tribunal, decidiu remover o <F>. isso me agradou. Em Islandês ‹er ró› significa agora está tudo calmo. »</div>
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<a href="http://3.bp.blogspot.com/-2wMSVJfIQLw/VKGALGHFfZI/AAAAAAABbpU/RCnfLfd3zx0/s1600/Erro-Une-du-catalogue-de-l-exposition_reference.jpg"><img border="0" height="314" src="https://3.bp.blogspot.com/-2wMSVJfIQLw/VKGALGHFfZI/AAAAAAABbpU/RCnfLfd3zx0/s1600/Erro-Une-du-catalogue-de-l-exposition_reference.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">catálogo da exposição</span>
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<span style="font-size: xx-small;">Diego Velázquez Venus com um espelho, 1647-1651, óleo sobre tela, 122 x 177 centímetros, National Gallery, Londres</span></div>
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<a href="http://4.bp.blogspot.com/-wZDPYy0-3cY/VKFtqbBxqmI/AAAAAAABbns/DdckrHWbStU/s1600/RokebyVenus.jpg"></a>National Gallery, em Londres. 10 de marco de 1914, uma mulher entra neste grande museu de Londres e desaparece no meio dos muitos visitantes. Ela pára em frente a Venus com um espelho que Velázquez pintou quase 3 séculos antes.</div>
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A jovem pega um machado e dá 7 golpes na tela, mutilando a Venus entre os ombros.</div>
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<a href="http://4.bp.blogspot.com/-iyL0zOE_lAU/VKFtwfNK9DI/AAAAAAABbn0/0rE58tZmvYY/s1600/Richardson-Venus.jpg"><img border="0" height="269" src="https://4.bp.blogspot.com/-iyL0zOE_lAU/VKFtwfNK9DI/AAAAAAABbn0/0rE58tZmvYY/s1600/Richardson-Venus.jpg" width="320" /></a><br />
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<span style="font-size: xx-small;">Fotografia após as machadadas</span></div>
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Mas por tentar destruir esta Venus? A culpada é Mary Richardson, uma sufragista comprometida com os direitos das mulheres.</div>
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Pertenceu à WSPU (União políticas e sociais das mulheres), liderada por Emmeline Pankhurst, que acabara de ser presa pela polícia no dia anterior.</div>
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<a href="http://4.bp.blogspot.com/-PUHpsGvAS1c/VKFt6IGFE_I/AAAAAAABbn8/3dNKPiUIdnU/s1600/aa0690b4-e43d-44e7-b7dc-1bc31e7d3917.jpg"><img border="0" height="320" src="https://4.bp.blogspot.com/-PUHpsGvAS1c/VKFt6IGFE_I/AAAAAAABbn8/3dNKPiUIdnU/s1600/aa0690b4-e43d-44e7-b7dc-1bc31e7d3917.jpg" width="274" /></a><br />
<span style="font-size: xx-small;">Detenção de Emmeline Pankhurst</span><br />
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Mary acredita que com a prisão de Emmeline Pankhurst, "o governo destruiu o personagem mais bonito da história moderna." Como vingança, ela decide destruir "a imagem da mulher mais bela da mitologia."</div>
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Na verdade, a Venus de costas para nós está repousando sedutoramente na cama Podemos ver seu rosto através de um espelho segurado pelo Cupido.</div>
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E se podemos ver seu rosto, podemos facilmente imaginar que a Venus está se deliciando com a nossa reação ao seu corpo nu.</div>
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<a href="http://3.bp.blogspot.com/-k2dQYjKgQLI/VKFt7VdCktI/AAAAAAABboE/wm8dlRrSCM0/s1600/c8424078-665d-4aab-b9dd-69c72a08cac9.jpg"><img border="0" height="295" src="https://3.bp.blogspot.com/-k2dQYjKgQLI/VKFt7VdCktI/AAAAAAABboE/wm8dlRrSCM0/s1600/c8424078-665d-4aab-b9dd-69c72a08cac9.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">Fotografia de Mary Richardson </span><br />
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Velasquez, o grande pintor da corte espanhola durante a Inquisição, tinha acabado de criar polêmica ao pintar um dos únicos nus femininos da época em estilo barroco.</div>
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Felizmente para esta obra-prima, e para as gerações futuras, a tela foi muito bem restaurada por Helmut Ruhemann, o restaurador da National Gallery.</div>
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<a href="http://4.bp.blogspot.com/-fbvpDN2S020/VKFt-3e51sI/AAAAAAABboM/7VjqFyHxfYI/s1600/fa6fc51b-cab5-444d-951d-f9cee551f7a6.jpg"><img border="0" height="320" src="https://4.bp.blogspot.com/-fbvpDN2S020/VKFt-3e51sI/AAAAAAABboM/7VjqFyHxfYI/s1600/fa6fc51b-cab5-444d-951d-f9cee551f7a6.jpg" width="260" /></a><br />
<span style="font-size: xx-small;">Diego Velazquez, autorretrato, circa 1645 Óleo sobre tela, 103 x 82 centímetros, a Galeria Uffizi, Florença</span><br />
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<span style="font-size: xx-small;">Para mais informações:</span></div>
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<span style="font-size: xx-small;">Sobre Velasquez - http://www.larousse.fr/encyclopedie/personnage/Diego_de_Silva_V%C3%A9lasquez/148478</span></div>
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<span style="font-size: xx-small;">Sobre </span><span style="font-size: xx-small;">Emmeline Pankhurst </span><span style="font-size: xx-small;">- </span><span style="font-size: xx-small;">http://www.rosadoc.be/site/rosa/francais/reperes/spot/pankhurst.htm</span></div>
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<span style="font-size: xx-small;">Sobre as</span><span style="font-size: xx-small;"> sufragistas - http://8mars.info/les-suffragettes-1903-1918?lang=fr</span></div>
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<span style="font-size: xx-small;">fonte: artips.fr</span></div>
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L’exposition nous introduit dans le secret de l’atelier du sculpteur, véritable laboratoire de la création et creuset d’une Œuvre.<br />
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De 13 de novembro de 2014 a 27 de setembro de 2015</div>
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Museu Rodin de Paris<br />
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<span style="font-size: xx-small;">Atelier de Rodin - monumento a Victor Hugo fotografia de Dornac 1898</span></div>
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Um conjunto único de cento e cinqüenta gessos e terracotas, muitas vezes inéditos, sairam das reservas para esta ocasião. Isto permite seguir a carreira excepcional do escultor. O visitante mergulha no coração do processo criativo, convidado pelo exercício de seu olhar, em perceber os caminhos, hesitações, mas também os lampejos do pensamento formal de Rodin.</div>
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Un ensemble unique de cent cinquante plâtres et terres cuites souvent inédits, est sorti des réserves à cette occasion. Il permet de suivre le parcours exceptionnel du sculpteur. Le visiteur plonge au cœur du processus de création, invité, par l’exercice de son regard, à percevoir les chemins, les hésitations, mais aussi les fulgurances de la pensée formelle de Rodin.</div>
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<span style="font-size: xx-small;">Eugène Druet - atelier da Villa des Brillants em Meudon cerca de 1900</span><br />
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As obras mais célebres e de maior sucesso emergem gradualmente a partir do espírito e das mãos de Rodin resultado de um trabalho prodigioso e numerosos trabalhos preparatórios : estudos e esboços de terra amassados vigorosamente, provas de gesso moldadas em série e, em seguida, reformuladas até a versão final ...</div>
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Les œuvres les plus célèbres et les plus abouties émergent peu à peu de l’esprit et des mains de Rodin, aboutissements d’un travail prodigieux et de très nombreux travaux préparatoires : études et esquisses de terre malaxées vigoureusement, maquettes, épreuves de plâtre moulées en série, puis retravaillées jusqu’à obtenir la version finale… </div>
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<span style="font-size: xx-small;">Rodin - estudo de Victor Hugo sentado nú 1893</span></div>
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O trabalho é construído diante de nossos olhos, os rostos se animam, os nús tomam uma posição antes de serem cobertos, enquanto golpeados - estes membros separados do corpo (cabeça, mãos, braços, pés) - são estudados como partes, gestos isolados, antes de serem reintegrados ao trabalho final.</div>
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L’œuvre se construit sous nos yeux, les visages s’animent, les nus prennent position, avant d’être drapés, tandis que les abattis – ces membres séparés du corps (têtes, mains, bras, pied) – sont étudiés comme des morceaux de choix, des gestes isolés, avant d’être réintégrés à l’œuvre définitive.<br />
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<span style="font-size: xx-small;">Rodin - Nú feminino saindo de um pote 1900 - 1904</span></div>
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<span style="font-size: xx-small;"><br /></span> É uma verdadeira riqueza criativa que se apodera do artista a cada projeto, uma eflorescência da imaginação que explora, sonda, experimenta ...</div>
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C’est une véritable profusion créatrice qui s’empare de l’artiste à chaque projet, une efflorescence de l’imaginaire qui explore, sonde, expérimente…</div>
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<a href="http://1.bp.blogspot.com/-O2yTluI-AKk/VJAuaDOIzKI/AAAAAAABZpo/UDScM6sT-g8/s1600/pleureuse.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-O2yTluI-AKk/VJAuaDOIzKI/AAAAAAABZpo/UDScM6sT-g8/s1600/pleureuse.jpg" width="290" /></a><br />
<span style="font-size: xx-small;">Rodin - chorosa em gesso antes de 1893</span><br />
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As séries constituidas nos trabalhos finais, bem como os estudos e projetos preliminares que inspiraram a sua concepção, são complementados por fotografias tiradas nas oficinas de Rodin, ou retocadas por ele para refinar a sua ideia, procurando um perfil, para desenvolver suas composições. Por isso, é de alguma forma o caminho que precede a "obra-prima" que estão em exibição.</div>
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Les séries constituées par les œuvres définitives, ainsi que par les études et les modèles préalables qui ont présidé à leur conception, seront complétés par des photographies prises dans les ateliers de Rodin, ou retouchées par lui pour affiner son idée, chercher un profil, élaborer ses compositions. C’est donc en quelque sorte le cheminement qui précède le « chef d’œuvre » qui sera donné à voir.</div>
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<a href="http://2.bp.blogspot.com/-ofGKgr9nqcU/VJAubrmvTqI/AAAAAAABZpw/NofQb9ITUCQ/s1600/ph.2507d.jpg"><img border="0" height="320" src="https://2.bp.blogspot.com/-ofGKgr9nqcU/VJAubrmvTqI/AAAAAAABZpw/NofQb9ITUCQ/s1600/ph.2507d.jpg" width="235" /></a><br />
<span style="font-size: xx-small;">Charles Bodmer, tête de St Jean-Baptiste sur une sellette vers 1886. </span><br />
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<a href="http://1.bp.blogspot.com/-k-1rqc0roZA/VJAuvKOUx1I/AAAAAAABZp4/K34xQcJ3oKA/s1600/IMG.jpg"><img border="0" height="320" src="https://1.bp.blogspot.com/-k-1rqc0roZA/VJAuvKOUx1I/AAAAAAABZp4/K34xQcJ3oKA/s1600/IMG.jpg" width="259" /></a><br />
<span style="font-size: xx-small;">Rodin - os burgueses de Calais, Jean de Fiennes gesso 1895</span><br />
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<a href="http://3.bp.blogspot.com/-lUQK-xaJNVU/VJAuyr2O_iI/AAAAAAABZqA/ikTXunkLLh4/s1600/laboratoire_de_la_creation_3.jpg"><img border="0" height="320" src="https://3.bp.blogspot.com/-lUQK-xaJNVU/VJAuyr2O_iI/AAAAAAABZqA/ikTXunkLLh4/s1600/laboratoire_de_la_creation_3.jpg" width="309" /></a><br />
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<span style="font-size: xx-small;">Eugène Druet (1867–1916) Rodin au milieu de ses œuvres dans le Pavillon de l’Alma à Meudon<br />Vers 1902 épreuve gélatino argentique</span></h2>
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<a href="http://3.bp.blogspot.com/-Ns_GPuAjj4A/VJAu2qGZH-I/AAAAAAABZqI/cPW2puE2spM/s1600/laboratoire_de_la_creation_1.jpg"><img border="0" height="320" src="https://3.bp.blogspot.com/-Ns_GPuAjj4A/VJAu2qGZH-I/AAAAAAABZqI/cPW2puE2spM/s1600/laboratoire_de_la_creation_1.jpg" width="244" /></a><br />
<span style="font-size: xx-small;">E. Druet, le Baiser vers 1898 épreuve gélatino argentique.</span></div>
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<a href="http://1.bp.blogspot.com/-weszt8PCuzc/VIbtatmVq_I/AAAAAAABX7A/ry3WEDc9Vrg/s1600/rembrandt-homepage-book-now.jpg"><img border="0" height="215" src="https://1.bp.blogspot.com/-weszt8PCuzc/VIbtatmVq_I/AAAAAAABX7A/ry3WEDc9Vrg/s1600/rembrandt-homepage-book-now.jpg" width="320" /></a><br />
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Até 18 de Janeiro de 2015</div>
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The National Gallery - Trafalgar Square, London WC2N 5DN</div>
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<img border="0" height="320" src="https://1.bp.blogspot.com/-Cb_PwzA5lMQ/VIbvILO5SdI/AAAAAAABX8c/PULGo4nORN0/s1600/Rembrandt-TFY-X7920.pr_-e1408446549614%2B(1).jpg&container=blogger&gadget=a&rewriteMime=image%2F*" width="247" /></div>
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<span style="font-size: xx-small;">José e a esposa de Potifar Rembrandt 1655</span></div>
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Longe de diminuir à medida que envelhecia, a criatividade de Rembrandt ganhava nova energia nos anos finais de sua vida. É a arte desses últimos anos - com alma, honesta e profundamente comovente - que define de forma indelével a nossa imagem de Rembrandt o homem e o artista. </div>
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<a href="http://4.bp.blogspot.com/-MJxmUg9jbBA/VIbtbx0ogBI/AAAAAAABX7I/kACkNEpHH_k/s1600/2809525a-669e-4008-93cd-7dfa328347b8-1020x612.jpeg"><img border="0" height="192" src="https://4.bp.blogspot.com/-MJxmUg9jbBA/VIbtbx0ogBI/AAAAAAABX7I/kACkNEpHH_k/s1600/2809525a-669e-4008-93cd-7dfa328347b8-1020x612.jpeg" width="320" /></a><br />
<span style="font-size: xx-small;">Os síndicos da guilda dos tecelões 1662</span><br />
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Esta exposição é um marco (com empréstimos sem precedentes de todo o mundo), uma oportunidade única de experimentar a paixão, emoção e inovação de Rembrandt, o maior mestre da Época de Ouro holandesa.<br />
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<a href="http://2.bp.blogspot.com/-KCW9yHvlzRw/VIbtfX-gH3I/AAAAAAABX7g/EpbXbiIbZ7E/s1600/a-woman-bathing.gif"><img border="0" height="320" src="https://2.bp.blogspot.com/-KCW9yHvlzRw/VIbtfX-gH3I/AAAAAAABX7g/EpbXbiIbZ7E/s1600/a-woman-bathing.gif" width="243" /></a><br />
<span style="font-size: xx-small;">Uma mulher que se banha em um riacho (Hendrickje Stoffels?) 1654</span><br />
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Da década de 1650 até sua morte, Rembrandt (1606-1669) conscientemente procurou um novo estilo ainda mais expressivo e profundo. Ele manipulava livremente técnicas de impressão e pintura, a fim de dar interpretações novas e originais a temas tradicionais.<br />
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<a href="http://4.bp.blogspot.com/-OCRgoC7EKys/VIbtg-9vjQI/AAAAAAABX7Q/ZQXrIR9EF_4/s1600/b40b5472-b3a4-491f-87e4-bf9434d6bef0-2060x1236.jpeg"><img border="0" height="192" src="https://4.bp.blogspot.com/-OCRgoC7EKys/VIbtg-9vjQI/AAAAAAABX7Q/ZQXrIR9EF_4/s1600/b40b5472-b3a4-491f-87e4-bf9434d6bef0-2060x1236.jpeg" width="320" /></a><br />
<span style="font-size: xx-small;">Retrato de um casal como Isaac e Rebeca, conhecido como "A noiva judaica 'Rembrandt 1665</span><br />
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A exposição ilumina seu domínio versátil, dividindo pinturas, desenhos e gravuras tematicamente, a fim de examinar as idéias que lhe preocupavam durante estes últimos anos: o auto-exame, uma técnica experimental, o uso da luz, a observação da vida cotidiana, inspiração de outros artistas e respostas à convenção artística, assim como expressões de intimidade, contemplação, de conflitos e reconciliação.</div>
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<a href="http://2.bp.blogspot.com/-vQxvbD3c-ys/VIbthblQpyI/AAAAAAABX7U/KkzV3fV91s4/s1600/bfd57586-9457-4feb-b043-1e9a2101e2a6-787x1020.jpeg"><img border="0" height="320" src="https://2.bp.blogspot.com/-vQxvbD3c-ys/VIbthblQpyI/AAAAAAABX7U/KkzV3fV91s4/s1600/bfd57586-9457-4feb-b043-1e9a2101e2a6-787x1020.jpeg" width="247" /></a><br />
<span style="font-size: xx-small;">auto-retrato, 1659</span><br />
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"Rembrandt: The Late Works" apresenta cerca de 40 pinturas, 20 desenhos e 30 gravuras.</div>
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A exposição oferece aos visitantes uma nova visão sobre algumas das obras mais emblemáticas de Rembrandt, como "The Sampling Officials of the Amsterdam Drapers’ Guild” (Rijksmuseum, Amsterdam) mais conhecido como 'Os Síndicos', revelando seu brilho na combinação de luz e sombra e cor e textura, para dar um impacto visual radical a um retrato tradicional. </div>
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<a href="http://4.bp.blogspot.com/-EAa8BgjR4M4/VIbtocsAdhI/AAAAAAABX7w/z32kDQVZY84/s1600/c9902707-50dd-4f15-af6e-1d128b1b58dd-2060x1236.jpeg"><img border="0" height="192" src="https://4.bp.blogspot.com/-EAa8BgjR4M4/VIbtocsAdhI/AAAAAAABX7w/z32kDQVZY84/s1600/c9902707-50dd-4f15-af6e-1d128b1b58dd-2060x1236.jpeg" width="320" /></a><br />
<span style="font-size: xx-small;">A conspiração dos batavos sob Claudius Civilis</span><br />
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Numerosos exemplos das melhores gravuras de Rembrandt demonstram seu desenvolvimento hábil de técnicas de impressão para obter efeitos únicos.<br />
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<a href="http://3.bp.blogspot.com/-4-jNyW5Hgok/VIbtqmgmijI/AAAAAAABX74/eDnD-spxXVs/s1600/ccedf7a5-45fb-4a20-979c-4e3ca444bd4a-857x1020.jpeg"><img border="0" height="320" src="https://3.bp.blogspot.com/-4-jNyW5Hgok/VIbtqmgmijI/AAAAAAABX74/eDnD-spxXVs/s1600/ccedf7a5-45fb-4a20-979c-4e3ca444bd4a-857x1020.jpeg" width="269" /></a><br />
<span style="font-size: xx-small;">Lucretia de Rembrandt, 1664. </span><br />
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Um dos destaques da exposição é a justaposição de auto-retratos, incluindo “Auto-Retrato como o Apóstolo Paulo” (Rijksmuseum, Amsterdam),"Auto-Retrato com Dois Círculos” (English Heritage, o legado de Iveagh (Kenwood), "Auto-Retrato Vestindo um Turbante” (Royal Picture Gallery Mauritshuis, The Hague), e "Auto-Retrato aos 63 anos” (National Gallery). Os dois últimos, pintados nos anos finais de sua vida, mostram honestidade excepcional de Rembrandt em gravar suas próprias características à medida que envelhecia.</div>
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<a href="http://3.bp.blogspot.com/-RL8dOEgMn0A/VIbt3RtFYKI/AAAAAAABX8I/d6mJA75ONNE/s1600/N-6300-00-000242-pr-e1408446858401.jpg"><img border="0" height="320" src="https://3.bp.blogspot.com/-RL8dOEgMn0A/VIbt3RtFYKI/AAAAAAABX8I/d6mJA75ONNE/s1600/N-6300-00-000242-pr-e1408446858401.jpg" width="259" /></a><br />
<span style="font-size: xx-small;">Retrato equestre de Frederick Rihel Rembrandt 1663</span><br />
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Em uma das obras mais comoventes na exposição, a chamada "Noiva Judia" (Rijksmuseum, Amsterdam), Rembrandt representou a terna afeição de um casal com sensibilidade apurada. Ao visualizar esta pintura pela primeira vez em 1885, Vincent van Gogh confessou a um amigo que ficaria feliz em dar 10 anos de sua vida para poder sentar-se em frente à pintura durante uma quinzena, com apenas um pedaço de pão seco para comer. Ele exclamou em uma carta a seu irmão Theo: “Que intimidade, que pintura infinitamente simpática!”<br />
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<a href="http://1.bp.blogspot.com/-XCpAogwPsUI/VIbt5UtF3lI/AAAAAAABX8Q/xwqJ7LMnKYU/s1600/Rembrandt-TFY-X7905.pr_.jpg"><img border="0" height="240" src="https://1.bp.blogspot.com/-XCpAogwPsUI/VIbt5UtF3lI/AAAAAAABX8Q/xwqJ7LMnKYU/s1600/Rembrandt-TFY-X7905.pr_.jpg" width="320" /></a><br />
<span style="font-size: xx-small;">A Lição de Anatomia do Dr. Joan Deyman Rembrandt 1656</span><br />
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É esta incansável criatividade sem restrições de Rembrandt que influenciou incontáveis, pintores, gravuristas e desenhista nas gerações que o seguiram, e que continua a inspirar artistas até hoje.<br />
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<a href="http://4.bp.blogspot.com/-6imobsgQxRU/VIbtvob-oYI/AAAAAAABX8A/DxUmgpWBbrg/s1600/N-0221-00-000056-pr-e1408446903257.jpg"><img border="0" height="320" src="https://4.bp.blogspot.com/-6imobsgQxRU/VIbtvob-oYI/AAAAAAABX8A/DxUmgpWBbrg/s1600/N-0221-00-000056-pr-e1408446903257.jpg" width="264" /></a><br />
<span style="font-size: xx-small;">Autorretrato na idade de 63 Rembrandt 1669</span><br />
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"Rembrandt: The Late Works" é organizada pela National Gallery e o Rijksmuseum, com curadoria de Betsy Wieseman</div>
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