Maarten van Heemskerck e um renascimento do interesse por Antiguidades

Maarten van Heemskerck, Self-portrait with the Colosseum, 1553, Oil on panel, © Fitzwilliam Museum, Cambridge.


Maarten van Heemskerck
Roma Antiga Revive
de 11 fevereiro - 3 junho, 2012
Museu Boijmans Van BeuningenRotterdam

Dirck Volkertsz. after Maarten van Heemskerck, The Dangers of Human Ambition, 1549, Etching, Collection Museum Boijmans Van Beuningen, Purchase with support of: Stichting Lucas van Leyden








Maarten van Heemskerck, Portrait of Reinerus Frisius Gemma, 1540-1545, Oil on panel, Collection Museum Boijmans Van Beuningen, Purchase with the support of: Vereniging Rembrandt en / and D.G. van Beuningen.




 A exposição inclui gravuras, pinturas e desenhos de Maarten van Heemskerck (1498-1574), em duas salas. Esboços feitos por Van Heemskerck durante sua visita a Roma são utilizados para fornecer informações sobre as fontes de inspiração do artista de Haarlem.

The exhibition includes prints, paintings and drawings by Maarten van Heemskerck (1498-1574), in two rooms. Sketches made by Van Heemskerck during his visit to Rome are used to provide insight into the sources of inspiration of the artist from Haarlem.






Cornelis Bos after Maarten van Heemskerck, The Triumph of Bacchus, 1543, Engraving, Collection Museum Boijmans Van Beuningen, Bequest: Dr. J.C.J. Bierens de Haan.



Central para a exposição é o óleo Auto-retrato com pintura Coliseu, pintado por Van Heemskerck em 1553, que foi emprestado especialmente para esta exposição do Museu Fitzwilliam, em Cambridge

Central to the exhibition is the oil painting Self portrait with Colosseum, painted by Van Heemskerck in 1553, which has been specially loaned for this exhibition from the Fitzwilliam Museum in Cambridge






Hieronymus Cock, First View of the Colosseum, 1551, Etching, Collection Museum Boijmans Van Beuningen, Purchase with support of: Stichting Lucas van Leyden, 1958.





Maarten van Heemskerck começou sua viagem a Roma em 1532. Uma vez lá, ele se inspirou  pelas ruinas da antiguidade clássica e pelo trabalho dos grandes mestres do renascimento italiano.


Maarten van Heemskerck began his trip to Rome in 1532. Once there, he was inspired by the remains of classic antiquity and the work of the great masters of the Italian renaissance.






Maarten van Heemskerk, Ruins on the Palatine Hill in Rome (recto), circa 1532-153, Pen in Brown, Rijksmuseum, Amsterdam. Gift of the heirs of I.Q. van Regteren Altena, Amersfoort Van Beuningen Legaat / Bequest: Dr. J.C.J. Bierens de Haan.



Encheu cadernos com seus estudos de arquitetura clássica, ruínas e esculturas antigas. Sua viagem seguiu os passos de outros artistas holandeses como Jan Gossaert (c. 1478-1532) e seu professor Jan van Scorel (1.495-1.562).

He filled sketchbooks with his studies of classical architecture, ruins and ancient sculptures. His trip followed in the footsteps of other Dutch artists such as Jan Gossaert (c. 1478-1532) and his teacher Jan van Scorel (1495-1562).




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