Bernardo Daddi, Italian (Florentine), active about 1312-1348, The Virgin Mary with Saints Thomas Aquinas and Paul, about 1330, Tempera and gold leaf on panel, Framed (with original engaged frame): 121.6 x 113 cm, The J. Paul Getty Museum, Los Angeles, 93.PB.16.
J. Paul Getty Museum
The Getty Center, Los Angeles
13 de novembro de 2012 a 10 de fevereiro, 2013
Pacino di Bonaguida, Italian (Florentine), active about 1303-about 1347, Saint Agnes Enthroned and Scenes from Her Legend, about 1340, Tempera, gold leaf, and ink on parchment, Leaf: 42 x 29.9 cm, The British Library © The British Library Board (Additional Ms. 18196), EX.2012.2.41.
Pacino di Bonaguida, Italian (Florentine), active about 1303-about 1347, The Apparition of Saint Michael, about 1340, Tempera, gold leaf, and ink on parchment, Leaf: 43.8 x 32.2 cm, The British Library, © The British Library Board (Additional Ms. 35254B), EX.2012.2.42.
In the first half of the 14th century, Florence was positioned as a flourishing center of artistic production, especially in painting and manuscript illumination. Florence at the Dawn of the Renaissance: Painting and Illumination, 1300-1350, a major international loan exhibition, presents the most prominent Florentine artists of this era, and features the largest grouping of paintings by Florentine master Giotto di Bondone exhibited in North America.
Master of the Dominican Effigies, Italian, active about 1325-about 1355, Dante Alighieri, Italian, about 1265-1321, Divine Comedy, 1337, Tempera, gold leaf, and ink on parchment, Leaf: 37.2 x 26.5 cm, Closed: 38.8 x 27.4 x 5.5 cm, Archivio Storico Civico e Biblioteca Trivulziana, Archivio Storico Civico e Biblioteca Trivulziana – Comune di Milano, all rights reserved, EX.2012.2.31.
A exposição centra-se em artistas que trabalhavam como pintores do painel e iluminadores manuscrito, examinando esses meios lado a lado, oferecendo um novo olhar sobre a comunidade artística, que deu origem ao renascimento italiano.
The exhibition focuses on artists who worked as panel painters and manuscript illuminators, examining these media side by side, offering a fresh look at the artistic community that gave rise to the Italian Renaissance.
Giotto di Bondone, Italian, about 1267-1337, The Virgin and Child with Saints and Allegorical Figures, about 1330, Tempera and gold leaf on panel, Unframed: 38.4 x 26 cm, Private Collection, Image courtesy of Wildenstein & Co., Inc., New York, EX.2012.2.98.
Organizado por J. Paul Getty Museum com Art Gallery of Ontario (AGO), esta exposição grande empréstimo internacional apresenta mais de 90 obras de arte, incluindo pinturas, manuscritos iluminados, e vitrais e apresenta novas descobertas sobre técnicas de artistas e práticas de oficina com base em pesquisas de conservação e análise científica.
Organized by J. Paul Getty Museum with Art Gallery of Ontario (AGO), this major international loan exhibition features more than 90 works of art, including paintings, illuminated manuscripts, and stained glass and presents new findings about artists’ techniques and workshop practices based on conservation research and scientific analysis.
Bernardo Daddi, Italian (Florentine), active about 1312-1348, A Crowned Virgin Martyr, about 1340, Tempera and gold leaf on panel, Unframed: 61.6 x 30.5 cm, Fine Arts Museums of San Francisco, Gift of the Samuel H. Kress Foundation (61.44.1), © Fine Arts Museums of San Francisco, EX.2012.2.47
Artistas em exposição incluem Giotto di Bondone (cerca de 1267-1337), Taddeo Gaddi (cerca de 1300-1366), Pacino di Bonaguida (ativo sobre 1303-cerca de 1347), de Bernardo Daddi (ativo sobre 1312-1348), o mestre do Dominicana Efígies (ativo sobre 1325-1355), e do Mestre do Codex de São Jorge (ativo sobre 1315-cerca de 1335), entre outros. A exposição inclui sete obras de Giotto, o maior agrupamento de suas pinturas já expostas na América do Norte.
Artists in the exhibition include Giotto di Bondone (about 1267-1337), Taddeo Gaddi (about 1300-1366), Pacino di Bonaguida (active about 1303-about 1347), Bernardo Daddi (active about 1312-1348), the Master of the Dominican Effigies (active about 1325-1355), and the Master of the Codex of Saint George (active about 1315-about 1335), among others. The exhibition includes seven works by Giotto, the largest grouping of his paintings ever exhibited in North America.
Além de uma grande seleção de pinturas de Giotto, Florença no alvorecer da Renascença apresenta a comissão mais importante manuscrito iluminado a partir da primeira metade do século 14, o Laudario de Sant'Agnese.
In addition to a large selection of paintings by Giotto, Florence at the Dawn of the Renaissance presents the most important illuminated manuscript commission from the first half of the 14th century, the Laudario of Sant’Agnese.
Iluminado por Pacino di Bonaguida eo Mestre do Efígies Dominicana, esta. Lindamente executado e projetado manuscrito iluminado foi desmontado e disperso em algum momento do século 19 As 24 folhas que sobrevivem apresentam uma variedade de imagens celebrando festas cristãs. Esta exposição reúne quase todas as folhas de sobreviventes para a primeira vez.
Illuminated by Pacino di Bonaguida and the Master of the Dominican Effigies, this beautifully executed and designed illuminated manuscript was dismantled and dispersed sometime in the 19th century. The 24 leaves that survive exhibit a variety of imagery celebrating Christian feasts. This exhibition reunites nearly all surviving leaves for the first time.
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