Veneza renascentista: Desenhos da Morgan

Battista Agnese Map of the World with Magellan’s Route, from Portolan Atlas, 1536-1564, Vellum, The Morgan Library & Museum, New York Photography: Graham S. Haber, 2012.

Morgan Library and Museum

225 Madison Avenue, a 36th Street

212-685-0008

Nova Iorque

Veneza renascentista:

Desenhos da Morgan

18 maio - 23 setembro, 2012

Giovanni Antonio de Sacchis, called il Pordenone (1483-1539), Conversion of Saint Paul, early 1530s, Pen and brown ink, brown wash, heightened with white gouache, over traces of black chalk, on blue paper faded to a green-gray, The Morgan Library & Museum, New York Purchased by Pierpont Morgan, 1909, Photography: Graham S. Haber, 2012.

Morgan Library & Museum revela uma extraordinária exposição de desenhos e materiais relacionados que traz à vida o dinâmico meio artístico e cultural de Veneza 15 e 16 do século.

Morgan Library & Museum unveils an extraordinary exhibition of drawings and related material that brings to life the dynamic artistic and cultural milieu of 15th- and 16th-century Venice. 

Lattanzio Gambara (1530-1574), Massacre of the Innocents, 1567-71, Black chalk, heightened with white chalk, incised with stylus, on two pieces of blue paper joined vertically, faded to gray-green, The Morgan Library & Museum, New York Gift of Janos Scholz, Photography: Graham S. Haber, 2012.

A primeira exposição a concentrar-se na notável coleção do Morgan de desenhos criada nessa época importante da história desta grande cidade portuária, Veneza renascentista: Desenhos do Morgan exibe mestres como Ticiano, Tintoretto, Veronese e Carpaccio, bem como muitos outros artistas menos conhecidos, mas altamente talentosos. A mostra também inclui livros e mapas que revelam o papel de Veneza na vanguarda da produção livro de luxo e a impressão inovadora.

The first exhibition to focus on the Morgan's outstanding collection of drawings created during this important era in the history of the great port city, Renaissance Venice: Drawings from the Morgan features work by masters such as Titian, Tintoretto, Veronese, and Carpaccio, as well as many other less known but highly gifted artists. The show also includes books and maps that reveal Venice's role at the forefront of luxury book production and innovative printing.

Giulio Campagnola (ca. 1482-after 1515), Buildings in a Rocky Landscape, Pen and brown ink The Morgan Library & Museum, New York, Purchased by Pierpont Morgan, 1909 Photography: Graham S. Haber, 2012.

No início do século 16 Veneza estabeleceu-se como uma república marítima poderosa e centro de comércio internacional.

In the early 16th century Venice established itself as a powerful maritime republic and center of international trade. 

Vittore Carpaccio (1460/5-1525/6), Sacra Conversazione, Pen and brown ink, brown wash, over red chalk The Morgan Library & Museum, New York, Thaw Collection Photography: Graham S. Haber, 2012.

A riqueza gerada por essa atividade alimentou a ascensão da cidade como uma capital cultural, e os artistas foram apoiados pelo governo comissões, igrejas e estabelecendo comunidades religiosas, e notadamente, por uma aristocracia poderosa que procurava decorar suas impressionantes habitações particulares em Veneza e no continente.

The wealth created by this activity fueled the city's ascent as a cultural capital, and artists were supported by government commissions, churches and lay religious communities, and, notably, by a powerful and enlightened aristocracy who sought to decorate their impressive private dwellings in Venice and on the mainland.

Paolo Veronese (1528-1588), Studies for The Finding of Moses, 1575-85, Pen and brown ink, brown wash, he Morgan Library & Museum, New York, Purchased by Pierpont Morgan, 1909 Photography: Graham S. Haber, 2012.

Todas as obras da Veneza renascentista foram escolhidas dentro da holding da Morgan, e a mostra explora temas específicos, como o retrato ea tradição da paisagem em desenho veneziano, a representação da vida religiosa e cívica, o papel do artista estrangeiro, e inovações na gravura , publicação de livros, e cartografia.

All the works in Renaissance Venice are drawn from the Morgan's holdings, and the show explores specific themes, such as portraiture and the landscape tradition in Venetian drawing, the depiction of religious and civic life, the role of the foreign artist, and innovations in printmaking, book publishing, and cartography. 

Giovanni Antonio de Sacchis, called il Pordenone (1483-1539), Crucifixion, 1520-21, Red chalk, The Morgan Library & Museum, New York, Purchased by Pierpont Morgan, 1909 Photography: Graham S. Haber, 2012.

Cartas de Ticiano e Veronese oferecem vislumbres fascinantes das relações dos artistas com os clientes e da natureza transacional da arte "negócios".

Letters by Titian and Veronese offer fascinating glimpses into artists' relationships with patrons and the transactional nature of the art "business."

Jacopo Bassano (1516/19-1592), Head of an Old Man Turned to the Left, 1541-42 Black, red, and white chalks, point of brush and red and white in face and ear on blue paper The Morgan Library & Museum, New York, Gift of Lore Heinemann in memory of her husband, Dr. Rudolph J. Heinemann Photography: Graham S. Haber, 2012.

Nos séculos  15 e 16, Veneza viu a aproximação de tendências econômicas e sociais que criaram um  terreno fértil para a surpreendente criação artística", diz William M. Griswold, diretor da  Morgan Library & Museum.

"Fifteenth- and 16th-century Venice saw the coming together of economic and social trends that created an amazingly fertile ground for artistic creation," said William M. Griswold, director of The Morgan Library & Museum. 

Giuseppe Porta, called Salviati (1520-1575), Bellerophon Killing the Chimera, Pen and brown ink, brown wash, heightened with white gouache, over black chalk, on blue paper faded to gray-brown; squared in red and black chalk The Morgan Library & Museum, New York, Gift of Janos Scholz, Photography: Graham S. Haber, 2012.

"A lista de artistas que trabalharam em Veneza na época foi um 'who's who' dos grandes mestres da Renascença ... Ticiano, Tintoretto, Veronese, e muitos outros.

"The list of artists working in Venice at the time is a 'who's who' of great Renaissance masters...Titian, Tintoretto, Veronese, and numerous others. 

Anonymous Italian Artist, Portrait of a Woman with Hairnet, Black chalk, heightened with white chalk, on paper, The Morgan Library & Museum, New York, Gift of H.P. Kraus Photography: Graham S. Haber, 2012.

O Morgan tem o prazer de oferecer ao público que visita o museu uma visão ampla sobre o papel do desenho e da mídia relacionados neste período excepcional na história da arte. "

The Morgan is delighted to offer the museum-going public a wide-ranging overview of the role of drawing and related media in this exceptional period in the history of art."

Jacopo Robusti, called Tintoretto (1519-1594), Head of Emperor Vitellius, Charcoal, heightened with white chalk, on blue paper faded to brown The Morgan Library & Museum, New York, Purchased as the Gift of Mr. and Mrs. Carl Stern, Photography: Graham S. Haber, 2012.

Paris Bordone (1500-1571), Head of a Bearded Man with Closed Eyes, early 1530s, Black chalk, heightened with white chalk, on blue paper faded to green-gray, The Morgan Library & Museum, New York, Gift of Janos Scholz Photography: Graham S. Haber, 2012.

Gian Girolamo Savoldo (ca. 1480-1548/9), Head and Shoulders of a Bearded Man Raising his Hand to his Chest, Black and white chalk, stumped, on blue paper, The Morgan Library & Museum, New York, Gift of Janos Scholz, Photography: Graham S. Haber, 2012.

Vittore Carpaccio (1460/5-1525/6), Head of a Bearded Man Wearing a Cap, in Profile to the Left, 1495-1500, Black chalk, brown wash, heightened with white gouache, on blue paper, The Morgan Library & Museum, New York, Purchased by Pierpont Morgan, 1909, Photography: Graham S. Haber, 2012.

Illuminated Page with the Coat of Arms of the Venetian Dona Family, from Livy's Historiae romanae decades (Roman History) Printed by Vindelinus de Spira in Venice, 1470, Parchment, The Morgan Library & Museum, New York, Photography: Graham S. Haber.

Attributed to Girolamo da Cremona Augustine’s Vision of the City of God, from St. Augstine De civitate Dei (The City of God), Printed by Nicolaus Jenson in Venice, 1475 Vellum, The Morgan Library & Museum, New York Photography: Graham S. Haber, 2012.

Creation of Eve, Frontispiece from Bible, Volume 1, Pri

nted by Vindelinus de Spira in Venice, 1471 Vellum, The Morgan Library & Museum, New York Photography: Graham S. Haber, 2012.

Cesare Vecellio, A Woman Blonding her Hair, from 

Degli habiti, antichi et moderni di diversi parti del mondo (Of Costumes, Ancient and Modern, of Different Parts of the World), Printed in Venice, 1590 The Morgan Library & Museum, New York, Photography: Graham S. Haber, 2012.

Albrecht Dürer (1471-1528), Kneeling Donor, 1506, Brush and black ink, gray wash, heightened with white bodycolor, with accents in pen and dark ink, on blue Venetian paper, The Morgan Library & Museum, New York, Purchased by Pierpont Morgan, 1909, Photography: Graham S. Haber, 2012.

Battista Franco (1510-1561), Ceiling Design with the Story of the Slave Girls of Smyrna, ca. 1548, Pen and brown ink, brown wash; on a mount made for the Dukes of Devonshire, Chatsworth House, The Morgan Library & Museum, New York, Purchased as a Gift of the Fellows, Photography: Graham S. Haber, 2012.

Nymph Discovered by a Satyr, from Hypnerotomachia Poliphili (Poliphilo’s Strife of Love in a Dream) Printed by Aldo Manuzio in Venice, 1499, The Morgan Library & Museum, New York, Photography: Graham S. Haber, 2012.

Girolamo da Cremona, Group of Philosophers Disputing, from Aristotle Opere (Works), Volume 2, Printed by Andrea Torresani and Bartolomeo de Blavis in Venice, 1483 Vellum, The Morgan Library & Museum, New York, Photography: Graham S. Haber, 2012.

Andrea Palladio (1508-1580), Plan and Elevation of the Villa Rotonda, from I quattro libri dell'architettura (Four Books on Architecture), Printed in Venice, 1570, The Morgan Library & Museum, New York, Gift of Paul Mellon, 1979, Photography: Graham S. Haber, 2012.

Paris Bordone (1500-1571) Standing Man Playing a Viola da Gamba, late 1530s, Black chalk, heightened with white chalk, on blue paper, The Morgan Library & Museum, New York, Purchased by Pierpont Morgan, 1909, Photography: Graham S. Haber, 2012.

Girolamo Romanino (ca. 1484/87-ca. 1560), Pastoral Concert with Two Women, a Faun and a Soldier, early 1530s Red chalk, The Morgan Library & Museum, New York Gift of Janos Scholz, Photography: Graham S. Haber, 2012.

Titian (1477/89-1576), Landscape with St. Theodore Overcoming the Dragon, ca. 1550s, Pen and brown ink, over traces of black chalk The Morgan Library & Museum, New York, Gift of Janos Scholz Photography: Graham S. Haber, 2012.

Benedetto Bordone (1460-1531) Vinegia (Venice), from Isolario (Book of Islands) Printed in Venice, 1528, The Morgan Library & Museum, New York Photography: Graham S. Haber, 2012.