Italian Master Drawings - National Gallery of Art Washington

Italian Master Drawings
from the Wolfgang Ratjen Collection, 1525–1835

Pietro Antonio Novelli, Head of a Man Looking Up, 1773/1779, pen and brown ink, heightened with white chalk on paper washed ocher, 322 x 202 mm, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.

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Giovanni Francesco Romanelli, The Massacre of the Innocents, c. 1635, pen and brown ink with brown and blue wash over black chalk, heightened with white gouache, 261 x 365 mm, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent

Fund, 2007.

Maravilhas do desenho italiano da Coleção Ratjen Wolfgang, cobrindo um período que vão do alto Renascimento até o neoclássico, estão na mostra da National Gallery of Art em Washington. até 27 de Novembro de 2011.

Giuseppe Zocchi, View of Rome with the Dome of Saint Peter's and the Castel Sant' Angelo, c. 1744, pen and brown ink with sanguine, brown, and gray wash over graphite, 147 x 380 mm, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Purchased as the Gift of Vincent and Linda Buonanno, 2007.

Guercino, Venus, Cupid, and Mars, 1633/1634, pen and brown ink with touches of oiled black chalk, 220 x 305 mm, the four corners cut and made up, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.

Antonio Cavallucci, The Presentation of the Virgin in the Temple, 1790/1795, black chalk with pen and brown ink and brown wash, heightened with white gouache on paper washed light green-blue, 249 x 334 mm, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.

Giovanni Battista Tiepolo, A Seated Male Nude, 1752/1753, red chalk heightened with white chalk on blue paper, 228 x 368 mm, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007

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Leandro Bassano, A Man Lifting a Bundle, c. 1592, charcoal, some oiled (?), with red-brown chalk, heightened with white chalk on blue paper, 208 x 279 mm, irregularly cut, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.

Ferdinando Galli Bibiena, Stage Design of Garden Pavilions, c. 1711, pen and brown ink with two shades of brown wash over graphite, sheet, 277 x 254 mm; image, 253 x 254 mm, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Purchased as the Gift of Vincent and Linda Buonanno, 2007.

Francesco Fontebasso, Alexander the Great before the Corpse of Darius, 1750/1769, pen and brown and black ink with gray, brown, and sanguine wash over black chalk, heightened with white gouache, 463 x 330 mm, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.

Francesco Fontebasso, Alexander the Great before the Corpse of Darius, 1750/1769, pen and brown and black ink with gray, brown, and sanguine wash over black chalk, heightened with white gouache, 463 x 330 mm, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.

Paolo Farinati, The Flaying of Marsyas, 1570/1575, pen and brown ink with brown wash over black chalk, heightened with white gouache, on greenish paper (originally blue), 397 x 275 mm, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.

Nicola Malinconico, The Transport of the Ark of the Covenant, c. 1690, pen and brown ink with gray wash over graphite, with both corners at bottom and small pieces along bottom and right margins replaced, 408 x 321 mm, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Purchased as the Gift of Diane A. Nixon, 2007.

Pompeo Batoni, Two Nude Children Lifting a Cudgel, c. 1748, red chalk heightened with white chalk on paper washed ocher, the children squared in red chalk, 280 x 210 mm, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Purchased as the Gift of Diane A. Nixon, 2007.

Domenico Tintoretto, Venetian Soldiers Attacking Constantinople, 1598/1605, egg tempera on gray-brown paper, 314 x 192 mm, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Purchased as the Gift of Alexander M. and Judith W. Laughlin, 2007.

Carlo Maratta, Studies of Saint James the Greater, c. 1686, red chalk heightened with white chalk on blue paper, 420 x 254 mm, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.

Gaetano Gandolfi, Studies of Female Nudes, 1785/1790, oiled charcoal and stumping, heightened with white gouache, 430 x 312 mm, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.

Lattanzio Gambara, Plague Victims Pleading for Help from Christ, the Virgin, and Saint Roch, 1567/1573, pen and brown ink with brown wash over black chalk, heightened with white gouache, with a small patch pasted over the head of the Virgin and then redrawn, 289 x 163 mm, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.

Benedetto Veli, The Veneration of St. Atto’s Miraculously Preserved Body, c. 1607, pen and brown ink with brown wash over black chalk, with perspective lines in graphite and corrections in white gouache, 264 x 380 mm, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.

Giulio Romano, The Four Elements, c. 1530, pen and brown ink with brown wash, 242 x 337 mm, National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.